Piano Solo - Level 2 - Digital Download SKU: A0.807505 Composed by George Frideric Handel, MASON, and Watts. Arranged by Kathryn Carpenter. Christmas,Classical,Contemporary. Score. 3 pages. Kathryn Carpenter #6011247. Published by Kathryn Carpenter (A0.807505). Joy to the World: A Classical Style* A Classical style of Joy to the World for piano!* Includes the Alberti bass* Begins in C major and moves to F major!* Piano arrangement (level 2 or 3)

Solo Guitar - Level 2 - Digital Download SKU: A0.1292563 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #883116. Published by Yuri Noronha (A0.1292563). Baa Baa Black Sheep is a Traditional Song.This arrangement was written for fingerstyle guitar.Level is easy!1 Page.baa baa black sheep sheet music free, baa baa black sheep sheet music, baa baa black sheep guitar tab, baa baa black sheep guitar lesson, guitar sheet music for baa baa black sheep, baa baa black sheep guitar, baa baa black sheep on guitar, how to play baa baa black sheep on guitar, sheet music guitar baa baa black sheep, sheet music acoustic guitar baa baa black sheep, sheet music classical guitar baa baa black sheep, fingerstyle guitar, baa baa black sheep fingerstyle, baa baa black sheep classical guitar,.

Acoustic Guitar,Instrumental Solo - Digital Download SKU: A0.1167701 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #768069. Published by Socrates Arvanitakis (A0.1167701). This is the thirtieth-fourth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 34 (Songs 892-918)Villikins and his DinahWaltzing MatildaWark o’ the Weavers (the)Water of Tyne (the)Watercress Girl (the)Watts’s Cradle Song 1Watts’s Cradle Song 2Watts’s Cradle Song 3We Wish You A Merry ChristmasWe’ve been a while a-wanderingWealthy Young Farmer (the)Weaver (the)Westering HomeWhat is the life of a manWhat You Gonna Call Yo’ Pretty Little BabyWhen Adam was First CreatedWhen Jones’s Ale was NewWhile Shepherds Watched (Liverpool)Whilst The Gamekeepers Lie SleepingWhite CockadeWhite Hare (the)Who will you give me to sail awayWho’ll be King but CharlieWho’s the fool nowWiddecombe FairWild Moor (the)Wild White Rose (the).

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152821 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 38 pages. Socrates Arvanitakis #753060. Published by Socrates Arvanitakis (A0.1152821). This is the twelfth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 12 (Songs 298-324)Farewell to FinuaryFarewell to TarwathieFarmer in Cheshire (the)Farmer’s Boy (the)Farmer’s Daughter (the)-On The Banks Of Sweet Dundee 2Farmyard (the)Fatal Snowstorm (the)Father GrumbleFather James’s Song No 2Fathom the BowlFeast Song (Gloucester)Female Highwayman 1 (Sovay)Female Highwayman 2 (Sylvia)Female Highwayman 3 (the)Fill the CupFire Down BelowFirst Britford CarolFirst of May (the)Flash CompanyFlash Company 2 (THE MYRTLE TREE)Flat River Raftsman (the)Flight of the EarlsFlora, The Lily of the West  1(the)Flora, The Lily of the West  2(the)Flow Gently Sweet AftonFlower of Killarney (the)Flower of Serving Men (the).

Small Ensemble Flute,Guitar,Oboe,Violin - Level 4 - Digital Download SKU: A0.775432 Composed by G. F. Handel. Arranged by John Pinno. Baroque,Concert,Graduation. Score and parts. 21 pages. John Pinno #3087819. Published by John Pinno (A0.775432). An arrangement for flute and classical guitar of the Royal Fireworks Music of G. F. Handel.   This was written by Handel for an event on April 21, 1749, and was originally scored for wind band and drums. This arrangement has been distilled down to flute and classical guitar. The flute part could be played on some of the movements with either violin or oboe. This arrangement includes the first section of the Overture, plus the Bouree, La Rejouissance, La Paix, and the two concluding Menuets.For any concerns or questions email John Pinno at jpinno093@hotmail.com.  Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745

Easy Piano - Level 1 - Digital Download SKU: A0.736171 Composed by Various. Arranged by Andrew Middleton. 20th Century,Christmas,Classical,Opera,Romantic Period. Score. 69 pages. Andrew Middleton #6443253. Published by Andrew Middleton (A0.736171). A collection of 18 pieces of classical music arranged for easy piano solo. These pieces are a great for the beginner early intermediate student and a great way to introduce the great classical composers.

