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Instrumental Duet Cello,Instrumental Duet,Piano - Digital Download SKU: A0.956125 Composed by Sherry Shieh. 20th Century,Baroque,Contemporary,New Age. Score and parts. 3 pages. Sherry Shieh #5771549. Published by Sherry Shieh (A0.956125). CONTINUOInspired by the first of J.S. Bach's unaccompanied six cello suites, CONTINUO is an imaginative take to de-construct Bach and give it a modern face-lift. CONTINUO transforms Bach’s harmony into an electrifying song which with every repetition takes the music into a higher level and eventually climaxes with a cello cadenza at the end (improvised by cellist Adrian Daurov). Its steadfast driving force gives the impetus to keep the crescendo of our lives going, never stopping or pausing, even in dire circumstances. The high-spirited brio of the coda reinstates the powerful strive for life with almost frenetic vigor.DURATION: 3 min 30 secSUITABLE FOR:Any classical/chamber and church concerts. A show stopper, a great opening music. Appropriate for professional performers, teachers & students.ABOUT THE COMPOSER:www.sherryshieh.comABOUT THE DUO: www.aninternationalaffair.comIG: www.instagram.com/aninternationalaffairFB: https://www.facebook.com/AIAtheduo/ 
Cello Part- Continuo, Original Music by Sherry Shieh
Violoncelle, Piano

$6.99 6.02 € Violoncelle, Piano PDF SheetMusicPlus

String Ensemble Keyboard - Level 3 - Digital Download SKU: A0.1115946 By Paul Barker Music. By Paul Barker. A Cappella,Christmas,Contemporary,Contest,Easter,Festival. Full Performance. Duration 109. Paul Barker Music #717671. Published by Paul Barker Music (A0.1115946). Professional Performance Recording MP3. A stunningly powerful contemporary choral work in SATB format with optional Keyboard, Strings and Descant parts. The Silent Prayer uses no lyrics only ‘Oh’ and ‘Ah’ vowel sounds and produces an ethereal mix of emotions culminating in two powerful musical climaxes both your choir and audience with surely remember. Can be performed A Cappella or with instrumental accompaniment.
The Silent Prayer (Performance Recording)
Paul Barker Music
$4.95 4.27 € PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1449511 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 45 pages. Sy Brandon #1029267. Published by Sy Brandon (A0.1449511). Cascades is a three-movement composition for flute choir that represents both the waterfall definition of the word and the mountain range in the Pacific Northwest. The first movement represents Multnomah Falls, the tallest waterfall in Oregon. It drops 635 feet in two tiers. The music has cascading musical figures as well as sense of power and beauty. Mt. Hood is the inspiration for second movement. Standing at 11,249 feet above sea level, this majestic mountain is dramatically visible from the valley floor and is snow covered most of the year. The music of this movement depicts the rising from the valley floor with its low to high orchestration. The almost symmetrical shape is represented by descending lines after the two climaxes.The third movement is a reminder of the relatively youngness of the Cascade mountain range. In 1980, Mt. St. Helens erupted, causing catastrophic damage to the surrounding area and loss of lives. What remains of this former symmetrical mountain is a large crater as a reminder of the volatile nature of the Cascade Range. The music of this movement is filled with tension, from the seismic tremors of the first part to the eruption itself in the second part. A final cascade, this time depicting lava flow rather than a waterfall, brings both the movement and the composition to a close.
Cascades for Flute Choir
Ensemble de Flûtes

$15.00 12.92 € Ensemble de Flûtes PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.914313 Composed by Traditional American melody & Thomas Campbell. Arranged by Heather Knezevich. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Songs of Praise #6048169. Published by Songs of Praise (A0.914313). This advanced piano solo features two hymns about God's grace and love. Amazing grace, how sweet the sound that saved a wretch like me! and Amazing love! How can it be that Thou my God shouldst die for me?It begins simply with RH melody and LH arpeggiated bass. After a verse of And Can It Be which climaxes in RH flowing arpeggios, the motif from Amazing Grace returns in a final closing statement. This piece is suitable for piano recitals or church offertories or solos. .
Amazing Grace with And Can It Be - advanced piano solo
Piano seul

$3.99 3.44 € Piano seul PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.
SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
Orchestre

