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Choral Choir (SSAA) - Digital Download SKU: A0.879632 Composed by Stephanie Martin. Christian,Contemporary,Sacred,Spiritual. Octavo. 8 pages. Biretta Books #3518781. Published by Biretta Books (A0.879632). Stephanie Martin provides a beautiful and contemplative SSAA choral setting of the ancient Lenten hymn for Compline - Christe Qui Lux Es Et Dies. The text is given in both English and Latin. Canadian composer and conductor Stephanie Martin is associate professor of music at York University’s School of the Arts, Media, Performance and Design; director of Schola Magdalena (a women’s ensemble for chant, medieval and modern polyphony,) conductor emeritus of Pax Christi Chorale; and past director of music at the historic church of Saint Mary Magdalene in Toronto.
Christe Qui Lux Es Et Dies (SSAA)
Chorale SSAA

$2.95 2.5 € Chorale SSAA PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)

$32.95 27.9 € Euphonium, Piano (duo) PDF SheetMusicPlus

Recorder - Level 2 - Digital Download SKU: A0.1141636 Composed by Felix Bartholdy Mendelssohn. Arranged by James Grush. Romantic Period. Recorder Ensemble. 46 pages. JGJG Sheet Music LLC #741976. Published by JGJG Sheet Music LLC (A0.1141636). Felix Mendelssohn composed 48 Songs Without Words; short lyrical pieces for solo piano. Four songs are arranged for both Soprano-Tenor duet and Alto-Bass duet. For each of the eight duets is a conductor-friendly score with easy-to-read individual parts. The four songs are selected to be performable as a set and include a Venetian Boat Song. Play these songs as a set or individually, with or without a conductor. Conduct them at a group meeting and include them in your next small ensemble performance!
Four Songs Without Words for Recorder Duets
2 Flûte à bec (duo)

$9.00 7.62 € 2 Flûte à bec (duo) PDF SheetMusicPlus

Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1152456 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Saxophone Duet. 7 pages. Woods Only, Arrangements #752681. Published by Woods Only, Arrangements (A0.1152456). This arrangement adapted for sax duo was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
Ode to Joy by Beethoven for Saxophone Duet
2 Saxophones (duo)

$3.99 3.38 € 2 Saxophones (duo) PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download SKU: A0.1033841 Composed by Cesar Auguste Franck. Arranged by Yuki Hasegawa. Concert,Romantic Period,Wedding. Score and part. 59 pages. Edition les bons concerts #6662399. Published by Edition les bons concerts (A0.1033841). Special piano part for cellist! Arrangement performed at the Cello recital by the 1st soloist of Paris Opéra, Aurélien Sabouret, acclaimed by the Japanese prestigious music magazine Ongaku-no-tomo has been published.Compatible with your own cello part! (Cello part of Yuki's revision is also attached*)- Cello can sing using up to pianissimo. Piano part avoided same range.- Reduced the scenes without soprano. New score realizes natural sound spread.- Avoided the dialogue cello-piano between the ranges too far awayAfter the concert, the arrangement was so natural that no one mentioned it!Also, kind material for pianist:- Piano score’s cello part is written only with G&F clef.- Rehearsal numbers and bar numbers are compatible with the 1st edition by Delsart, Bärenreiter edition and Henle edition.- Page layout is same as 1st edition to facilitate comparison.Arranger Yuki HASEGAWA, biography: Arranger, pianist, conductor and producer. She completed the department of piano at the Kunitachi College of Music, and the departments of chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crépy and other representative professors in France in terms of composition and arrangement. She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado. In recent years she has been the frequent guest conductor and commissioned arranger to the Japan Croatia Music Society, etc. As a chamber musician, she has worked on numerous experimental harmony works of the early 20th century, and made CD recordings including the Violin Sonata by Louis Vierne, César Franck's pupil. She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed by representative organisations in each country. Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan. (As of 20, December 2021) Latest information & inquiries: https://yukihasegawa.com *The cello part is the same as the one distributed free of charge on the official website http://yukihasegawa.com/01 .Piano part (score) has 37 pages. Preface and comments for the score are 2 pages (English / French).
César Franck: Sonata that sounds good on the Cello / Arrangement of the piano part by Yuki Hasegawa
Violoncelle, Piano

