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Bass Trombone,Cornet,Horn - Level 2 - Digital Download SKU: A0.1327861 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 6 pages. Jmsgu3 #915873. Published by jmsgu3 (A0.1327861). It Came Upon the Midnight Clear is an 1849 poem and Christmas carol written by Edmund Sears, a pastor of the Unitarian Church in Wayland, Massachusetts. The lyrics were set to the tune Carol by Richard Storrs Willis in the United States, while in Commonwealth countries, the lyrics are set to Noel, a later adaptation by Arthur Sullivan from an English melody. The whole song comprises five stanzas, and some versions omit certain verses. Interestingly, the Christmas carol doesn't explicitly mention the birth of the Savior, making it unique among Christmas songs.
It Came Upon a Midnight Clear for Brass Trio

$24.95 21.7 € PDF SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement  Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcíaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions

$50.00 43.48 € Ensemble de Percussions PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1488853 Composed by Traditional Folk Tune. Arranged by Richard Jones. 19th Century,Folk. Brass Band. 26 pages. Richard Jones #1065707. Published by Richard Jones (A0.1488853). A Farmer's Boy is an example of a piece that gained fame and popularity through the oral traditions of singing in the United Kingdom during the 19th Century. It first appeared in print in an 1832 catalogue of street songs collected James Catnach, and appeared in many other printed books during that century. There are many tunes that are associated with the words, the most popular of these being 'Ye Sons of Albion', a patriotic tune associated with the Napoleonic Wars, that later become extremely popular as regimental march tunes for the Duke of Edinburgh and Prince of Wales Regiments.At the beginning of the 20th century legendary Folk Collector Percy Grainger recorded the song on phonograph, the song performed by a M. Tandy of Winchcombe, Gloucestershire. Just under 50 years later the great Musicologist/Ethnomusicologist Alan Lomax recorded a version that can be heard in his vast recording archive. Over time the tune followed people to other Commonwealth countries and numerous other versions appeared.This is a version that attempts to faithfully recreate the performances of bands in the late 19th Century period.
A Farmer's Boy

$15.99 13.9 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1220894 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #817235. Published by John Fries (A0.1220894). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  If I Were a Rich Man is a show tune from the 1964 musical Fiddler on the Roof.  A Critical and Musical Survey explained that the song contains a greater number of Jewish commonplaces than any other number in the score, and added the song does twofold: it offers such a strong dose of idiom early in the show [which] is good for the overall unity, and the important dramatic function of introducing the central character of Tevye through song.  A repeated phrase throughout the song, all day long I'd bidi-bidi-bum, is often misunderstood to refer to Tevye's desire not to have to work.  However, in an interview with Terry Gross, Sheldon Harnick said he basically made up syllables that he thought would give the effect of Chassidic chanting.
If I Were A Rich Man
Piano, Voix et Guitare
Hines Hines & Dad
$4.99 4.34 € Piano, Voix et Guitare PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.566037 By Delta Goodrem. By Brian McFadden, Delta Goodrem, and Guy Chambers. Arranged by Timothy Allen. Contemporary,Pop. Octavo. 12 pages. Timothy Allen Music Ltd #175439. Published by Timothy Allen Music Ltd (A0.566037). Although this song is less well-known, it is an absolute powerhouse anthem for choirs. Originally written for the Commonwealth Games, the message of unity and support is hugely relevant to choirs, and the strong melodies will rapidly become lodged in singers' brains. There is an epic quality to the song, and this is brought out in this arrangement, as it builds to a momentous key-change. After the fireworks and bombast, everything boils down to a simple statement of the key phrase from the song - Together we are one. The backing track and learning tracks are available via www.timothyallenmusic.co.uk.
Together We Are One
Chorale SATB
Delta Goodrem
$2.49 2.17 € Chorale SATB PDF SheetMusicPlus

Harp - Level 3 - Digital Download SKU: A0.948777 Composed by Turlough O'carolan. Arranged by Darren Raleigh. Baroque,Celtic. Score. 2 pages. Darren Raleigh #6669291. Published by Darren Raleigh (A0.948777). This is the same tune as elsewhere in my catalog, only this is arranged for a smaller harp; one with 33 strings the lowest of which is F, such as the Caswell Gaelic. Written by Turlough O'Carolan, the blind Irish harper of the late 17th and early 18th century. He is credited with over 200 tunes and is regarded as the greatest composer of music for the Celtic Harp.  He spent over 40 years wandering all over Ireland before his death in 1738. There are over a dozen places in Ireland called Cashel, though it is believed that the one to which this tune refers is the one in County Roscommon.
Carolan's Ramble to Cashel for 33 strings
Harpe

$4.99 4.34 € Harpe PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1502702 Composed by Harold Arlen and Johnny Mercer. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Score. 2 pages. DAVID LEE GINGRAS #1078374. Published by DAVID LEE GINGRAS (A0.1502702). My Shining Hour is a song composed by Harold Arlen with lyrics by Johnny Mercer for the film The Sky's the Limit (1943). In the film, the song is sung by Fred Astaire and Sally Sweetland, who dubbed it for actress Joan Leslie. The orchestra was led by Freddie Slack. My Shining Hour was nominated for an Academy Award for Best Song but lost to You'll Never Know. The film was released on July 13, 1943. The song became a hit the following year by Glen Gray's Casa Loma Orchestra with Eugenie Baird as vocalist, reaching No. 4 on the Billboard Best Selling Retail Records chart. The song's title may have been a reference to Winston Churchill's speech to British citizens during World War II: if the British Empire and its Commonwealth last for a thousand years, men will still say, this was their finest hour. This version was developed from a lead sheet and was created so that someone with average ability can play it and sound good doing so. We added root-based chord blocking and a some left-hand fills for rhythm - we hope you like what we've done with this grand old tune!
My Shining Hour
Piano, Voix

$5.99 5.21 € Piano, Voix PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1491876 By Keith Terrett. By Irish Folk Song. Arranged by Keith Terrett. 20th Century,Celtic,Contest,Festival,Irish,Multicultural,Traditional,World. 10 pages. Keith Terrett #1068558. Published by Keith Terrett (A0.1491876). There is no official anthem which represents only Northern Ireland.Two pieces of music are used to represent Northern Ireland in a sporting context:Londonderry Air is played as the anthem of Northern Ireland at the Commonwealth Games. Danny Boy is a popular set of lyrics to the tune.God Save the King, the national and royal anthem of the United Kingdom, is played as the anthem of Northern Ireland at association football.Ireland's Call is used by the Ireland rugby union team, Ireland rugby league team, Ireland cricket team and Ireland field hockey teams. All of these teams represent the entire island of Ireland.Amhrán na bhFiann (The Soldier's Song), the national anthem of the Republic of Ireland, is used by some organisations operating on the island of Ireland, such as the Gaelic Athletic Association.
Northern Irish Anthem for String Orchestra
Orchestre à Cordes
Keith Terrett
$8.99 7.82 € Orchestre à Cordes PDF SheetMusicPlus






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