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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811817 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Contemporary,Graduation,Standards. 56 pages. Piper Publications #6518927. Published by Piper Publications (A0.811817). The Overture Suite was a form and style of music popular in the 17th and first half of the 18th centuries. The early suites consisted of sets of the popular dance movements at the time and would have been used to accompany dancing. The overture was a later addition - probably for more formal  occasions - and enabled the composer to show off his skill before the dancing began. Telemann developed the form over the first half of the 18th century composing suites for a wide variety of instrumental combinations from groups of wind instruments for outside events, solo instruments with string orchestra, to string quartet, which was the original version of Overture Burlesque and one of the first string quartets.Instead of the usual dance titles, Telemann used characters associated with Scaramouche, a stock clown character - Harlequin the Joker, Columbine, Pierrot, Mezzetin en turc, the Narcissus of pantomime - and a pair of Menuets.  The suite would have been staged and the music played robustly to suit the characters as they danced. Players of intermediate standard and above will have fun playing this.The suite is arranged for flute, oboe, clarinet and bassoon to play as a concert piece or as an accompaniment to a stage performance.The tempo indications are suggestions in parentheses ( ) as are the additional dynamic markings. Some additional cadential trills have been added without comment. All added slurs are shown with dashed lines with the exception of those in Menuet 2 which I feel are necessary because of the change from string to wind instruments. You are, of course, free to disagree.
TELEMANN: OVERTURE BURLESQUE for woodwind quartet
Flûte, Hautbois, Clarinette, Basson

$20.00 17.54 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Trumpet in Bb and piano - Digital Download SKU: S9.Q21262 Composed by Erik Satie. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q21262. Published by Schott Music - Digital (S9.Q21262). The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.
Gymnopédie No. 1
Trompette

$4.99 4.38 € Trompette PDF SheetMusicPlus

Viola and piano - easy to intermediate - Digital Download SKU: S9.Q18642 Composed by Erik Satie. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q18642. Published by Schott Music - Digital (S9.Q18642). The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.
Gymnopédie No. 1
Alto, Piano

$4.99 4.38 € Alto, Piano PDF SheetMusicPlus

Flute and piano - easy to intermediate - Digital Download SKU: S9.Q21299 Composed by Erik Satie. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q21299. Published by Schott Music - Digital (S9.Q21299). The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.
Gymnopédie No. 1
Flûte traversière et Piano

$4.99 4.38 € Flûte traversière et Piano PDF SheetMusicPlus

Violin and piano - easy to intermediate - Digital Download SKU: S9.Q21304 Composed by Erik Satie. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q21304. Published by Schott Music - Digital (S9.Q21304). The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.
Gymnopédie No. 1
Violon et Piano

$4.99 4.38 € Violon et Piano PDF SheetMusicPlus

Cello and piano - easy to intermediate - Digital Download SKU: S9.Q21309 Composed by Erik Satie. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q21309. Published by Schott Music - Digital (S9.Q21309). The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.
Gymnopédie No. 1
Violoncelle, Piano

$4.99 4.38 € Violoncelle, Piano PDF SheetMusicPlus


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