Piano Solo - Advanced Intermediate - Digital Download By Casting Crowns, Michael W. Smith, Kutless, All Sons and Daughters. Arranged by Craig Curry. Sheet Music Single. 7 pages. Published by Craig Curry

Cello,Oboe,Piano,Violin - Level 3 - Digital Download

SKU: A0.1417698

Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #999237. Published by ACORDO Sheet Music (A0.1417698).

Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.

The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.

The string ensemble part was transcribed for piano to make it easier to play. The cello part is the same as the piano's left hand and is optional.

Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download

SKU: A0.1426546

Composed by Johann Sebastian Bach. Arranged by Kamada,Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007246. Published by ACORDO Sheet Music (A0.1426546).

Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.
The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.
The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and clarinet.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Level 3 - Digital Download

SKU: A0.1426547

Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007247. Published by ACORDO Sheet Music (A0.1426547).

Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.

The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.

The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for flute and clarinet.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Bassoon,Clarinet,Piano - Level 3 - Digital Download

SKU: A0.1426548

Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007248. Published by ACORDO Sheet Music (A0.1426548).

Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.
The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.
The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Clarinets.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

English Horn,Oboe,Piano - Level 3 - Digital Download

SKU: A0.1426549

Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007249. Published by ACORDO Sheet Music (A0.1426549).

Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.
The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.
The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Oboe and Cor Anglais.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Bassoon,Flute,Oboe,Piano - Level 3 - Digital Download

SKU: A0.1422054

Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1003395. Published by ACORDO Sheet Music (A0.1422054).

Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.
The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.
The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and flute.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download

SKU: A0.1196739

By John Powell. By John Powell. Arranged by Rob Bushnell. 20th Century,Celtic,Film/TV,Folk,Irish. Brass Band. 79 pages. RBMusic #795900. Published by RBMusic (A0.1196739).

Test Drive is from the soundtrack to the 2010 computer-animated action fantasy film How to Train Your Dragon, based on the book by Cressida Cowell. It follows the story of Hiccup and Toothless as they form an unlikely friendship, against the backdrop of the Viking village of Berk, where the other villagers attempt to kill dragons when they attack.

The music is composed by John Powell. Whilst this was his sixth collaboration with DreamWorks Animation, it was the first where he was the sole composer (having worked with other composers such as Harry Gregson-Williams and Hans Zimmer prior to this). In an interview with The Wasp, Powell said that the directors wanted “size and depth and emotion�, wanting “a feeling of the Nordic musical past.� This led him to the music of Nielsen, Grieg and, in particular, Sibelius. “Sibelius was the key. I studied a lot of Sibelius as a kid, and I've always adored his music.� He continues, “we looked at all the folk music from the Nordic areas. And I'm part Scottish and grew up with a lot of Scottish folk music, so that came into it a lot. And Celtic music was something that Jeffrey [Katzenberg] felt had this very attractive quality to it, and a sweetness, that he thought would be wonderful for the film.

Test Drive appears in the film when Hiccup first takes flight on Toothless. It perfectly brings together “Hiccup's Theme� and “Toothless' Theme�. The two themes take over from each other, representing the development of their onscreen relationship during this flight scene as Hiccup starts to trust Toothless, and vice versa. The soundtrack was nominated for the Academy Award for Best Original Score and the BAFTA Award for Best Film Music.

This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=IpPIK4T068s.


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Choral Choir (SAB) - Level 3 - Digital Download By Dj Antoine. By Antoine Konrad, Craig Scott Smart, Craig Smart, Fabio Antoniali, Fabio Antonali, Jenson David Aubrey Vaughan, Matt James, Matthew James Humphrey, and Mohombi Moupondo. Arranged by MaryAnne Muglia Smith. Contemporary. Octavo. 7 pages. MaryAnne Smith #6869751. Published by MaryAnne Smith

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.1181650

Composed by John Stafford Smith. Arranged by Craig Leland Sparks. A Cappella,Patriotic,Traditional. Octavo. 4 pages. Craig Sparks Music #781440. Published by Craig Sparks Music (A0.1181650).

This a capella arrangement of the Star Spangled Banner hews closely to the original with respect and deference to the United States National Anthem while still adding enough moments of interest to keep the song feeling fresh. This arrangement was written for the Bowie Senior Chorale, a choir of senior citizens, many of whom are veterans, and it has received their stamp of approval.

Choral Choir (SAB) - Level 3 - Digital Download

SKU: A0.1019599

Composed by Ella Craig. Praise & Worship. Octavo. 8 pages. Ella Craig #3687789. Published by Ella Craig (A0.1019599).

The words to this anthem were written by  Walter Smith. This song is about the concept or nature of the God we worship. The music supports a powerful reminder of the glory of our God.

Composed by Michael W. Smith. Arranged by Tracey Craig McKibben. Contemporary. Score. 5 pages. Tracey Craig McKibben #3909257. Published by Tracey Craig McKibben

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1477846

Composed by Howard E. Smith. Arranged by J. Craig McComb. Christian,Contemporary,Praise & Worship,Soul,Spiritual. Score. 5 pages. J.Craig McComb #1055224. Published by J.Craig McComb (A0.1477846).

Christian, Contemporary, Praise & Worship, Religious, Spiritual, Sacred, Rock, General Worsip, Pop, Anthem, Humntune, Gospel, Evangelism, Soul, Jazz.