Concert Band - Level 4 - Digital Download SKU: HX.469341 Composed by Richard L. Saucedo. This edition: scorch. Contest,Festival. 3 pages. Duration 165. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.469341).

Concert Band - Level 2 - Digital Download SKU: HX.472166 Composed by Richard L. Saucedo. This edition: scorch. Concert,Contest,Festival. 1 pages. Duration 135. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.472166).

Level 5 - Digital Download SKU: HX.310029 Composed by Richard L. Saucedo. This edition: scorch. Festival. 4 pages. Duration 310. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.310029).

Concert band Timpani - Level 1.5 - Digital Download SKU: HX.295328 Composed by Richard L. Saucedo. Novelty. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.295328).

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1247408 Composed by R. Amiruddin Tjitraprawira. Arranged by Otniel Simangunsong. 19th Century,A Cappella,Contest,Festival,Folk,Traditional. 14 pages. Otniel Simangunsong #842045. Published by Otniel Simangunsong (A0.1247408). Tondu' Majâng is a Madurese song composed by R. Amiruddin Tjitraprawira. R. Amiruddin Tjitraprawira, a figure who hails from Bangkalan Madura, is not widely known in his current condition. He was born on May 18, 1920 and died on December 17, 1975. A number of songs created by R. Amiruddin Tjitraprawira, circulated a lot like the song; Pangèran Trunodjojo, Madhurâ O Madhurâ, Asta Aermata, Kerrabhân Sape, Djoko Tole, Tera' Bulân, È Pasèsèr, Kè' Lèsap, Kembhângnga Naghârâ, Tondu' Majâng, Aèng Tantja 'Torowan, Orèng Matrol and others. This song is a regional Madurese song because it really describes the lives of the coastal communities of Madura who work as fishermen. The song Tondu' Majâng tells the life of a Madurese fisherman. Their life is described as very hard because they have to deal with many dangers at sea (atemmo bhâbhâjâ). They also have to risk their lives (abhândhâ nyabâ) to support their families who are left at home. Sometimes to catch a lot of fish they have to stay for days on the boat so they become used to the sea and rely on the waves as a pillow and the wind as their blanket (abhântal ombâ' sapo' angèn salanjhânga). Many write this song from Madura with Tanduk Majeng, even though the word tanduk or tandu' means horn in Indonesian. Meanwhile, when paired with the context and lyrics of this song, it is true that there is tondu' which means arrived. So it is appropriate to use tondu' instead of horns because what is told in this song is the arrival of the fishermen when they are looking for fish. Otniel Simangunsong is a conductor and composer from Indonesia. He was born in Tanjungbalai, North Sumatra on August 19, 1996. Currently he is a conductor of Benedicamus Chante Choir - Darma Cendika Catholic University Student Choir, Surabaya. He has also got some supports from another professional conductors and composers. Tondu' Majâng is arranged a capella with soprano, alto, tenor, baritone and bass voices. This arrangement shows the accompaniment of acoustic musical instruments such as guitar, bass and drums.

Large Ensemble Alto Saxophone,B-Flat Trumpet,Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer,Tenor Saxophone,Trombone - Level 3 - Digital Download SKU: A0.557066 Composed by Babyface, Daryl Simmons, L.A. Reid, and Whitney Houston. Arranged by David Maddux. Hip-Hop,Pop,R & B. Score and parts. 56 pages. David Maddux #166528. Published by David Maddux (A0.557066). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.

Large Ensemble Alto Saxophone,B-Flat Trumpet,Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer,Tenor Saxophone,Trombone - Level 3 - Digital Download SKU: A0.500447 By Whitney Houston. By Babyface and L.A. Reid. Arranged by David Maddux. Hip-Hop,Pop,R & B. Score and parts. 68 pages. David Maddux #113632. Published by David Maddux (A0.500447). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.

Large Ensemble Alto Saxophone,B-Flat Trumpet,Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer,Tenor Saxophone,Tenor Trombone - Level 3 - Digital Download SKU: A0.500452 By Whitney Houston. By Babyface and L.A. Reid. Arranged by David Maddux. Hip-Hop,Pop,R & B. Score and parts. 82 pages. David Maddux #113637. Published by David Maddux (A0.500452). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.

