SKU: A0.629314

Tender and reflective arrangement for Psalm 116 is commonly used on Holy Thursday of Holy Week. Accessible and appropriate for any church setting. Scored for a Vocal Solo with Piano accompaniment.  A rehearsal and an accompaniment track are also available.

SKU: A0.1498310

An arrangement of The Eton Boating Song for brass quartet. It can be performed as an instrumental piece but can also be used to accompany the four commonly sung verses (1, 6, 7, and 8, lyrics provided) Score, parts and lyrics, 21 pages.

SKU: A0.855073

My Hope Is Built on Nothing Less has served as basis of other hymns such as Solid Rock that use the same refrain. The tune Solid Rock to which Mote's words are most commonly set was composed by William B. Bradbury in 1863.

Many times, both My Hope Is Built on Nothing Less and Solid Rock hymns are sung together as a medley. Solid Rock has also been sung as a medley with In Christ Alone written by Keith Getty and Stuart Townend.

Hillsong Music released in 2012 a worship song as the title track to Cornerstone, which uses the lyrics of My Hope Is Built on Nothing Less but with a different refrain and melody.(wikipedia) This brass quintet arrangement by Joseph Pugh of Wm. H. Bradbury's tune Solid Rock, breathes life back into the iconic Hymn. Download it today!

SKU: A0.1120070

The Christmas Song (commonly subtitled Chestnuts Roasting on an Open Fire or, as it was originally subtitled, Merry Christmas to You) is a classic Christmas song written in 1945 by Robert Wells and Mel Tormé. The Nat King Cole Trio first recorded the song in June 1946. The Christmas Song has also been covered by Ariana Grande, Camila Cabello, The Carpenters, Celine Dion, Ella Fitzgerald, Elizabeth Gillies, Frank Sinatra, The Jackson 5, John Legend, JoJo, Justin Bieber, Kenny Burrell, Luther Vandross, Mary J. Blige, Ne-Yo, NSYNC, Pentatonix, Peter Hollens, Shawn Mendes, and Toni Braxton among others. This arrangement for brass quintet (Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba) is suitable for classroom, repertoire and recital.

SKU: A0.1251383

An arrangement of Wedding March by Felix Mendelssohn Bartholdy for string quintet. This version contains only the commonly known wedding march theme.

SKU: A0.628258

The commonly regarded Christmas song which was featured in the film Holiday Inn has now been freshly arranged for a Vocal Quartet (SATB) with Piano accompaniment. Accessible and appropriate for any school or concert setting.

SKU: A0.737917

An arrangement of Mendelssohn's melody that is commonly used for Hark the Herald Angels Sing. This string quartet has a traditional and a 3/4 jazz waltz version.

SKU: A0.540543

Guiseppe Tartini, (1692-1770) an Italian, was a violinist and wrote many works featuring this instrument. He is most well known for writing the violin sonata commonly called the Devil's Trill.This pleasing, brisk movement from one of Tartini's Trio Sonatas is fun to play for all. Some third position but the rhythms are easy and often in unison with another part. Perfect for beginning intermediate students, amateurs and professionals.

SKU: A0.1467493

This arrangement of the Tune RESTORATION, to which I Will Arise and Go to Jesus is commonly sung, has a text from a group of 19th c. gospel songs which tells the parable of The Prodigal Son. The imagery of arising and going to Jesus (or 'The Father') parallels the story of the ever loving and forgiving parent. The plaintive nature of the piece portrays the deep sense of contrition and the overwhelming forgiveness and embracing.

SKU: A0.864441

Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says:

Lesbia keeps insulting me in front of her husband:

this fills the fatuous idiot with delight.

Mule, do you perceive nothing? If she shut up and ignored me

that’d show healthy indifference;…

In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.