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152799 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 48 pages. Socrates Arvanitakis #753038. Published by Socrates Arvanitakis (A0.1152799). This is the tenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 10 (Songs 244-270)Dilly Song 1 (the)Dilly Song 2 (the)Dives and LazarusDo you remember that nightDonkey RidingDorrington Lads (My Dearie She Sits Ower Late up)Doun the Burn DavieDowie Dens of Yarrow (the)Down By Sally’s GardenDown in the Meadows (O Waly Waly-variant)Down in Yon Forest 1Down in Yon Forest 2Dragoon and the Lady 1 (the)Dragoon and the Lady 2 (the)Dragoon and the Lady 3 (the)Dragoon and the Lady 4 (the)Drill Drill ye TarriersDrink To Me OnlyDrover’s Dream (the)Drowned Lover (the)Drowsy Sleeper (Arise, Arise-new setting)Drummer and the Cook (the)Drummer Boy of Waterloo (the)Duke of Marlborough (the)Dunster Carol 1 (I Hear Along Our Street)Dunster Carol 2 (I Hear Along Our Street)Dying Cowboy (the).

Solo Guitar - Level 2 - Digital Download SKU: A0.945788 Composed by Mauro Giuliani. Arranged by Jorge Yáñez. Classical,Concert. Individual part. 3 pages. Gessle Classical Guitar #6132689. Published by Gessle Classical Guitar (A0.945788). Hermoso estudio de arpegios de Mauro Giuliani para guitarra clásica

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156206 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 40 pages. Socrates Arvanitakis #756520. Published by Socrates Arvanitakis (A0.1156206). This is the eighteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 18 (Songs 460-486)Jack HallJan’s CourtshipJennie JenkinsJenny Go GentleJesus, Jesus, Rest your HeadJim Along JosieJock O’ the SideJock of HazeldeanJohn Anderson, my joJohn ApplebyJohn BarleycornJohn BluntJohn KanakaJohn of the HazelgreenJohn PeelJohnnie SangsterJohnny GallagherJohnny ToddJolly Beggar (The)Jolly Carter (The)Jolly Goss-Hawk (the)Jolly Miller-Miller of Dee (the)Jolly Ploughboy 1 (the)Jolly Ploughboy 2Jolly Waggoner (the)JordanJoseph and the Angel.

1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1463320 Composed by Various. Arranged by Sandra Zylstra. Children,Classical,Instructional. Score. 23 pages. Sandra dee zylstra #1042011. Published by sandra dee zylstra (A0.1463320). Classical Duets for Two (Book 2)  are arranged as ten evenly leveled late elementary classical duets in the keys of C, G, and F. The duets are Andante -Haydn, Canon -Pachelbel, Spring -Vivaldi, The Blue Danube -Strauss, Give Me Your Hand -Mozart, La Donna E Mobile -Verdi, Liebestraum -Liszt, Aria -Bach, Roses from the South -Strauss, and The Swan -Sain-Saens. Each duet is also available separately! (22 pages)  You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.

Guitar - Level 2 - Digital Download SKU: A0.1258748 By Ron k Wiggins. By C. Austin Miles 1912. Arranged by Ron k Wiggins. Classical,Religious,Traditional. Guitar Tab. 3 pages. WigMusic #852008. Published by WigMusic (A0.1258748). This is a beautiful hymn with a great story behind it. It is arranged here for Classical Guitar first in the key of C and then repeated in D.The arrangement mostly makes use of descending arpeggios which I call a backwards roll; a term borrowed from banjo players.  It makes for an interesting and different kind of arrangement similar to the popular classical tune Romanza..

