Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.543079 Composed by Various. Arranged by Cindy Blevins. Patriotic,Praise & Worship,Sacred. 92 pages. Cindy Blevins #3430575. Published by Cindy Blevins (A0.543079). This book is a collection of 13 beautifully arranged hymns and patriotic songs for piano and Native American flute (mid-A flute). With this download, you receive the scores, the piano parts and the flute parts. The flute adds a delightful voice, adding melody, harmony, and counter-melody to the piano part. There are several score samples for you to view. The audio sample is an excerpt from How Great Thou Art. The Native American flute parts can be played on regular flute.The included songs are: Amazing Grace, America, the Beautiful, Christ the Lord Is Risen Today, Come, Thou Fount of Every Blessing, For the Beauty of the Earth, Holy, Holy, Holy, How Great Thou Art, I Sing the Mighty Power of God, Jesus Loves Me, My Country 'Tis of Thee, This Is My Father's World, We Gather Together and What a Friend We Have in Jesus.My website: https://www.blevinsmusic.com

Level 3 - Digital Download SKU: A0.746484 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period,World. 11 pages. Keith Terrett #1955507. Published by Keith Terrett (A0.746484). The regional anthem of the EU arranged for Brass Quintet. The melody used to symbolize the EU comes from the Ninth Symphony composed in 1823 by Ludwig Van Beethoven, when he set music to the Ode to Joy, Friedrich von Schiller's lyrical verse from 1785. The anthem symbolises not only the European Union but also Europe in a wider sense. The poem Ode to Joy expresses Schiller's idealistic vision of the human race becoming brothers - a vision Beethoven shared. In 1972, the Council of Europe adopted Beethoven's Ode to Joy theme as its anthem. In 1985, it was adopted by EU leaders as the official anthem of the European Union. There are no words to the anthem; it consists of music only. In the universal language of music, this anthem expresses the European ideals of freedom, peace and solidarity. The European anthem is not intended to replace the national anthems of the EU countries but rather to celebrate the values they share. The anthem is played at official ceremonies involving the European Union and generally at all sorts of events with a European character. Ode to Joy (German original title: An die Freude) is the anthem of the European Union and the Council of Europe; both of which refer to it as the European Anthem due to the Council's intention that, as a semi-modern composition with a mythological flair, it does represent Europe as a whole, rather than any organisation. It is based on the final movement of Beethoven's 9th Symphony composed in 1823, and is played on official occasions by both organisations. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Oboe,Piano - Level 3 - Digital Download SKU: A0.1449239 Composed by David Warin Solomons. Comedy,Contemporary. Score and part. 4 pages. David Warin Solomons #1029036. Published by David Warin Solomons (A0.1449239). Instrumental re-working of my folksong based on the enjoyment of the deep fried banana in ScotlandYoung Hamish he went out to buy him some chipsand ordered a haddock and good saucy dipsHis eyes then did wander and he licked his lips'Cause he'd spotted a Scottish bananaOch aye! that'll do me!The deep fried banana's just right for my tea!So Hamish he emptied his wallet right thereand all for the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaNow everyone knows deep fried food does you goodProvided you have a wee apple for pudBut Hamish just kept all that under his hoodPreferring his Scottish banana.Och aye! that'll do me!Cos deep fried bananas are all I can see!So Hamish he picked up his package of foodincluding the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaYoung Hamish went home now with all of his haulSat down on the sofa with TV and allHe opened the package and started to bawlThere was fish and chips but no banana!Och nay! I'll check where I wentIt surely was stolen by some passing gentOr else it escaped while my money was spentOh where is my Scottish banana?all for the Scottishall for the Scottishall for the Scottish bananaBut Hamish just couldn't account for his lossHe looked in the heather, he looked in the mossHe questioned a passing great white albatrossBut nary a sign of banana!Oh nay, where can it be?Bananas don't vanish, bananas don't flee!So Hamish he turned and then quite suddenlyHe slipped on his Scottish banana!all for the Scottishall for the Scottishall for the Scottish bananaThe pdf file contains score and parts.

