Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes  Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.

Pic(fl).1.2.2.1.cbsn-2.2.0.0-str(12-14.10-12.8-10.6-8.4-6) orchestra - Digital Download SKU: S9.Q45427 For orchestra. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q45427. Published by Schott Music - Digital (S9.Q45427). Written in 2010 for the Royal Liverpool Philharmonic, Wigglesworth's nine-minute work explores the idea of perpetuum mobile (continuous movement) in seven connected, miniature inventions. A regular pulse forms the work’s core, with elaborations of the central musical idea shifting constantly around it in jagged rhythms and sumptuous orchestration. The composer writes, The seven sections can very briefly be described thus: 1) an active, miniature 'theme and variations'; 2) the juxtaposition of various fragmentary two-part inventions; 3) a tremolo string ostinato with woodwind interjections, building towards the first climax; 4) an ostinato passing between horns and muted trumpets together with a dialogue for high woodwind and low strings; 5) a very slow canon for string harmonics and pizzicato double basses; 6) a fast, one-part invention beginning with solo piccolo, and gradually leading to the second climax; 7) chorale. This is a lively orchestral miniature which gives the impression of a kaleidoscope, with short musical ideas cutting across each other in quick succession.

(Choral, Orchestra) - Digital Download SKU: H1.C5015ODP Composed by Jack Schrader. Piano Accompaniment with Optional Orchestra. Contemporary, Celebration, General Worship, God's Attributes/Character. Set of Instrumental Parts. 63 pages. Hope Publishing - Digital #C5015ODP. Published by Hope Publishing - Digital (H1.C5015ODP). Original Composition Based on the classic vision of Isaiah 6:1-10, this new composition features memorable melodies in the style of a praise and worship chorus that grows to a glorious, fulfilling climax. Based on the classic vision of Isaiah 6:1-10, this new composition features memorable melodies in the style of a praise and worship chorus that grows to a glorious, fulfilling climax.

Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1313145 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Christmas,Religious. 15 pages. Woodwindly.com #901978. Published by woodwindly.com (A0.1313145). Saxophone Quartet (SATB or AATB)In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This sax quartet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's own counter-melodies and intricate wind writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with soprano saxophone playing the melodic line. In verse 2, the tenor sax presents the tune in a lower register while the baritone plays a Baroque style ‘walking bass’. The sopranoe and alto weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.

Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail.  No spoilers however.  If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack  scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score.  It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack.  Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings.  SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate).  However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.

Piano,Trombone - Level 5 - Digital Download SKU: A0.792196 Composed by Gliere, Reinhold. Arranged by Cherry, Gordon. 20th Century,Classical,Romantic Period. Score and part. 35 pages. Gordon Cherry #4609007. Published by Gordon Cherry (A0.792196). Reinhold Gliere's Concerto for Coloratura Soprano and Orchestra, Op. 82 was written in 1942-1943 and shows off the composer's gentle melodic musical style reminiscent of Tchaikovsky, Rachmaninov and even Wagner. The choice of a vocal soloist singing without words was not new at that time, as Rachmaninov's beautiful Vocalise had already been composed. But....adding a full orchestra to the mix was a gamble that paid off, as this is one of Gliere's finest works. The Concerto consists of two movements -- Andante and Allegro and is about 14 minutes in length. The 1st movement's rich melodies are full of lush harmonic textures and the work drives from climax to climax. The finale Allegro is lighthearted and bounces along merrily to the end. Gordon Cherry's arrangement for Alto Trombone with Piano accompaniment reduction brings a major new work to the Alto Trombone repertoire. This work can also be performed on the Tenor Trombone, however, the style of the work makes it perfect for the Alto Trombone. Appropriate for advanced performers. (Under license from G. Schirmer Music)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1425121 Composed by Otto Kelland. Arranged by Marc Donatelle. 20th Century,Folk,Historic,Traditional. 26 pages. Marc Donatelle #1005939. Published by Marc Donatelle (A0.1425121). This well known folk song from Newfoundland has been arranged to feature the brass quintet with a Bohdran or Drum.I tried to capture the feeling of Newfoundland after visiting several times, and having family there.It features all of the instruments, beginning with a mysterious, somber tuba solo accompanied by fog horn sounds played by horn and trombone along with muted trumpets imitating a calm sea.This builds to rhapsodic climax, ending mysteriosly with the tuba.The Bohdran/Drum part is a nice addition, but there are options if one is not available. Please see notes at the end of the score.The sound example is the transition from the Celtic part with Bohdran into the climax. (Measures 62-73).

