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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,Contemporary,Instructional,Standards,World. Score and parts. 56 pages. Mr. Phillip Anthony Russo #2029033. Published by Mr. Phillip Anthony Russo (A0.1027281). Divertimento in F major for Piano and Harp, Opus 1. Copyright, 2005, 2010, 2014, by Phillip Russo, born 19/03/1965. All Rights Reserved. This beautiful, melodious and fun piece, which plays for 12 minutes and 17 seconds on the CD, is scored in a bright F major key, has two sections in C major, and employs 43 orchestral instruments, played by 40 musicians. Two percussionists play five instruments. The pianist directs and conducts the work from the piano, or a conductor may be employed instead. I chose a concert grand piano, or a baby grand piano, and a concert harp as the two leading, but not solo, orchestral instruments which are used to showcase the piece. I have included a .mp3 audio clip of this piece to illustrate the neo-classical melodies in it. Divertimenti, were first written by Franz Joseph Haydn, Michael Haydn and Wolfgang Amadeus Mozart during the Classical period, between 1750 and 1809. A divertimento is a short, entertaining, chamber ensemble or orchestral work, usually in the form of an orchestral suite, written in several sections and/or movements. It can have as few as three, or many more instruments! A divertimento does not have a strict format, but a liberal one, within acceptable limits or conventions, and only small chamber ensembles were employed to perform divertimenti in Haydn's and Mozart's day in the eighteenth century. Both a divertimento and a cassation may contain a leading or obbligato instrument(s), or can even be integrated with vocal or choral music. However, divertimenti and cassations never have solo instruments, as in a concerto. An Opus number 1, means that this is the first written work of a composer; opus 2 means the second work, and so forth. 'Opus' means a work, or composition. I sub-titled the piece: Luna Park rides, Milson's Point, N.S.W., 2061, Australia, and circus sideshows. I chose this sub-title because the work reminds me of my childhood days, of the rides at Luna Park, Sydney, such as the Merry-go-Round, the Ferris Wheel, the Cha-Cha, the Dodgem cars, the Rotor, the Mirror Maze, the slippery dips in Coney Island, the River Caves, the Ghost Train - burnt down presumably due to an electrical fault, in December, 1974, killing 7 people, the Giant Pendulum ride, the Giant Spider ride, the Big Dipper, later renamed the Wild Cat and later the Wild Mouse, which is actually a Roller-coaster ride. Some of the Harp part sounds like the movement of the Roller-coaster! Also, the work reminisces on my experience of the Sole Brothers' Circus sideshows, in 1977, such as the targeting games and prizes, and clowns sideshows, which my dad took me to see when I was about 12 years old.
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
Harpe et Piano

$40.00 35.08 € Harpe et Piano PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.889285 Composed by Mary Jane Lang. 20th Century,Contemporary,Standards. Score and parts. 15 pages. MaryJaneLang #2059. Published by MaryJaneLang (A0.889285). Mood Swings is a novelty piece for the clown of the orchestra, the bassoon! It is scored for bassoon and piano. It is happy-go-lucky in nature with a mock-noble (grandiose, if you will) middle part for general contrast. This will be a fun piece for the young bassoon student, as well as a novelty piece for any occasion. Everyone knows that the musical performer (soloist, especially) must be a master of mood swings, acting through the medium of his or her instrument. On the other hand, artistic temperaments with mood swings are generally scorned by society. We shall see!
Mood Swings
Basson, Piano (duo)

$9.99 8.76 € Basson, Piano (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811817 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Contemporary,Graduation,Standards. 56 pages. Piper Publications #6518927. Published by Piper Publications (A0.811817). The Overture Suite was a form and style of music popular in the 17th and first half of the 18th centuries. The early suites consisted of sets of the popular dance movements at the time and would have been used to accompany dancing. The overture was a later addition - probably for more formal  occasions - and enabled the composer to show off his skill before the dancing began. Telemann developed the form over the first half of the 18th century composing suites for a wide variety of instrumental combinations from groups of wind instruments for outside events, solo instruments with string orchestra, to string quartet, which was the original version of Overture Burlesque and one of the first string quartets.Instead of the usual dance titles, Telemann used characters associated with Scaramouche, a stock clown character - Harlequin the Joker, Columbine, Pierrot, Mezzetin en turc, the Narcissus of pantomime - and a pair of Menuets.  The suite would have been staged and the music played robustly to suit the characters as they danced. Players of intermediate standard and above will have fun playing this.The suite is arranged for flute, oboe, clarinet and bassoon to play as a concert piece or as an accompaniment to a stage performance.The tempo indications are suggestions in parentheses ( ) as are the additional dynamic markings. Some additional cadential trills have been added without comment. All added slurs are shown with dashed lines with the exception of those in Menuet 2 which I feel are necessary because of the change from string to wind instruments. You are, of course, free to disagree.
TELEMANN: OVERTURE BURLESQUE for woodwind quartet
Flûte, Hautbois, Clarinette, Basson

$20.00 17.54 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Viola and piano - easy to intermediate - Digital Download SKU: S9.Q18642 Composed by Erik Satie. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q18642. Published by Schott Music - Digital (S9.Q18642). The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.
Gymnopédie No. 1
Alto, Piano

$4.99 4.38 € Alto, Piano PDF SheetMusicPlus

Flute and piano - easy to intermediate - Digital Download SKU: S9.Q21299 Composed by Erik Satie. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q21299. Published by Schott Music - Digital (S9.Q21299). The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.
Gymnopédie No. 1
Flûte traversière et Piano

$4.99 4.38 € Flûte traversière et Piano PDF SheetMusicPlus

Violin and piano - easy to intermediate - Digital Download SKU: S9.Q21304 Composed by Erik Satie. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q21304. Published by Schott Music - Digital (S9.Q21304). The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.
Gymnopédie No. 1
Violon et Piano

$4.99 4.38 € Violon et Piano PDF SheetMusicPlus

Cello and piano - easy to intermediate - Digital Download SKU: S9.Q21309 Composed by Erik Satie. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q21309. Published by Schott Music - Digital (S9.Q21309). The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.
Gymnopédie No. 1
Violoncelle, Piano

$4.99 4.38 € Violoncelle, Piano PDF SheetMusicPlus


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