Piano,Violin - Level 4 - Digital Download SKU: A0.1450569 Composed by David Warin Solomons. Comedy,Contemporary. 4 pages. David Warin Solomons #1030211. Published by David Warin Solomons (A0.1450569). The pdf file contains the score and separate violin part.Instrumental re-working of my folksong based on the enjoyment of the deep fried banana in ScotlandYoung Hamish he went out to buy him some chipsand ordered a haddock and good saucy dipsHis eyes then did wander and he licked his lips'Cause he'd spotted a Scottish bananaOch aye! that'll do me!The deep fried banana's just right for my tea!So Hamish he emptied his wallet right thereand all for the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaNow everyone knows deep fried food does you goodProvided you have a wee apple for pudBut Hamish just kept all that under his hoodPreferring his Scottish banana.Och aye! that'll do me!Cos deep fried bananas are all I can see!So Hamish he picked up his package of foodincluding the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaYoung Hamish went home now with all of his haulSat down on the sofa with TV and allHe opened the package and started to bawlThere was fish and chips but no banana!Och nay! I'll check where I wentIt surely was stolen by some passing gentOr else it escaped while my money was spentOh where is my Scottish banana?all for the Scottishall for the Scottishall for the Scottish bananaBut Hamish just couldn't account for his lossHe looked in the heather, he looked in the mossHe questioned a passing great white albatrossBut nary a sign of banana!Oh nay, where can it be?Bananas don't vanish, bananas don't flee!So Hamish he turned and then quite suddenlyHe slipped on his Scottish banana!all for the Scottishall for the Scottishall for the Scottish banana.

Cello,Piano - Level 4 - Digital Download SKU: A0.1436505 Composed by David Warin Solomons. Classical,Comedy,Contemporary. Score and part. 4 pages. David Warin Solomons #1016618. Published by David Warin Solomons (A0.1436505). Instrumental re-working of my folksong based on the enjoyment of the deep fried banana in ScotlandThe pdf contains score and separate cello part.Young Hamish he went out to buy him some chipsand ordered a haddock and good saucy dipsHis eyes then did wander and he licked his lips'Cause he'd spotted a Scottish bananaOch aye! that'll do me!The deep fried banana's just right for my tea!So Hamish he emptied his wallet right thereand all for the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaNow everyone knows deep fried food does you goodProvided you have a wee apple for pudBut Hamish just kept all that under his hoodPreferring his Scottish banana.Och aye! that'll do me!Cos deep fried bananas are all I can see!So Hamish he picked up his package of foodincluding the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaYoung Hamish went home now with all of his haulSat down on the sofa with TV and allHe opened the package and started to bawlThere was fish and chips but no banana!Och nay! I'll check where I wentIt surely was stolen by some passing gentOr else it escaped while my money was spentOh where is my Scottish banana?all for the Scottishall for the Scottishall for the Scottish bananaBut Hamish just couldn't account for his lossHe looked in the heather, he looked in the mossHe questioned a passing great white albatrossBut nary a sign of banana!Oh nay, where can it be?Bananas don't vanish, bananas don't flee!So Hamish he turned and then quite suddenlyHe slipped on his Scottish banana!all for the Scottishall for the Scottishall for the Scottish banana.

Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.

Drums - Level 3 - Digital Download SKU: A0.908322 Composed by Sean T. Kelly. Instructional,Standards. Score. 10 pages. Sean T. Kelly #6072697. Published by Sean T. Kelly (A0.908322). Gone Fishin' is not a traditional cadence, and was written to be a fun groovy chop workout primarily featuring diddles and paradiddles, while also utilizing a varying time signature between 6/8 and 9/8 throughout. A 7/8 bottom bass (preferred 5th bass) groove is sure to interest both other percussionists and casual viewers! Gone Fishin' can serve as a great exercise for intermediate drumlines looking to work on accent vs. tap height with diddles and paradiddles, work on counting and playing in mixed-meter time signatures, and is great for the lot or the stands! Both a full score and individual parts are included with PDF download. As for the title, the main motif came to me while I was out fishin'. Enjoy!Total time: 1:32Tempo: quarter note = 172 bmp (eigth note = 344 bpm)Difficulty: IntermediateInstrumentation: Snares, Tenors (4 standard drums + 1 spock), 5 basses (4 can be used if bottom bass plays both the 4th and 5th base part), Cymbals (optional but encouraged!)

Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1285702 By Herbie Hancock. By Herbie Hancock. Arranged by John Yao. Instructional,Jazz,Latin. 70 pages. Yaotones Music #800645. Published by Yaotones Music (A0.1285702). This big band arrangement keeps the flavor of Herbie Hancock's classic tune with a few minor twists and turns added by composer, arranger John Yao.  The chart begins with a rubato chorale introduction that weaves in and out of several interesting reharmonizations.  The melody features a variety of colorful orchestrations, countermelodies and textures that lead to the solo section.  Solos in the Tenor Sax and Trumpet are followed by a vamp with ample space for a drum solo that builds to a soaring tutti out chorus.  The chart closes out with colorful cluster voicings that culminate in a light, understated pyramid.   This chart works well if you're looking to slow things down or need a change of pace in your program.Trumpet Range - Bb5Trombone Range - A4The YT Link track is performed by NYC based big band John Yao and His 17-piece Instrument.To view other arrangements by John Yao, please visit Sheet Music Plus, Sheet Music Direct, or Ejazzlines.For more info or questions, please visit www.johnyao.com or email me at john@johnyao.com.  Follow me on Instagram, Facebook and subscribe to my You Tube Channel.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1465650 Composed by Harry Warren and Jack Brooks. Arranged by Will Corbin. Film/TV,Pop. 23 pages. Will Corbin #1044262. Published by Will Corbin (A0.1465650). Jerry Lewis ostensibly forked over $30,000 of his own money to the songwriters to come up with something that woluld be a hit for his movie partner, Dean Martin. That's Amore did the job, becoming Martin's signature song. It first showed up in the 1953 Martin/Lewis comedy The Caddy, for which it received an Oscar nomination for best oriiginal song. (It lost to Doris Day''s Secret Love from Calamity Jane.It has been covered countless times, by artists from Annette Funicello to the Wellington International Ukulele Orchestra.This version leans on the trumpets for melody, with the others providing the oom-pah-pah and other support. Nothing fancy -- just fun, and a crowd pleaser.If you need other instrumentation, please contact me at wilcor@aol.com.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1460513 By John Denver. By Johnny Marks. Arranged by Will Corbin. Children,Christmas,Pop. 10 pages. Will Corbin #1039437. Published by Will Corbin (A0.1460513). The Rudolph story begins in 1939, when Montgomery Ward asked Robert May, one of its ad copywriters, to come up with a kids' book for its Christmas shoppers. The result was the now-familiar red-nosed reindeer. (For those born in later generations, Mongomery Ward was a giant, like Sears, in the mail-order retail business. Kind of like Amazon without the Internet.) May's brother-in-law, Johnny Marks, turned it into a song a decade later. Gene Autry recorded it for Christmas in 1949, and it immediately hit No. 1 on the pop music charts. It was still there at the end of the first week of January, making it the first No. 1 hit of the 1950s.Its sales since then, including countless covers, have surpassed 150 million. Only White Christmas, among holiday songs, has sold more.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1371762 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 75 pages. Socrates Arvanitakis #955993. Published by Socrates Arvanitakis (A0.1371762). GENERAL PREFACEThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS130 ΜΑΛΑΜΩ (MALAMO-The Golden)131 ΜΑ�ΙΑΤΙΚΟΣ (Dance from Mani)132 ΜΑ�ΤΗΛΙ ΚΑΛΑΜΑΤΙΑ�Ο(Neckerchief from Kalamata)133 ΜΑΡΑΘΗΚΕ ΚΙΤΡΟΛΕΪΜΟ�ΙΑ (It withered, Citro-Lemon Tree)134 ΜΑΡΙΑ ΠΕ�ΤΑΓΙΩΤΙΣΣΑ  (Maria from Five-Saints Village)135 ΜΑΡΤΥΡΙΑ Η (The Testimony)136 ΜΑΤΙΑ ΣΑ� ΚΑΙ ΤΑ ΔΙΚΑ ΣΟΥ 1 (Eyes Like Yours 1)137 ΜΑΥΡΙΔΕΡΗ Η (The Blackish One)138 ΜΑΥΡΟ ΓΕΜΕ�Ι (Black Kerchief)139 ΜΕ ΓΕΛΑΣΕ �' Η ΧΑΡΑΥΓΗ (The Dawn Fooled Me)140 ΜΕΛΑΧΡΟΙ�Ο 1 (Dark Lass 1)141 ΜΕΛΑΧΡΟΙ�Ο 2 ΤΟ (The Dark One 2)142 ΜΕ�ΟΥΣΗΣ Ο (Menoussis)143 ΜΕΡΜΥΓΚΑΣ (The Master Ant)144 ΜΙΑ ΒΛΑΧΑ (A Wallachian Woman)145 ΜΙΑ ΚΟΡΗ ΑΠΟΦΑΣΙΣΕ (A Maiden Decided).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1371768 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 75 pages. Socrates Arvanitakis #955999. Published by Socrates Arvanitakis (A0.1371768). GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS146 ΜΙΑ ΠΑΠΑΔΙΑ (A Certain Priest's Wife)147 ΜΙΑ ΠΕΡΔΙΚΟΥΛΑ ΞΕΒΓΑΙ�Ε (A Little Partridge Was Coming Out)148 ΜΙΑ ΣΜΥΡ�ΙΑ ΣΤΟ ΠΑΡΑΘΥΡΙ (A Lass From Smyrna In The Window)149 ΜΙΑ ΦΟΡΑ 'ΜΟΥ�Α ΠΟΥΛΙ (Once I  Was A Bird)150 ΜΟΙΑΖΕΙΣ (You Are Like...)151 ΜΟΙΡΟΛΟΓΙ (Dirge)152 ΜΟΥ ΠΑΡΗΓΓΕΙΛΕ Τ' ΑΗΔΟ�Ι (The Nightingale Messaged Me)153 ΜΠΑΙ�Ω ΜΕΣ' Τ' ΑΜΠΕΛΙ (I enter the Vine Yard)154 ΜΠΑΛΟΣ Ο (Balos Dance)155 ΜΠΑΤΕ ΚΟΡΙΤΣΙΑ ΣΤΟ ΧΟΡΟ 1 (Girls, Joint The Dance 1)156 ΜΠΑΤΕ ΚΟΡΙΤΣΙΑ ΣΤΟ ΧΟΡΟ 2 (Girls Joint The Dance 2)157 ΜΠΕΡΔΕΥΤΗΚΕ ΜΙΑ ΛΕΪΜΟ�ΙΑ (A Lemon Tree Was Entangled)158 �Α ΧΑΜΗΛΩ�Α� ΤΑ ΒΟΥ�Α (Let The Mountains Come Low)159 �Α�ΟΥΡΙΣΜΑ (Lullaby)160 �ΑΣΑ� ΤΑ �ΕΙΑΤΑ ΔΥΟ ΦΟΡΕΣ (I Wish Youth Was Twice)161 �ΑΧΑ �ΕΡΟ 'ΠΤΟ� ΠΛΑΤΑ�Ο  (I Wish I Had Water From The Plane Tree).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1360705 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 74 pages. Socrates Arvanitakis #945206. Published by Socrates Arvanitakis (A0.1360705). GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS65  ΕΡΗ�ΑΚΙ (Little Irene)66  ΕΣΕΙΣ ΠΟΥΛΙΑ ΤΟΥ ΜΑΗ (You, Birds Of May)67  ΖΑΛΙΑΡΙΚΟ ΤΟ (The Little Dizzying One)68  ΖΙΑΚΑΣ Ο (Ziakas)69  Η ΑΞΙΑ ΤΟΥ ΦΙΛΙΟΥ (The Value of the Kiss)70  Η ΜΑ�Α ΜΟΥ ΜΕ ΔΕΡ�ΕΙ (My Mother Hits Me)71  Η ΜΑΧΗ ΤΗΣ ΑΡΑΧΩΒΑΣ (The Battle Of Arahova)72  ΗΛΙΟΣ Ο (The Sun)73  ΗΡΘ' Η Α�ΟΙΞΗ (The Spring Has Come)74  ΘΑΛΑΣΣΑ ΜΠΑΜΠΕΣΑ (Sea Unreliable)75  ΘΑΛΑΣΣΑΚΙ (Little Sea)76  ΘΕΣΣΑΛΙΚΟΣ (Dance from Thessaly)77  ΙΚΑΡΙΩΤΙΚΟΣ (Dance from Ikaria)78  ΙΤΙΑ (Willow Tree)79  ΚΑΒΑΛΑΣ (Dance from Kavala)80  ΚΑΪΚΑΚΙ (Little Caique).

