Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.612836 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #222033. Published by Diego Marani (A0.612836). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for alto and tenor sax with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.

Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.612896 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #222094. Published by Diego Marani (A0.612896). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for soprano and alto sax with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528766 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 25 pages. Diego Marani #6446901. Published by Diego Marani (A0.528766). The Moldau, Czech Vltava, symphonic poem by Bohemian composer BedÅ™ich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882.This arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.

Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.612665 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221855. Published by Diego Marani (A0.612665). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 flutes with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.

Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.612659 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221850. Published by Diego Marani (A0.612659). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 Bb clarinets with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.606412 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Diego Marani #215617. Published by Diego Marani (A0.606412). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement in original key for bassoon with piano accompaniment is suitable for classroom, repertoire and recital.

French Horn,Piano - Level 2 - Digital Download SKU: A0.608407 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Diego Marani #217604. Published by Diego Marani (A0.608407). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for F horn with piano accompaniment is suitable for classroom, repertoire and recital.

Piano,Viola - Level 2 - Digital Download SKU: A0.594466 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Diego Marani #203743. Published by Diego Marani (A0.594466). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for viola with piano accompaniment is suitable for classroom, repertoire and recital.

Concert Band - Level 3 - Digital Download SKU: A0.946714 Composed by Thiago Osorio. Concert,Instructional,Standards,World. Score and parts. 66 pages. Thiago Osorio Music #6495135. Published by Thiago Osorio Music (A0.946714). ''Sim, eu volto'' (in english: ''Yes, I will be back'') is a song presented here in its instrumental version for concert band. Cururu is one of the genres of Brazilian country music that inspired the creation of this song. This song tells the story of a country person who went to live in the metropolis and reflected that it was all illusion when she was confronted with the violence and ambition typical of the big city, making her miss the simple life in the countryside. The wood stove, the mud on the ground, riding in a cart, milking the cow, eating fruit from the tree, the freedom to walk without worry are memories that lead her to believe that God willing she will one day return to her origins. This instrumental version included three solos that can be replaced by improvisation. The main melody and counterpoints alternate between suits, with the use of voicings characteristic of the style. Without a doubt, it's an excellent opportunity to expand your band's repertoire with authentically Brazilian music.

Piano Solo - Level 3 - Digital Download SKU: A0.1486801 By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 20th Century,Instructional,Jazz. Score. 7 pages. In Son Zeng #1063868. Published by In Son Zeng (A0.1486801). Introduction of Op.3 No.10-12 by In Son Zeng:Op.3 No.1-12 is composed by In Son Zeng (from Macau) to cater to a variety of musical tastes and skill levels, offering a diverse range of experiences for the player.Op. 3 No. 10 How Beautiful the CountrysideThe tenth song in Op.3 uses an old country musical style. It depicts a gently flowing river, which does not create large ripples throughout the day, yet the surroundings are so beautiful that one cannot help but be captivated! The entire piece extensively designs two voice parts at the higher range. The upper voice often features non-legato triplets, while the left-hand employs a fixed rhythm common in country music, enhancing the picturesque scenery that the music evokes.Op. 3 No. 11 Charming New OrleansThe eleventh song is composed in a New Orleans jazz style that traces back to the origin of Jazz music! Being one of the ancestors of jazz, it poetically and lyrically reflects a refined lifestyle. This music is a great companion to the beauty of nature: listening to the relaxed, old-style jazz while strolling through a New Orleans park is truly invigorating!The entire piece is written in A-flat major and is divided into two short sections, both in an AA format (where the two sections are similar but differ in chord density). When practicing, it is important to prepare for an increase in intensity and atmosphere one measure before transitioning into the second section.Op. 3 No. 12 Summer SunThe twelfth song, in terms of jazz style, is a lively Boogie Woogie piece. Playing this music conjures images of people in bikinis dancing rhythmically on the beaches of Macedonia, surrounded by enthusiastic beach-loving tourists. The bustling crowd adds vibrant color to the hot summer beach.The entire piece is written in E-flat major and is also divided into two short sections in an AA format. During practice, there is a breathe and relax moment one measure before transitioning to the second section. It is important to play with a sense of relaxation at that point, followed by an augmented chord leading into the next section.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1309904 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music: Jon Burr. Arranged by Jon Burr. Country,Folk,Traditional. Score. 17 pages. Cheryl Prazak #899036. Published by Cheryl Prazak (A0.1309904). Cotton-Eyed Texas is a celebration of all good things Texan.Lyrics by Cheryl Prazak, music by Jon Burr Arranging, production and video by Jon Burr (arrangerforhire.com)Lyric:Let me tell you ‘bout a place that’s stood the test of timeOnce it was a country, but now a State of MindTexas is the place I know, it’s special and it’s reallet me share some things it’s got you oughtta see and feelDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We belt it out with Jennings, echo through the hills,rave with Buddy Holly, “ah-hah� with the great Bob Wills.We croon with Kenny Rogers, George Strait and young Clint Black.We dance the Texas two-step to Galveston and backDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its mountains and plains, valleys and bayous.We had cottonfields once where legendary pickers grew,Like Lightnin’ Hopkins, T-Bone, Blind Lemon, Stevie Ray played the bluesBuddy Holly, and Willie Nelson sang their stories tooDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Us Texans like to hunt and shoot, and what we shoot, we eat.When you smell the bar-b-cue, bring a dish ‘n grab a seat.Tex-Mex, tacos, fajitas, enchiladas and red wine!Avocado guacamole suits a Texan just fine!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We have fought to live our way, and we can fight again.When the need presents itself, we only fight to win.We have fought to live our way, we can live no other.If you feel like coming this way, don’t mess with Texas, brother!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its music, Texas has its foodTexas has its history to put you in the moodThe very best way to visit is to travel far and wideone end to the other right through the countrysideDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe

Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks� was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks� begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.

2 cellos - easy - Digital Download SKU: S9.Q14725 45 leichte Stücke und Etüden. Composed by Gabriel Koeppen. This edition: performance score. Downloadable, Performance score. Schott Music - Digital #Q14725. Published by Schott Music - Digital (S9.Q14725). Die 45 netten Duette sind ein leichter Einstieg in das Etüdenspiel für kleine und große Cellisten. Wenn die Tonleiter swingt, Dreiklänge nach Countrymusik klingen und rpeggien zur Begleitung einer Popballade werden, dann macht das Üben richtig Spaß. Alle Stücke sind in der 1. Lage spielbar. Methodisch gliedert sich das Heft in drei Teile: der erste Teil enthält leichte Stücke in der engen 1. Lage, der zweite Teil Stücke in der weiten Griffstellung. Im dritten Teil gibt es etwas anspruchsvollere aber gut machbare Stücke mit gezielten Aufgabenstellungen wie Saitenwechsel, Arpeggien oder Dreiklangsübungen. Richtig nett, diese netten Duette!Die 45 netten Duette sind ein leichter Einstieg in das Etüdenspiel für kleine und große Cellisten. Wenn die Tonleiter swingt, Dreiklänge nach Countrymusik klingen und Arpeggien zur Begleitung einer Popballade werden, dann macht das Üben richtig Spaß.