Clarinet,Guitar - Level 3 - Digital Download SKU: A0.1268818 By András Csáki and Balázs Rumy. By David Warin Solomons. 20th Century,21st Century,Contemporary. Full Performance. Duration 194. David Warin Solomons #861349. Published by David Warin Solomons (A0.1268818). Across a crowded room from the suite The poem is the SongThe score of the complete suite, comprising:1. Venus (A goddess has just walked out) (original poem by Gavin Ewart)2. The Worst of Loves (Across a Crowded Room) (original poem by Douglas Dunn) 3. Being but Men (original poem by Dylan Thomas)4. Chantefable d'Aucassin et Nicolette ((original poem anon)5. Henry King (The chief defect of Henry King was chewing little bits of string) (original poem by Hilaire Belloc),is also available on sheetmusicplusAcross a crowded room is performed here byBalázs Rumy clarinetAndrás Csáki guitar.

SATB choir (choir divisi) unaccompanied - Medium - Digital Download SKU: MQ.1.3501-E Composed by Anthony Bernarducci. Secular, Memorial, 21st Century. 9 pages. Galaxy Music Corporation - Digital #1.3501-E. Published by Galaxy Music Corporation - Digital (MQ.1.3501-E). English.Alfred, Lord Tennyson (1809–1892) wrote Crossing the Bar in 1889, only a few years before his death. Although it was not his last poem, he requested that Crossing the Bar appear as the final poem in all collections of his work. This poem describes a person not only at peace, but also perhaps awaiting the time of eternal rest and peace. The journey begins at sunset in a minor mode and finishes in the relative major after having crossed the bar. Both the first C minor chord and the final E-flat major chord have an added F-natural meant to represent the initial call which has guided the protagonist’s journey toward seeing his pilot face to face.

Brass Ensemble - Level 3 - Digital Download SKU: A0.808708 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Easter,Praise & Worship,Sacred. Score and parts. 27 pages. Sweetwater Brass Press #6477787. Published by Sweetwater Brass Press (A0.808708).      George J. Elvey composed Diademata to serve as the melody for Matthew Bridges’ hymn Crown Him with Many Crowns. Published in 1868, its name derives from diadema, the Greek word for crown, which is also the source of the English word diadem. Diademata remains the most frequently used tune for Crown Him with Many Crowns.       This arrangement contains five versions of the melody. It opens with a quotation from bars 5-8 of Elvey’s score to introduce the arrangement. The first time through the 16 bars of Crown Him with Many Crowns the tempo is marked Andante e Rubato: that is, take it moderately slow but feel free to speed up or slow down in your interpretation. Two instrument pairs take turns doing this-Trumpets 1 and 2, and Horn in F and Trombone. The remainder of the piece should be played at an up-tempo speed of about 120 bpm.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.891183 Composed by George Job Elvey, Richard Donn, and William H. Monk. Arranged by Richard Donn. Contemporary,Easter,Holiday,Sacred,Traditional. Octavo. 8 pages. Cartecay River Music Publishing #3517361. Published by Cartecay River Music Publishing (A0.891183). CROWN HIM KING OF KINGS (w/Crown Him with Many Crowns) combines two hymns (Look, Ye Saints and Crown Him with Many Crowns) with original music to create a majestic, Christ-honoring anthem proclaiming Him King of kings and Lord of lords.  This dynamic and easy to learn anthem is wonderfully appropriate for Easter or any worship service of praise.  It will be a favorite for both your choir and congregation for years to come.  Available also: TTB version and a piano accompaniment MP3.  Duration 3:45

Choir - Digital Download SKU: A0.1069620 Composed by George Job Elvey, William H. Monk, and and Richard Donn. Arranged by Richard Donn. Contemporary,Easter,Holiday,Sacred,Traditional. Accompaniment. Duration 238. Cartecay River Music Publishing #3516019. Published by Cartecay River Music Publishing (A0.1069620). CROWN HIM KING OF KINGS (w/ Crown Him with Many Crowns) uses two hymns: Look, Ye Saints and Crown Him with Many Crowns along with original music in a majestic, Christ-honoring anthem proclaiming Him King of kings and Lord of lords.  This dynamic and energetic anthem is wonderfully appropriate for Easter or any worship service of praise.  It will be a favorite for both your choir and congregation for years to come.  It is available for SATB and TTB choirs.  Duration 3:45.  The score is available through SheetMusicPlus.com and SheetMusicDirect.com. Preview more titles on YouTube.com at Richard Donn Music for Worship.