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1369621 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 72 pages. Socrates Arvanitakis #953986. Published by Socrates Arvanitakis (A0.1369621). GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS114 ΛΑΖΑΡΟΥ ΤΟΥ (Lazarus' Song)115 ΛΑΛΑ Τ' ΑΗΔΟ�Ι (The Nightingale Sings)116 ΛΑΛΗΣΕ ΚΟΥΚΕ (Sing Cuckoo Bird)117 ΛΑΦΙ�Α Η 1 (The Doe 1)118 ΛΑΦΙ�Α Η 2 (The Doe 2)119 ΛΕΒΕ�ΤΙΑ 1 (Valour 1)120 ΛΕΒΕ�ΤΙΑ 2 (Valour 2)121 ΛΕΪΜΟ�ΙΑ Η (The Lemon Tree)122 ΛΕΜΟ�ΑΚΙ (Little Lemon)123 ΛΕ�ΚΩ Η (Lenko)124 ΛΟΥΛΟΥΔΙ ΤΗΣ ΜΟ�ΕΜΒΑΣΙΑΣ (Flower of Monemvasia)125 ΛΥΓΕΡΗ Η 1 (The Graceful Lass 1)126 ΛΥΓΕΡΗ Η 2 (The Graceful Lass 2)127 Μ' ΕΚΑΨΕΣ ΓΕΙΤΟ�ΙΣΣΑ (Neighbor, You've Burned Me)128 ΜΑΚΕΔΟ�ΙΚΟΣ (Dance from Macedonia)129 ΜΑΚΕΔΟ�ΙΚΟΣ ΚΛΕΦΤΙΚΟΣ (Macedonian Kleftik Dance).