Piano - Digital Download SKU: LV.21163 Composed by D. L. Downing. Portraits, Conductors, Military bands, Waterfronts, Mountains, Sunrises & sunsets. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21163). Ninth Regiment Quick Step. Composed by D.L. Downing, Leader of the Ninth Regt. Band. Published 1871 by C.H. Ditson & Co., 711 Broadway in New York. Composition of da capo with trio with piano instrumentation. Subject headings for this piece include Portraits, Conductors, Military bands, Waterfronts, Mountains, Sunrises & sunsets. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.8886 Composed by Joseph Cawthorn & John L. Golden. Portraits, Tuxedoes, Musicians, Conductors, Satire. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8886). You Can't Play Every Instrument in the Band. By Joseph Cawthorn and John L. Golden. Published 1913 by T.B. Harms] in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Tuxedoes, Musicians, Conductors, Satire. First line reads My father was a musicker, since he was but a boy.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1491217 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1067954. Published by Müller Publishing company (A0.1491217). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDive into the profound spirituality of Das Gebet des Herrn (The Lord's Prayer), composed by Carl Gottlieb Mühle and arranged for Men's Choir TTBB by L. Müller. This sacred piece brings to life the words of The Lord's Prayer, from “Our Father, who art in heaven” to the resounding “For thine is the kingdom, and the power, and the glory forever.”This special edition of the TTBB score features separate staves for each vocal line, offering greater clarity during rehearsals and performances. Each voice part—Tenor 1, Tenor 2, Bass 1, and Bass 2—is clearly laid out, making it easier for choirs to practice and for conductors to guide them through this moving and reflective composition.Whether for worship services or religious concerts, this high-resolution digital score is a practical and beautiful addition to any men’s choir repertoire.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerTauchen Sie ein in die tiefe Spiritualität von Das Gebet des Herrn (Das Vaterunser), komponiert von Carl Gottlieb Mühle und arrangiert für Männerchor TTBB von L. Müller. Dieses sakrale Werk erweckt die Worte des Vaterunsers zum Leben, von „Unser Vater, der du bist im Himmel“ bis zu dem kraftvollen „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“.Diese besondere Ausgabe der TTBB-Partitur enthält getrennte Notenzeilen für jede Stimme, um die Proben und Aufführungen zu erleichtern. Jede Stimme—Tenor 1, Tenor 2, Bass 1 und Bass 2—ist übersichtlich dargestellt, was den Chören die Einstudierung erleichtert und den Dirigenten eine bessere Führung durch dieses bewegende und nachdenkliche Werk ermöglicht.Ob für Gottesdienste oder religiöse Konzerte, diese hochauflösende digitale Partitur ist eine praktische und schöne Ergänzung für jedes Männerchor-Repertoire.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500324 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 6 pages. Müller Publishing company #1076405. Published by Müller Publishing company (A0.1500324). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in D MajorDiscover the convenience of our reduced score edition of Christ is Risen from the Dead by J. V. Roberts, edited by L. Müller. This edition combines Soprano and Alto in the Treble Clef and Tenor and Bass in the Bass Clef, making it easier to read and reducing the overall page count. This format, commonly known as a condensed or short score, helps conductors and singers track harmonies efficiently, making it perfect for rehearsals and enhancing the overall experience of choral performance.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500321 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 6 pages. Müller Publishing company #1076402. Published by Müller Publishing company (A0.1500321). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in Db MajorSimplify your choir’s rehearsals with our reduced score edition of Christ is Risen from the Dead by J. V. Roberts, skillfully edited by L. Müller. This short score edition, with Soprano and Alto in the Treble Clef and Tenor and Bass in the Bass Clef, provides a streamlined view of the arrangement. Perfect for conductors and singers, this format facilitates easier reading and coordination, helping to focus on musicality and harmony.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500320 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1076401. Published by Müller Publishing company (A0.1500320). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in Db MajorExperience a beautifully crafted edition of Christ is Risen from the Dead by J. V. Roberts, with each voice—Soprano, Alto, Tenor, Bass—on its own stave, edited by L. Müller. This format helps singers stay on track and supports conductors in achieving perfect balance within the choir. Ideal for choir rehearsals and performances, this version ensures every note is clear and accessible, allowing your ensemble to shine.