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1312131 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Christmas,Religious. 15 pages. Woodwindly.com #901006. Published by woodwindly.com (A0.1312131). Wind Quintet (Flute, Oboe, Bb Clarinet, Horn, Bassoon)In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This wind quintet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's counter-melodies and intricate wind writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with oboe and flute taking turns to play the top line. In verse 2, the French horn presents the tune in a lower register while the bassoon plays a Baroque style ‘walking bass’. The flute,oboe, and clarinet weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns to the flute and oboe with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.

Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Drums,Euphonium,Flute,Horn,Oboe,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.767582 Composed by Mike Lyons. 20th Century,Contemporary,Standards. Score and parts. 36 pages. Lyons Music Services #6459597. Published by Lyons Music Services (A0.767582). A short piece for flexible ensemble, featuring the 3rd part. It opens with part 3, playing the theme, then one-by-one the others join in along with a drone effect making it sound a little like distant bagpipes. Theoverall dynamic increases to a climax when the higher parts take the main theme and then it dramatically returns to a single solo line which then fades. The soloist and glockenspiel echo gently as the music fades away to nothing, with snare rolls whispering.I imagined an Ancient Celtic woman singing a lullaby to her baby son as his father and other men go off to fight in their ships. The music contains her sadness and some descriptive touches of the harsh environment in which she lives. Her pride in her people swells as the music progresses and, afer the climax, sinks into a melancholy loneliness as she contemplates her child's likely fate.3 1/2 minutes in length.Parts supplied,Part 1 in Bb/CPart 2 in Bb/CPart 3(Solo) in Eb/F/C(Alto)Part 4 in Eb/F/C(Alto)Part 5 in Eb/Bb/C(Bass)Part 6 in Bb/C(Bass)Part 7 in Eb/Bb/C(Bass)GlockenspielDrum kit.

Full Orchestra - Level 5 - Digital Download SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Otoniel Rojas #891863. Published by Otoniel Rojas (A0.1302257). Based on a traditional Merengue tune from Dominican Republic in a Rondó style a'la Mozart, combining Mozart's Jupiter symphony 35th 4-note theme.Originally commissioned by the 'Fundación Filarmónica del Cibao' in  1997. Mozartina is an effervescent overture that paints us a contemporary Mozart, exposed to the melodic and rhythmic resources of the Caribbean identity, fusing the style and spirit of the famous Austrian with a mixed of the rhythmic and harmonic developments of the last 200 years of musical development. The work is structured as Rondo ,taking as its theme the traditional merengue (a traditional Dominican dance) El jarro 'ta pichao using it as melodic material that integrates into many styles and orchestral techniques. The topic is presented in juxtaposition with the monumental melodic motif of the last movement of the symphony ' Jupiter ' . Sometimes we appreciate it as it is , sometimes in inverted or hidden among contrapuntistic passages in striped and woven into different instrumental colors and harmonic richness coated within countless melodic modulations or put into small pieces. The climax part suddenly surrounds us with the classic merengue, where the 'tambora' (traditional dominican percussion instrument) makes appearance and gives it its soul. Meanwhile, in the background we still can hear the theme of 'Jupiter'. There briefly we can discover a 'perico ripiao' (another traditional Dominican dance)with its typical melisma embodied by the horn, we finally get to a climax that concludes with a short cadenza of 'tambora' and the reitaration of the main merengue theme in unison. The work was commissioned in 1997 for the opening concert of the Philharmonic of Cibao and this time receives his first audition by the National Symphony Orchestra.

Clarinet Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1314203 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Christmas,Religious. 15 pages. Woodwindly.com #902939. Published by woodwindly.com (A0.1314203). Clarinet Quartet - 3 x Clt. & Bass Clt. (or 4 x Clt.)In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This clarinet quartet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's own counter-melodies and intricate wind writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with clarinet 1 playing the melodic line. In verse 2, clarinet 3 presents the tune in a lower register while the bass (or 4th) clarinet plays a Baroque style ‘walking bass’. The first and second clarinets weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1011599 Composed by Celine Tsoi. Contemporary,Holiday,Instructional,Love,Standards. Octavo. 20 pages. Celine Tsoi #3518551. Published by Celine Tsoi (A0.1011599). Tu te Rappelles? , meaning ‘do you remember?’, depicts the love of a girl to her partner. She reminiscences about her past memories with him and in the climax, she proclaims her love for him as she is soon to leave his side. This combination, an SSA choir with violin and piano, is chosen for it captures the character of a female speaker, and the piano adds depth to the piece but still keeps the gentleness of the message. The bright timbre of the violin as well as the use of D major is to convey positivity: this is not a sad piece. This speaker looks forward to the future and treasures their past moments together. This piece is in verse-chorus form. The chorus, starting from ‘Je t’aimerai’, and followed by ‘Jusqu’a...’ repeats three times before arriving at the final climax in A major. In between the second chorus and the third chorus, a transitional section, in F# minor, is added. This section, as it is about her difficult decision to leave, is stronger and faster than other sections. The original lyrics are inspired by a famous TV show, Game of Thrones , in which a character says the lyrics in the chorus. Different techniques are used to bring out the message in the lyrics, such as word-painting, use of harmony and instruments, and key changes. Parting is inevitable in any relationship. I hope this piece can describe some emotions and thoughts in the face of parting and can echo among not only lovers but families and friends as well. 