$69.99 60.31 € Orchestre PDF SheetMusicPlus

Tenor voice, violoncello, and piano - Moderately Difficult - Digital Download SKU: MQ.8548-E Composed by David Conte. 31 pages. E. C. Schirmer Music Company - Digital #8548-E. Published by E. C. Schirmer Music Company - Digital (MQ.8548-E). English, French, Latin.A set of three love poems in three different languages; Latin, French, and English. In all three pieces, the violoncello represents the very soul of the speaker of these three texts, as it moves through many emotions, including passion, suffering, vulnerability, and joy. Levis exsurgit zephirus is taken from the eleventh century volume titled Cambridge Songs. The music has a gentle undulating quality, as the speaker is “possessed by deep sighs in the midst of all this beauty,†for his soul languishes. After several climaxes, the opening music returns in the minor mode, accompanied by “sighs†in the piano and violoncello. Duration: 5:00D’Anne qui me jetta de la neige describes a young man suddenly hit by what Italians poetically call the “Thunderbolt,†a burning moment where one falls suddenly and passionately in love. Duration: 4:00Theodore Roethke's poem, The Moment, is both subtly and unabashedly erotic, and indeed “ends in joy.†Duration: 6:00Contents:1. Levis exsurgit zephirus2. D’Anne qui me jetta de la neige3. The Moment.
Love Songs (Downloadable Full/Vocal Score)

$13.00 11.2 € PDF SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Orgue

$12.95 11.16 € Orgue PDF SheetMusicPlus

(Cello, Flute, French Horn, Handbells, Oboe, Orchestra, Percussion, Piano, Violin) - Digital Download SKU: H1.8414DP Composed by Allen Pote. Musicals Collection. Lent & Easter Musicals. Lent, Easter Sunday, Jesus Christ - Resurrection, Sacrifice. Set of Instrumental Parts. 285 pages. Hope Publishing - Digital #8414DP. Published by Hope Publishing - Digital (H1.8414DP). Tom S. Long.Lent & Easter Musical Based on the Gospel of Mark, Allen Pote and Tom Long have created a 35-minute retelling of last week of Christ's life, with passionate music, riveting lyrics and narration. Performed in its entirety, the musical makes the full journey from Palm Sunday to Easter morning and climaxes with Allen Pote's blockbuster anthem On the Third Day. The work may be adapted to work as a Lenten cantata by omitting either or both of the first and last pieces. An other variation would be to sing the Hosanna on Palm Sunday, then on Good Friday the bulk of the work, saving On the Third Day your Easter morning service. Accompaniment may be provided by just piano, CD track, or a small instrumental ensemble composed by Mark Kellner. Allen Pote's memorable melodies interact beautifully with Tom Long's lyrics to provide a profoundly moving musical work, which perfectly commemorates the sacrificial death of Christ At the Ninth Hour. The Orchestration by Mark Kellner contains a Conductor's Score and parts for: 18 Handbells (A4-G7), Piano, Flute, Oboe, Horn in F, Percussion, Violins 1 & 2, Cello, Bass Guitar, and Synth String Reduction. The separate handbell part, depending on the selection, is for up to 18 bells (A4-G7).
At the Ninth Hour

$175.00 150.78 € PDF SheetMusicPlus

Clarinet Solo - Level 4 - Digital Download SKU: A0.839719 By Frank Sinatra. By Joe Raposo. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6690687. Published by Bobby Hesch (A0.839719). IT'S NOT THAT EASY BEIN' GREEN!!! I LOVE TO PERFORM THIS CHART!!! PERFORMED BY FRANK SINATRA! VAN MORRISON !  RAY CHARLES! JIM HENSON!!! MANY MORE!!! MANY JAZZ GREATS!!! LET'S PLAY SOME JAZZ!!!SLOW BLUES WITH POWERFUL CLIMAXES!!! CHECK OUT THE LYRICS!!! KEY OF G/Ab!!! COURTESY ACCIDENTALS!!! LOW E-HIGH G!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG :@bobbyhesch E MAIL QUESTIONS, I CAN HELP!!!  GREAT LYRICS!!! KERMIT THE FROG !!! THANKS TO COMPOSER JOE RAPOSO FOR A GREAT SONG!!!
Bein' Green
Clarinette
Frank Sinatra
$4.99 4.3 € Clarinette PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†  Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
Orchestre à Cordes

$64.95 55.96 € Orchestre à Cordes PDF SheetMusicPlus

Cello Solo - Level 3 - Digital Download SKU: A0.1026051 Composed by Thomas Marples. Contemporary. Individual part. 6 pages. Thomas Marples #5775771. Published by Thomas Marples (A0.1026051). Cello part only - This piano trio performs as a dramatic battle between the Violist and Cellist to have the last word, or in this case, the last note, and win the overall piece. The exciting and fast-paced musical dialogue between the two players is interrupted by a series of expressive but furious cadenzas, which builds to a series of unsuspecting climaxes.Thoughts from the composer - I found it a great challenge to build up and explore the narrative of the piece musically, but ultimately a rewarding one, especially in concert, where the true theatricality of the Duel can be brought to life..
Duel: for Viola and Cello - Cello
Violoncelle

$4.99 4.3 € Violoncelle PDF SheetMusicPlus


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