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Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Classical,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) #645734. Published by Mainya Music Publishing (BMI) (A0.1041003). Contains:End Of The Line - taken from the Isadar solo piano collection, The Journey (available soon on SheetMusicDirect and SheetMusicPlus) Sounds like: Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:Kathy Parsons (MainlyPiano.com): Isadar’s fourth solo piano album is a blend of smooth jazz and new age, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album. The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording. A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players. Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier. None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands. My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line. Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as as software for Yamaha Disklavier player-pianos. For more information, visit his website at: https://www.isadar.com.
End Of The Line
Piano seul
Isadar
$6.99 6.66 € Piano seul PDF SheetMusicPlus

B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violon, Clarinette, Piano (trio)

$14.99 14.29 € Violon, Clarinette, Piano (trio) PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1368429 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 4 pages. Circlesquare Music #952775. Published by Circlesquare Music (A0.1368429). Introducing Microcosm of Virtue, a profoundly touching piano composition that delicately unfolds the intricate and beautiful tapestry of virtuous love. This romantic piece, part of the exquisite album A Celebration of Love, and Life by the esteemed artist and composer Jose Valladares, is a musical ode to the subtle graces and quiet strengths that form the foundation of deep, enduring affection.With a tender tempo of 60, Microcosm of Virtue invites listeners into an intimate world where every note resonates with sincerity, every chord echoes with integrity, and the melody weaves a narrative of respect, kindness, and unwavering commitment. This composition isn't just a series of notes; it's a heartfelt journey through the myriad virtues that love embodies. It's about the small, often unnoticed acts of care, the whispered words of encouragement, and the shared moments of silent understanding that collectively create the rich, complex microcosm of a loving relationship.Microcosm of Virtue is more than a musical piece; it's an invitation to reflect on the profound and often understated aspects of love that bind hearts together. It's perfect for those who wish to celebrate the depth and richness of their relationships, for pianists who aim to express the profound narrative of love through their artistry, and for anyone who seeks a melody that reverberates with the quiet strength and enduring beauty of virtuous love.Let Microcosm of Virtue guide you through a reflective and emotive journey, where each note serves as a gentle reminder of the virtues that make love both profound and beautiful. This composition is a tribute to the love that endures, a serene meditation on the virtues that underpin our deepest connections, and a celebration of the myriad ways in which love manifests itself in our lives.Embrace the elegance and depth of Microcosm of Virtue. Let this piece be a testament to the virtues that define your love, a musical exploration of the depth and beauty that lies within the quiet moments of connection. Acquire your copy today, and let Microcosm of Virtue resonate within your heart, echoing the virtues that make love the most exquisite and transformative experience of life.
Microcosm of Virtue
Piano seul
Jose Valladares
$8.99 8.57 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1257927 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 4 pages. Darek #851163. Published by Darek (A0.1257927). In The Hall Of The Mountain King (HARD PIANO) from Peer Gynt [Edvard Grieg]Advanced arrangement for pianists of In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Difficult arrangement of music song / advanced verison for pianists. Included: Fingering, Dynamics, video youtube tutorial. Embark on a thrilling musical journey with our advanced-level piano sheet music for Edvard Grieg's In The Hall Of The Mountain King from Peer Gynt. Designed for seasoned pianists seeking a formidable challenge, this sheet music will push the boundaries of your technique and musicality.This masterpiece from the Romantic era showcases Grieg's genius in crafting intense and dramatic compositions. As you delve into this advanced-level arrangement, you'll experience the full power and intricacy of In The Hall Of The Mountain King.Our meticulously crafted sheet music includes detailed fingering suggestions and dynamic markings, providing invaluable guidance to navigate the complex passages and expressively interpret the music. These elements are crucial in capturing the essence of Grieg's composition and conveying the hauntingly suspenseful atmosphere.To support your musical growth and ensure a comprehensive learning experience, we provide a high-quality video YouTube tutorial alongside the sheet music. This tutorial, led by an expert pianist, dissects the piece into manageable sections and offers invaluable insights into interpretation and technique.By offering advanced-level sheet music, we cater to the needs of accomplished pianists who crave a challenging and rewarding musical experience. In The Hall Of The Mountain King is an ideal choice for those seeking to expand their repertoire with a demanding yet captivating composition.As an advanced pianist, you understand the importance of investing in high-quality resources. Our advanced-level sheet music is meticulously crafted to meet the demands of virtuoso performers, ensuring a seamless and authentic rendition of Grieg's masterpiece.Elevate your playing and captivate your audience with the complexity and grandeur of In The Hall Of The Mountain King. This advanced-level sheet music opens the door to a world of musical expression, allowing you to showcase your technical prowess and artistic interpretation.The era of Romantic music holds a special place in the hearts of music enthusiasts worldwide, and Grieg's In The Hall Of The Mountain King is a timeless gem from this period. As you delve into this composition, you'll become immersed in the rich harmonies and emotional depth that define the Romantic era.To position yourself for success as an advanced pianist, it's crucial to challenge yourself with repertoire that showcases your skills and musical maturity. Our advanced-level sheet music for In The Hall Of The Mountain King provides the perfect platform for you to demonstrate your virtuosity and command over the instrument.Choose our advanced-level sheet music for In The Hall Of The Mountain King to embark on an extraordinary musical journey. With its meticulous attention to detail, including fingering suggestions, dynamic markings, and a video YouTube tutorial, this sheet music equips you with the tools to conquer the challenges of Grieg's iconic composition.Invest in your musical growth and artistic expression today. Purchase our advanced-level sheet music for In The Hall Of The Mountain King and discover the satisfaction of mastering a truly remarkable piece. Unleash your full potential as an advanced pianist and immerse yourself in the majesty of Grieg's timeless composition.
In The Hall Of The Mountain King (HARD PIANO) from Peer Gynt [Edvard Grieg]
Piano seul
offering advanced-level sheet music, we cater to the needs of accomplished pianists who crave a challenging and rewarding musical experience In The Hall Of The Mountain King is an ideal choice for those seeking to expand their repertoire with a demanding yet captivating composition
$5.00 4.77 € Piano seul PDF SheetMusicPlus

