Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 5 - Digital Download SKU: A0.546013 By FALLAHIN SCORE EDITIONS. By Claude Debussy. Arranged by Marcelo Fallahin. Classical. Score and parts. 11 pages. Fallahin Score Editions #156128. Published by Fallahin Score Editions (A0.546013). TRANSCRIPTION FOR OBOE AND GUITAR.

Composed by Claude Debussy (1862-1918). 20th Century, Repertoire, European, Wedding, Recital. Score, Set of Parts. 19 pages. Published by Woods Only

Composed by Claude Debussy (1862-1918). Arranged by Micha. Classical. Score and part. 27 pages. Micha #689278. Published by Micha

Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (ne�e Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1476293 Composed by Claude Debussy. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 19 pages. Jmsgu3 #1053807. Published by jmsgu3 (A0.1476293). Composed in 1890, Rêverie is one of Debussy's earlier works, showcasing his evolving style and paving the way for his later, more mature compositions. The title Rêverie refers to a dreamlike state, and the piece is known for its calm, peaceful, and atmospheric qualities, making it a perfect entry point into Debussy's style. Rêverie is often considered a symbol of the Impressionism musical movement, featuring subtle, dreamy emotions that capture the essence of this artistic style.The vibrant and dreamy nature of Rêverie has made it a popular choice for various multimedia, including films, commercials, and piano recitals, solidifying its iconic status as a piece of the piano repertoire. The music of Rêverie overwhelms and transports the listener to a dreamlike state, creating a personal and romantic experience open to individual interpretation. Debussy's ability to create a dreamlike atmosphere through the music, with a gently repetitive theme that evolves into richer textures, showcases his mastery in crafting captivating musical landscapes.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553168 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 9 pages. RayThompsonMusic #2027003. Published by RayThompsonMusic (A0.553168). The 2nd piece in Debussy's Children's Corner. This work describes an elephant, Jumbo, who came from the French Sudan and lived briefly in the Jardin des Plantes in Paris around the time of Debussy's birth. Debussy quotes the French lullaby Do, do, l'enfant do, several times in the course of the piece.

Small Ensemble Cello,Clarinet,Flute,Horn,Violin - Level 4 - Digital Download SKU: A0.973105 Composed by Claude Debussy. Arranged by Larry Wesley. 20th Century,Concert,Standards. Score and parts. 31 pages. Larry Wesley #4776741. Published by Larry Wesley (A0.973105). Debussy was the great master of the 19th and 20th centuries.   These are two pieces of early and late Debussy.  The first piece, the Little Shepherd, is a late work and the second piece, Mazurka, was published in 1891 when Debussy was 29 ( and probably composed around 1880.) 

Full Orchestra - Digital Download SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Leytush #6417961. Published by Arkady Leytush (A0.1008416). “La Sérénade Interrompue�,#9(I)Sometimes an orchestral transcription of a program piece like this “Interrupted Serenade� turns into a kind of theatrical performance on the stage of the theater. By means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end.La puerta del Vino,#3(II)While creating the orchestral version of this Debussy prelude, two things stood before my eyes -the seductive Habanera performed by an oriental beauty and the unforgettable beauty of Alhambra. General Lavine - eccentric,#6(II)Debussy creates the effect of three hands playing. Lavine’s clown acts were accompanied by trumpets and drums, often backstage. “Strident,� “spiritual and discreet�: tongue-in-cheek. �Sec,� a dry sound for staccato chords. Debussy’s transformation of the American popular tune, “Camp town Races.� Sudden dynamic changes suggest the juggling act of “General� Lavine, tossing large and small items at the same time.