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Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download

SKU: A0.549869

Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869).

Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet.

Sonata Op. 49 No. 2

Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike.

Beethoven Background

Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio.

Beethoven Overview

First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period.

First Period

Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13.

Second Period

His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio.

Third Period

In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.

 

   www.jamesguthrie.com.

Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$49.95 47.54 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download

SKU: A0.811129

Composed by G. F. Handel. Arranged by Justin Bland. Baroque,Classical,Renaissance. Score and parts. 73 pages. Gordon Cherry #5309037. Published by Gordon Cherry (A0.811129).

Handel was considered the greatest organist of his day along with Bach and Scarlatti. His first set of Organ Concertos, Opus 4 were published published in 1738. Often Handel would perform a Concerto at the same time as an Oratorio.

Concerto in F Major Op 4, No. 4 is about 12 minutes in length and is in four movements: Allegro, Andante, Adagio and Allegro. It is a delight to perform and to listen to and beautifully arranged for Brass Quintet and Organ by Justin Bland.

Instrumentation: Trumpet in E-flat (additional part in B-flat), Trumpet in B-flat, Horn, Trombone and Tuba.

Organ Concerto in F Major, Op. 4 No. 4 for Brass Quintet and Organ
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$35.00 33.31 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download

SKU: A0.811202

Composed by Georg Frideric Handel. Arranged by Justin Bland. Baroque,Classical,Renaissance. Score and parts. 67 pages. Gordon Cherry #6137151. Published by Gordon Cherry (A0.811202).

Handel was considered one of the greatest organists of his day along with Bach and Scarlatti. His first set of Organ Concertos, Opus 4 were published in 1738. Often Handel would perform a Concerto at the same time as an Oratorio.

Concerto in F Major Op 4, No. 1 is about 13 minutes in length and is in four movements: Larghetto, Allegro, Adagio, and Andante. It is a delight to perform and to listen to, beautifully arranged for Brass Quintet and solo Organ by Justin Bland.

Instrumentation: Organ solo, Piccolo Trumpet in A and B-flat, Trumpet in B-flat, Horn in F, Trombone, and Tuba.

Concerto in G minor for Organ and Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$40.00 38.07 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.1402348

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348).

Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.

The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

Bach: Brandenburg Concerto No. 3 for Saxophone Choir
Ensemble de saxophones

$74.95 71.33 € Ensemble de saxophones PDF SheetMusicPlus

Woodwind Ensemble - Level 4 - Digital Download

SKU: A0.1401651

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651).

Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.

The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.

Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only

$49.95 47.54 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.1313832

By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 20 pages. Santino Cara #902553. Published by Santino Cara (A0.1313832).

Complete score of the Brandenburg Concerto No.2 in F major BWV 1047. Composed by Johann Sebastian Bach before 1721 for Trumpet, recorder, oboe, concerted violin, violins 1 and 2 ripieni, viola, cello and harpsichord. Transcribed for Piano solo in Rome in 2023 by Santino Cara.

3 Movements: 1. Moderato, 2. Andante moderato, 3. Allegro assai

Sources: The six Brandenburg concerts were presented by Bach in 1721 in a collection for Christian Ludwig, Margrave of Brandenburg-Schwedt and dedicated to him. It is therefore assumed that they were composed before that date.

Other piano works by Bach and baroque and classical composers


Bach - Brandenburg Concerto No.2 in F major BWV 1047 - Piano Version Piano seul
Santino Cara
$16.40 15.61 € Piano seul PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.814738

Composed by Richard E Brown. Contemporary,Standards. Score and parts. 149 pages. Dacker Music #3049061. Published by Dacker Music (A0.814738).

The Italian word concertino means little concerto, and as that title indicates, Concertino for Trumpet and Band closely follows traditional sonata form on a somewhat smaller scale. With a home key of G minor, the three movements are:

    1. Allegro agitato - sonata-allegro - G minor     2. Andante cantabile - passacaglia - A-flat major     3. Allegro con fuoco - rondo-tarantella - G minor

This composition is the composer's transcription of his Sonatina for Trumpet and Piano.

The price includes license to make as many copies of each part as necessary.

        Grade:   Solo 4 - Band 3+                                                     Duration:   7:00


Concertino for Trumpet and Band
Orchestre d'harmonie

$65.00 61.86 € Orchestre d'harmonie PDF SheetMusicPlus






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