Level 4 - Digital Download SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 12 pages. Blue Steer Studios #857714. Published by Blue Steer Studios (A0.1264876). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.   The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor) - Score Only
Laura Olson
$4.99 4.76 € PDF SheetMusicPlus

Harp - Level 4 - Digital Download SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 279. Blue Steer Studios #859689. Published by Blue Steer Studios (A0.1267054). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.   The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)- Full Ensemble performance
Harpe
Laura Olson
$1.99 1.9 € Harpe PDF SheetMusicPlus

Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 277. Blue Steer Studios #857711. Published by Blue Steer Studios (A0.1264873). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.   The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)- Full Ensemble performance
Harpe
Laura Olson
$1.99 1.9 € Harpe PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1368438 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 4 pages. Circlesquare Music #952784. Published by Circlesquare Music (A0.1368438). Introducing Thinking of You, a tender and introspective piano composition that gently echoes the contemplative moments of reflection and longing. This poignant piece, from the deeply emotive album A Celebration of Love, and Life by the esteemed artist and composer Jose Valladares, is a musical embodiment of the thoughts and feelings that arise when someone special lingers in your mind and heart.With a thoughtful tempo of 75, Thinking of You delicately weaves through the complexities of human emotion, capturing the subtle nuances of fondness, yearning, and the warmth of cherished memories. The composition is a delicate tapestry of sound, each note a gentle caress, and each chord a tender embrace, evoking the serene beauty and quiet intensity of heartfelt remembrance.Thinking of You is more than just a piece of music; it's a window into the soul, a reflection of the deep and personal connection that endures even in absence. It invites listeners to embark on a journey within, to revisit the sacred spaces where memories reside and emotions flow freely. This composition is perfect for those who seek to express the depth of their affection through the gentle touch of piano keys, for pianists who wish to convey the profound narrative of remembrance, and for anyone who finds solace and beauty in the act of thinking about a loved one.Let Thinking of You envelop you in its tender melody, creating a tranquil space where thoughts and emotions intertwine in a harmonious dance. Allow this piece to be your companion in moments of solitude, a soothing reminder of the enduring presence of those we hold dear in our thoughts and hearts. This composition is a celebration of remembrance, a serene ode to the ones we think of fondly, and a testament to the lasting impressions that love and affection can leave on our lives.
Thinking of you
Piano seul
Jose Valladares
$8.99 8.57 € Piano seul PDF SheetMusicPlus

Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano. 
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking
$20.00 19.06 € 2 Pianos, 4 mains PDF SheetMusicPlus

Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking
$20.00 19.06 € 2 Pianos, 4 mains PDF SheetMusicPlus

Cello,Piano - Level 5 - Digital Download SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. SalutConcert #6272207. Published by SalutConcert (A0.1013561). DREAM OF LOVE -Duo for Cello & PianoA true work of art, fantastically beautiful and perfect,that reaches the maximum point of the sense of Love.                                                               Lord of the Violin -Mstro. Graf Mourja / RussiaThe work Dream of Love, originally written for Piano Solo and titled by the composer Liszt Liebestraum No.3, relives in the XXI century its intense romance in the version of a loving Duo, starring by Cello and Piano, created by Victoria Foust.It represents a dialogue that leads to discovering the meaning of Love in all its expressions.Preserving the passionate romantic atmosphere, this Duo version demands great technical and musical professional ease for both instruments, in order to achieve a complete and transcendent musical experience for both the soloists and their audience.The cello part has a mature technical exigency that requires a high-performance flight to reach the door of the spiritual, of the metaphysical, proposed in this arrangement for duo. - Mr. J. Hennessey Brown / Brown Music Agency / UKApart from offering a virtuous sample for each interpreter, it also provides a very effective tool to discover the world of chamber music and develop a greater sensitivity for each soloist and the duo itself.Approximately 5 minutes long, the composition, accompanied by an original poem, written by its author and translated into two languages ​​(Spanish and English), invites you to discover the dimensions of Love through a musical journey that leads to the union of all senses.Love…Are you a necessity or a luxury?A truth or an illusion?Love…Are you just a Dream? To complete the enjoyment of this beautiful musical gem, Victoria Foust has created the Videoclip Dream of Love - a love story, starring by music, Lipizzan imperial horses and the exuberant nature of southern Chile.A beauty from a fairy tale, turned into reality, that invites you to see it indefinitely. - Mstro. Peter Guth / Strauss Orchestra / Viennahttps://youtu.be/jLWxkmg_Ld0 To musically unite the Love Story part of the VideoClip with it Credits part, the creator has specially composed a new piece of music There was once - a fantasy about Liszt's melodies, which fuses classical piano with Latin-American rhythms and jazz touches, interacting with saxophone, cello and percussion.https://youtu.be/i-_gWb1u-zABoth works are also part of the CD Pulse of the Life with the compositions by Victoria Foust.https://www.victoriafoust.com/cd-pulso-de-la-vida/More details about the Project of the Videoclip Dream of Love can be found here:https://www.victoriafoust.com/sueno-de-amor/I very much wish that you can enjoy this musical arrangement and I will be very grateful if you could share with me your experiences related to this work.Music with Love,VictoRia Â·      www.victoriafoust.com·      https://www.youtube.com/channel/UC6sgzGtmZ0WluhJkz_pmrRQ·      Facebook: https://www.facebook.com/victoria.foust.581·      Instagram: https://www.instagram.com/pianistvictoriafoust·      Linkedin: https://www.linkedin.com/in/victoria-foust-3a268859/·      Wikipedia: https://es.m.wikipedia.org/wiki/Victoria_Foust It is published under Label SalutConcertwww.salutconcert.com   
"DREAM OF LOVE"
Violoncelle, Piano

