Leaning on the Everlasting Arms/Sweet By and By/Shall We Gather at the River/The Church in the Wildwood. Arranged by Mary McDonald. Sacred, All Saints' Day, Christian Life, General. Octavo. 12 pages. Lorenz Publishing Company #10/4844L. Publishe - octavo - Sacred, All Saints' Day, Christian Life, General - Lorenz Publishing Company

Choir and various instruments - Digital Download SKU: MQ.8314A-E Composed by David Conte. Instrument parts. 8 pages. Duration 4 minutes, 48 seconds. E. C. Schirmer Music Company - Digital #8314A-E. Published by E. C. Schirmer Music Company - Digital (MQ.8314A-E). Commissioned for the 100th anniversary of Lakewood Congregational Church, Lakewood, Ohio. The text is drawn both from Psalm 84 and two additional verses written by the late poet John Stirling Walker. The anthem features interludes based on the tune AURELIA (The Church's One Foundation) by Samuel Wesley. The final verse includes the congregation singing this tune as a descant accompanying the original music. Duration: 4:48

Piano - early intermediate - Digital Download SKU: F0.W9194 Composed by Mary Leaf. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9194. Published by The FJH Music Company - Digital (F0.W9194). UPC: 674398213801.First Light depicts the haunting sound of a Native-American flute. The slow, expressive nature of the piece offers students a chance to learn balance between the hands, and to shape melodic phrases. Students will be motivated by the sound of flute-like grace notes in the right hand and by the rich accompanying texture.

SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

SATB choir, congregation, brass quartet, and organ - Medium - Digital Download SKU: MQ.8314-E Composed by David Conte. Building Dedication, Organ Dedication, 21st Century. Instrument parts. 16 pages. Duration 4 minutes, 48 seconds. E. C. Schirmer Music Company - Digital #8314-E. Published by E. C. Schirmer Music Company - Digital (MQ.8314-E). English. Psalms 84.Commissioned for the 100th anniversary of Lakewood Congregational Church, Lakewood, Ohio. The text is drawn both from Psalm 84 and two additional verses written by the late poet John Stirling Walker. The anthem features interludes based on the tune AURELIA (“The Church’s One Foundation�) by Samuel Wesley. The final verse includes the congregation singing this tune as a descant accompanying the original music. Duration: 4:48Brass Quartet parts include: B-flat Trumpets I and II, Trombones I and II.

Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7542-E Composed by Derek Healey. Instrument part. 13 pages. E. C. Schirmer Music Company - Digital #7542-E. Published by E. C. Schirmer Music Company - Digital (MQ.7542-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7541-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7541-E. Published by E. C. Schirmer Music Company - Digital (MQ.7541-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Choral (SATB Choir) SKU: HL.254389 Composed by Richard Nichols. Fred Bock Publications. Sacred. Octavo. 8 pages. Fred Bock Music Company #BG2652. Published by Fred Bock Music Company (HL.254389). UPC: 888680720971. 6.75x10.5 inches.Reverand Chris Anderson has penned some moving words to commemorate the Lenten season. Teaming again with composer Richard A. Nichols, this anthem opens with the choir accompanying a soloist with a cappella “loos.” The the choir assumes the piece for a few measures before the piano enters. A very effective opening. The modulation from C minor to C Major is another wonderful moment in this piece.

Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - Digital Download SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at l’Église de la Sainte-Trinité, Paris, on October 24, 2013 by Alexis Galpérine, violin, Magali Léger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of  three Latin texts from the Requiem Mass. The first, Exaudi, is in “Larghettoâ€� tempo and serves as a prelude. The second, Dies Iræ, marked “Allegro agitato,â€� is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the “Lacrymosaâ€� text in a slower tempo, leading to the song’s only serene moment: “Pie Jesu Domine.â€� The “Dies Iraeâ€� music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text “habeas eternam,â€� and the song slowly winds down to its end, having laid to rest life’s struggles in the eternity of heaven. Duration: 12:30.