$29.95 25.36 € Violoncelle, Piano PDF SheetMusicPlus

Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1134097 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Wedding. Score and individual part. 12 pages. Flavio Regis Cunha #734195. Published by Flavio Regis Cunha (A0.1134097). Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment) Optional: Flute, Oboe and Violin. This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for C instruments and Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha.
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
Piano seul
Johann Sebastian Bach
$4.99 4.23 € Piano seul PDF SheetMusicPlus

Cello,Piano - Level 1 - Digital Download SKU: A0.1241140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836536. Published by Woods Only, Arrangements (A0.1241140). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
Ode to Joy by Beethoven for Cello and Piano
Violoncelle, Piano

$1.99 1.69 € Violoncelle, Piano PDF SheetMusicPlus

Brass Ensemble - Digital Download SKU: A0.597240 Composed by Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Christian,Concert,Sacred,Standards. Score and parts. 12 pages. Flavio Regis Cunha #4604215. Published by Flavio Regis Cunha (A0.597240). Wachet auf, ruft uns die Stimme (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with Wie schön leuchtet der Morgenstern. It appears in German hymnals and in several English hymnals in translations such as Wake, Awake, for Night Is Flying (Catherine Winkworth, Wake, O wake! with tidings thrilling (Francis Crawford Burkitt, 1906), and Up! Awake! From Highest Steeple (George Ratcliffe Woodward, 1908). Johann Sebastian Bach based a chorale cantata on the hymn, Wachet auf, ruft uns die Stimme, BWV 140, one of its many settings for organ and for voices. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
Wachet auf, ruft uns die Stimme - BWV 645 (for Brass Quartet)
Ensemble de cuivres

$7.99 6.77 € Ensemble de cuivres PDF SheetMusicPlus

Bassoon,Piano - Level 1 - Digital Download SKU: A0.1298224 Composed by Johannes Brahms. Arranged by César Madeira. 19th Century,Children,Classical,Lent,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #888201. Published by Sheet Music To Play Editions (A0.1298224). Lullaby from Wiegenlied, Op.49 by Johannes Brahms. Arrangement for Bassoon and Piano. With Full Score and Individual Parts. Enjoy it!Johannes Brahms (1833 - 1897) was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Brahms' Lullaby - Bassoon and Piano (Full Score and Parts)
Basson, Piano (duo)

$7.99 6.77 € Basson, Piano (duo) PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1223196 Composed by Johannes Brahms. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #819404. Published by Sheet Music To Play Editions (A0.1223196). Hungarian Dance No.5 by Johannes Brahms. Arrangement for Violoncello and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Johannes Brahms (1833 - 1897) was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Hungarian Dance No.5 by Brahms - Cello and Piano (Individual Parts)
Violoncelle, Piano

$4.99 4.23 € Violoncelle, Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
Violon et Piano

$32.95 27.9 € Violon et Piano PDF SheetMusicPlus

Choir, handbells, Organ, Piano - Level 2 - Digital Download SKU: H1.8327CSDP Arranged by Joel Raney. Moderate. Piano & Organ Worship Openers. Hymntune, General Worship. Conductor's Score. 16 pages. Hope Publishing - Digital #8327CSDP. Published by Hope Publishing - Digital (H1.8327CSDP). Revelation 5:9 - Ephesians 2:1 - Ephesians 2:2 - Ephesians 2:3 - Ephesians 2:4 - Ephesians 2:5 - Ephesians 2:6 - Ephesians 2:7 - Ephesians 2:8 - Ephesians 2:9 - Ephesians 2:10 - Philippians 2:1 - Philippians 2:2 - Philippians 2:3 - P.A festive prelude This festive prelude is the latest addition to Joel Raney's exciting series of piano/organ duets, with SATB choir entering at the conclusion for an optional choral introit. Raney incorporates the tunes CORONATION, LASST UNS ERFREUEN, CRUSADER'S HYMN, and MADRID - woven together in a festive presentation. Both keyboard parts and a reproducible page of the text for the choir are included. An optional 3-6 octave handbell part and a full conductor's score are available separately.
All Hail the Power

$22.95 19.43 € PDF SheetMusicPlus






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