Large Ensemble Drum Set,Euphonium,Horn,Marimba,Multi-Percussion,Piano Accompaniment,Trumpet,Tuba,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1030356 Composed by David Wang. Classical,Contemporary. Score and parts. 92 pages. David Wang NecroDavid #6247063. Published by David Wang NecroDavid (A0.1030356). Description The original composition SONATINA explores the transformation of one main idea into different genres through the usage of repetition and variation in order to create contrast. The beginning features a piano intro with front ensemble in accompaniment, followed by the first form of the main theme on solo trumpet which presents a classical idea. Furthermore, the secondary melody comes in a minor tonality, which then mixes with the modified main theme thus creates dissonance. There is then a transition section that features the drumline and the front ensemble in a consistent ostinato pattern to create a smooth key change, which leads into the bright triplet section that has a strong hint of swung feeling. It then transitions into a calm and relaxing ballad section, where it moves beyond the simple triad classical chord progression into sophisticated usage of 7th, 9th and 11th chords to create tension-release cycles. After a short euphonium solo, the climax comes with main theme hidden out-of-phase in the counter-melody line. The closer section comes after the ballad, which explores the feeling of a waltz while having call and answer structures of euphonium and flugelhorn solos. The solos still consists of the modified main theme melody. Finally, it builds up into a climax and finishes with a long hold.Note to Drum Major/ConductorSONATINA for Drum & Bugle Corps is designed to be played in a non-competitive drum and bugle corp. It is suitable for being played in both indoor and outdoor ensembles. Each solo does not have to be played by the same soloist, and every soloist will be equipped with wireless microphones to amplify the sound. The front ensemble will be equipped with microphones but set to be at a lower level than soloists. The drumline will be equipped with sound projector scoops under the drums.

Concert Band - Level 2 - Digital Download SKU: A0.934822 Composed by Christopher Durigg, Horatio Spafford, and Philip Bliss. Arranged by Christopher Durigg. Contemporary,Folk. Score and parts. 31 pages. Christopher Durigg #6267033. Published by Christopher Durigg (A0.934822). PRODUCT INFORMATIONPUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb003C. DURIGG MUSIC ID FOR THIS PIECE: CDB-003GRADE LEVEL: SOARING BAND SERIES (Grade 2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back? My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:According to the Merriam-Webster Dictionary, soulful is defined as full of or expressing feeling or emotion. In a soulful manner, the piece begins with the familiar song When Peace Like a River. This soulful hymn insists on finding peace, regardless of the world’s sorrows. The music then moves to a majestic trumpet processional. Entitled Soulful Peace, this tune honors those who made it possible for us to feel peace: parents, caregivers, family members, mentors, teachers, friends, and veterans who have served our country. Whether we feel the soulful melody in honor of them or in their memory, they remain an important part of our peace. After shifting to a calming woodwind verse, the processional then crescendos to a very emotive, full band verse. After the climax, the processional settles and gives way to a delicate chorus of It is Well With My Soul. The hymn tune begins delicately in the flutes, yet the brass echo the stately processional. The hymn majestically builds toward its own climax, accompanied by a trumpet fanfare. This triumphant piece reminds us that it can indeed be Well With My Soul!.

Choral (Choral, Orchestra) - Digital Download SKU: H1.C5015DP Composed by Jack Schrader. Piano Accompaniment with Optional Orchestra. Contemporary, Praise & Worship, Celebration, General Worship, God's Attributes/Character. Octavo. 12 pages. Hope Publishing - Digital #C5015DP. Published by Hope Publishing - Digital (H1.C5015DP). Original Composition Based on the classic vision of Isaiah 6:1-10, this new composition features memorable melodies in the style of a praise and worship chorus that grows to a glorious, fulfilling climax. Based on the classic vision of Isaiah 6:1-10, this new composition features memorable melodies in the style of a praise and worship chorus that grows to a glorious, fulfilling climax.