Choral (Singer 5 Pak) SKU: HL.8739876 Composed by Betty Hager and Fred Bock. Fred Bock Publications. Children, Christmas, Christmas Sacred, Musicals. Fred Bock Music Company #BG0816SP. Published by Fred Bock Music Company (HL.8739876). UPC: 073999727784. 7x10.5 inches. Betty Hager & Fred Bock.In this 'no room at the inn' fantasy, Mary and Joseph go from inn to inn looking for a place to stay. However, they get turned away time after time, for many of the same reasons people today turn away from Jesus:they're too busy, they want to enjoy life now, they procrastinate, and some just don't care. Travel with Mary and Joseph as they visit the 'Good Life Inn,' the 'Status Quo Inn,' the 'Procrastination Inn,' the 'No Trust Inn,' and others. A variety of new and traditional songs accompany the journey, some funny and some serious - especially when those innkeepers (and maybe even some singers and audience members, too) realize they have turned away from the King of Kings! Available: Director's Edition, Singer's Edition, Accompaniment Track Cassette, Listening Cassette and Preview Pak (Singer's Edition and Listening Cassette).

SATB choir and Piano - Moderately Difficult - Digital Download SKU: MQ.5771-E Composed by Gwyneth W. Walker. African American Heritage. 20 pages. E. C. Schirmer Music Company - Digital #5771-E. Published by E. C. Schirmer Music Company - Digital (MQ.5771-E). English.In Tambourines, a variety of hand-tapping patterns and vocal sounds are employed to suggest the playing of this instrument. The intent is to capture the spirit and joy of playing a tambourine (or an imaginary tambourine). These pseudo-tambourines then accompany several gospel tunes that appear into the middle of this piece. A joyous closing section celebrates tambourines to the glory of God!.

Choral (CD 10-pak) SKU: HL.8739875 Composed by Betty Hager and Fred Bock. Fred Bock Publications. Children, Christmas, Christmas Sacred, Musicals. CD only. 10 pages. Fred Bock Music Company #BG7530CP. Published by Fred Bock Music Company (HL.8739875). UPC: 073999727678. 5x5 inches. Betty Hager & Fred Bock.In this 'no room at the inn' fantasy, Mary and Joseph go from inn to inn looking for a place to stay. However, they get turned away time after time, for many of the same reasons people today turn away from Jesus:they're too busy, they want to enjoy life now, they procrastinate, and some just don't care. Travel with Mary and Joseph as they visit the 'Good Life Inn,' the 'Status Quo Inn,' the 'Procrastination Inn,' the 'No Trust Inn,' and others. A variety of new and traditional songs accompany the journey, some funny and some serious - especially when those innkeepers (and maybe even some singers and audience members, too) realize they have turned away from the King of Kings! Available: Director's Edition, Singer's Edition, Accompaniment Track Cassette, Listening Cassette and Preview Pak (Singer's Edition and Listening Cassette).

SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by Anthony Antolini. Advanced/Collegiate. 20th Century, Communion. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8248-E. Published by E. C. Schirmer Music Company - Digital (MQ.8248-E). English, Slavonic.Nye ímamï inïya pómoshchi comes from a set of ten communion hymns, Opus 25. It is technically a kontakion, (a hymn sung in commemoration of a feast day, whether referring to Christ, the Virgin Mary, or to a saint). Nye ímamï inïya pómoshchi is intended to be sung for the feast day commemorating an icon of the Virgin entitled “The joy of all who sorrow,� (В�ех �корб�щих Радо�ть|Vsekh skorbyashchikh Radost') observed on October 24 in the Orthodox Church calendar. The author of the text is unknown. In contemporary church practice, this work is sometimes sung during the communion of the clergy. Although other pieces in Opus 25 are based on traditional church chants, Nye ímamï inïya pómoshchi contains original music that is not based on any preexisting chant. The present edition is based on the first edition published in Moscow by Pyotr Ivanovich Jurgenson. The keyboard reduction has been modified from the Jurgenson edition. Russian Orthodox performance practice forbids the use of musical instruments to accompany church singing. Organ accompaniment, if used, should be unobtrusive. The Jurgenson edition includes Chesnokov's use of a quarter note without metronome marking. This indicates that the pulse is in a moderato tempo in quarter notes. A tempo of approximately 69 to the quarter note is suggested. The Jurgenson edition has inconsistent dynamic markings in various parts and text appears only below the soprano and tenor parts. For clarity and convenience, these indications have been included in each staff in the present edition. This scholarly performance edition includes notes concerning the history of Chesnokov and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Slavonic transliteration.