Piano Solo - Level 3 - Digital Download SKU: A0.818294 By Stephen R Dalrymple. By Justin Elie. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Romantic Period. Score. 10 pages. Stephen R Dalrymple #4994299. Published by Stephen R Dalrymple (A0.818294). Tropical Dance 2 by Justin Elie (Classical Music for Tablet Series) ♫ Justin Elie 1883-1931 was one of the few Haitian composers whose works were published outside Haiti and enjoyed an international reputation for his works. He received his early education in Haiti, studying with pianist Ermine Faubert from 1889 to 1894 and enrolling briefly at the prestigious institution de Saint Louis de Gonzague in Port-au-Prince. ♫ In 1895, at the age of 12 he traveled to France and enrolled at the Cours Masset, a preparatory school for the Paris Conservatory. In 1901 at the age of 17 he entered the Paris Conservatoire. Elie returned to Haiti in 1905. ♫ He undertook a concert tour in 1909 and 1910, featuring works by European composers, and visited Jamaica, Puerto Rico, St. Thomas, Curaçao, Venezuela, and Cuba. Elie's concerts were especially well received in Jamaica. Justin Elie enjoyed the most prominent international reputation of all the Haitian composers. ♫ Justin Elie drew on Native American music for his creative inspiration. Elie wrote several pieces that used Native American (Haitian, and Central and South American) musical motifs and descriptive programs that put these native cultures at the center of Haitian musical life. Unlike Lamothe, whose audience was primarily drawn from Haiti, Elie developed his career in the United States. ♫ Eager to make a career of music composition, Justin Elie emigrated to the US in 1922 moving to New York City. His wife, Lily, joined him in New York in 1923 and the two of them performed frequently in recitals that included Elie's compositions. (based on http://chevalierdesaintgeorges.homestead.com/Elie.html) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1163847 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #764199. Published by Socrates Arvanitakis (A0.1163847). This is the twenty-ninth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 29 (Songs 757-783)Sally BrownSally GraySamuel Hooser’s HymnSandySantianaScarborough Fair 1Scarborough Fair 2 (singing together version)Scraping Up Sand In The Bottom Of The SeaSearching for LambsSeasons of the Year (the)Second Britford CarolSee Amid the Winter’s SnowSeeds of Love (the)Servant of Rosemary Lane (the)Servingman and the Husbandman (the)Seven Virgins (the)Seventeen Come SundayShaker March No 20Shaker Solemn Song 2 (A)Shaker Solemn Song 12Shaker Turning Shuffle Tune No. 5She’s like the SwallowSheepcrook and Black DogSheep-shearing SongShepherd and his dog (the)Shepherd’s Song (the)Shepherds Arise.

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1165267 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #765624. Published by Socrates Arvanitakis (A0.1165267). This is the thirtieth-first of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 31 (Songs 811-837)St AthanStar of Belle Isle (the)Star of County Down 1 (the)Star of County Down 2 (the)Stately Southerner (the)Still Still, StillStranger in Cork (a)Streets of LaredoStrike the BellSussex Mummer’s CarolSwan Swims So Bonny (the)Swansea TownSweet Chiming Bells (While Shepherds Watched)Sweet KittySweet MarySweet Nightingale 1 (the)Sweet Nightingale 2 (the)Sweet Nightingale 3 (the)Sweet Nightingale 4 (the)Sweet Nightingale 5 (the)Sweet Nightingale 6 (the)Sweet Primeroses (the)Sweet WilliamSword Dance 1Sword Dance 2 (prologue to dance)SylviaTailor and the Carrion Crow (the).

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1440991 By Keith Terrett. By Francisco de Asís Tárrega Eixea (21 November 1852 – 15 December 1909). Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Score. 3 pages. Keith Terrett #1020970. Published by Keith Terrett (A0.1440991). Lágrima (Teardrop) is a romantic prelude for solo guitar by Spanish guitarist Francisco Tárrega. It is one of the best-known original compositions by Tárrega. It has been published by Ildefonso Alier.Analysis:Lágrima is a very short miniature consisting of only 16 bars. It takes around 2 minutes to perform and its tempo marking is andante. It has an A-B-A structure, section A being in E major and B in E minor, and has been overwhelmingly highlighted by critics because of its simplicity and melancholic atmosphere. Each section has 8 bars. Section A consists of a very simple and predictable melody with quarter notes and dotted half notes, while the accompaniment has eighth notes. Section B turns a little bit less predictable but otherwise still very simple, with eighth notes on the main voice. At the end of section B, section A is repeated to close the work.[ As usual in Tárrega's composition, Lágrima bears some technical difficulties in spite of its simplicity.Composed between late 1891 and early 1892, it is one of Tárrega's most performed pieces. Lágrima has not been included in a definitive catalogue of his works. It has been, however, included in other collections of pieces and has been numbered depending on the position in those collections or in recordings.Musical style:Tárrega composed music in the romantic style of 19th-century European masters. His conservatory training and familiarity with contemporary classical genres and techniques are apparent in his compositions and transcriptions; these are more sophisticated than those of Spanish guitarist-composers of the previous generation and his contemporaries, e.g., Magín Alegre, Tomás Damas, Julián Arcas, José Viñas, and José Ferrer.A virtuoso on his instrument, he was known as the Sarasate of the guitar, although Tárrega preferred small intimate performances over the concert stage.Tárrega is considered to have laid the foundations for 20th-century classical guitar and for increasing interest in the guitar as a recital instrument.