$18.00 17.16 € Violoncelle, Piano PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download SKU: A0.1261974 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #855059. Published by Darek (A0.1261974). Cantata: Jesu, Joy of Man’s Desiring (EASY PIANO) (BWV 147) [Johann Sebastian Bach]Simplified arrangement for pianists of Cantata: Jesu, Joy of Man’s Desiring (BWV 147) by Johann Sebastian Bach. Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial.  Immerse yourself in the timeless beauty of Johann Sebastian Bach's Cantata: Jesu, Joy of Man's Desiring (BWV 147) with this easy-level piano sheet music edition, specifically tailored for beginner pianists. Experience the uplifting melodies of this iconic composition, transporting yourself to the splendor of the Baroque era. I have thoughtfully prepared this sheet music to empower aspiring pianists like you to embrace the beauty of Bach's masterpiece. With detailed fingering suggestions, you will effortlessly navigate the gentle yet intricate passages, allowing your hands to gracefully interpret the enchanting melody. Captivate the essence of the piece with the aid of comprehensive articulation markings, guiding you to shape each phrase with precision and expressiveness. The inclusion of precise dynamics notation further enhances your interpretation, allowing you to convey the range of emotions embedded within this renowned composition. To enhance your learning experience, I have included a valuable YouTube tutorial video that offers insightful guidance, tips, and demonstrations. This visual resource will inspire and empower you to master the nuances of Jesu, Joy of Man's Desiring at your own pace, unlocking your potential as a pianist. This sheet music is carefully designed for beginner pianists, providing an accessible entry point into Bach's remarkable repertoire. Embrace the challenge and relish the joy of performing a piece from one of the greatest composers in history. Join the community of passionate pianists who have embraced the enduring beauty of Jesu, Joy of Man's Desiring. Whether you are a novice pianist seeking a captivating musical experience or an intermediate player looking to expand your repertoire, this sheet music is an ideal choice. Unlock your musicality and let the harmonious melodies of Bach resonate through your fingertips. Immerse yourself in the richness of the Baroque era, nurturing your skills and cultivating a deep connection with the piano. Don't miss the opportunity to add this timeless composition to your repertoire and captivate audiences with your heartfelt performance. Keywords: Cantata: Jesu, Joy of Man's Desiring, BWV 147, Johann Sebastian Bach, piano sheet music, easy level, beginner pianists, fingering, articulation, dynamics, YouTube tutorial, Baroque era, music, pianists, composition, repertoire, musical experience, uplifting melodies, enchanting melody.
Cantata: Jesu, Joy of Man’s Desiring (EASY PIANO) (BWV 147) [Johann Sebastian Bach]
Piano Facile

$3.00 2.86 € Piano Facile PDF SheetMusicPlus

Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1281392 Composed by Alta Mihartescu. This edition: Interactive Download. Classical. Individual part. 18 pages. Duration 127. Alta Mihartescu #48bYy1p4UyCAz5nZym0MPG. Published by Alta Mihartescu (A0.1281392). Key: C major.Eddies of Time is a captivating contemporary piano piece that defies traditional musical boundaries. Composed using 20th-century techniques, it eschews conventional meter, offering a fluid and unanchored exploration of time and space. The title itself, Eddies of Time, evokes images of swirling currents and ceaseless motion. This imagery is masterfully translated into sound, as the piece flows and undulates without the constraints of a fixed rhythmic structure. The absence of meter allows for a more organic and intuitive connection between the performer and the music, creating a unique and immersive listening experience. Drawing inspiration from avant-garde composers of the 20th century, the piece employs extended piano techniques, such as inside-the-piano playing, unconventional fingerings, and the use of various objects to alter the instrument's timbre. These techniques contribute to a rich and complex sonic palette that challenges traditional notions of melody and harmony. The structure of Eddies of Time is equally unconventional, with sections that ebb and flow, mirroring the natural movement of water. Themes are introduced, then reappear in altered forms, creating a sense of continuity and transformation. The composer's use of dissonance and atonality adds to the piece's modern character, providing tension and release in unexpected ways. Performing Eddies of Time requires not only technical prowess but also a deep understanding of the emotional and philosophical underpinnings of the work. The pianist must navigate the score with sensitivity and intuition, allowing the music to unfold naturally, like the eddying currents of a river. In Eddies of Time, the listener is invited to embark on a musical journey that transcends conventional form and meter. It's a piece that resonates with the restless spirit of the 20th century, reflecting a world in constant flux and a timeless fascination with the mysteries of existence.
Eddies of Time
Piano seul

$5.00 4.77 € Piano seul PDF SheetMusicPlus

Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking
$20.00 19.06 € 2 Pianos, 4 mains PDF SheetMusicPlus






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