Choir,Piano - Digital Download SKU: A0.1069622 Composed by George Job Elvey, Richard Donn, and William H. Monk. Arranged by Richard Donn. Contemporary,Easter,Holiday,Sacred,Traditional. Accompaniment. Duration 242. Cartecay River Music Publishing #3517363. Published by Cartecay River Music Publishing (A0.1069622). Piano accompaniment for CROWN HIM KING OF KINGS (w/Crown Him with Many Crowns).  This anthem for Easter combines two hymns (Look, Ye Saints and Crown Him with Many Crowns) with original music in a majestic, Christ-honoring song proclaiming Him King of Kings and Lord of lords.  This dynamic and easy to learn piece is wonderfully appropriate for any worship service of praise.  It will be a favorite for both your choir and congregation for years to come.  It is available for both SATB and TTB choirs.  The score is available through SheetMusicPlus.com and SheetMusicDirect.com. Preview more titles on YouTube.com at Richard Donn Music for Worship. Duration 3:45

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.891182 Composed by George Job Elvey, Richard Donn, and William H. Monk. Arranged by Richard Donn. Contemporary,Easter,Holiday,Sacred,Traditional. Octavo. 8 pages. Cartecay River Music Publishing #3516011. Published by Cartecay River Music Publishing (A0.891182). CROWN HIM KING OF KINGS (with Crown Him with Many Crowns) uses two hymns: Look, Ye Saints and Crown Him with Many Crowns combined with original music in an energetic, majestic, and Christ-honoring anthem proclaiming Him King of kings and Lord of lords.  This dynamic anthem is wonderfully appropriate for Easter or any worship service of praise!  It will be a favorite for both your choir and congregation for years to come and is available for both SATB and TTB choirs.  A piano accompaniment is also available through SheetMusicPlus.com.  Duration:  3:45 .

Interactive Download SKU: HX.381044 By Counting Crows. This edition: Interactive Download,scorch. Pop. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #286461. Published by Hal Leonard - Digital (HX.381044).

Piano - Digital Download SKU: LV.15981 Composed by Gioachino Rossini. Arranged by Sidney Pearson. Crowds, Parades & processions, Fountains, Carriages & coaches, Flags, Spires, Avenues, Cityscapes, Families, Couples, Symbols, Supernatural beings. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15981). The Celebrated Croton Ode. Written at the request of the Corporation of The City of New York by George P. Morris, Esq.; The Music arranged & adapted From Rossini's Opera of Amidas by Sidney Pearson. Published 1842 by Atwill, 201 Broadway in New York. Composition of strophic with chorus with piano instrumentation. Subject headings for this piece include Crowds, Parades & processions, Fountains, Carriages & coaches, Flags, Spires, Avenues, Cityscapes, Families, Couples, Symbols, Supernatural beings. First line reads Gushing from yon living fountain, Music pours a falling strain.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Concert Band - Level 4 - Digital Download SKU: A0.734844 Composed by Joseph Hasper. Contemporary. Score and parts. 84 pages. Joseph Hasper #3580345. Published by Joseph Hasper (A0.734844). A bold, modern piece for full concert band composed in 2018. 7'00 duration. Contains instrument parts only; a full score is available separately.Christian readers will need no further elucidation of the title. It affirms that freedom [from sin and death] is personified in Jesus Christ, who having defeated death was resurrected and crowned in glory. The crown is called thorny here in remembrance of the crown of thorns Jesus endured in his passion, a reminder our freedom was not won without a cost.

Concert Band - Level 4 - Digital Download SKU: A0.734843 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 118 pages. Joseph Hasper #3579047. Published by Joseph Hasper (A0.734843). A bold, modern piece for full concert band composed in 2018.  7'00 duration. Contains a full score and a full set of parts. (A separate listing with score only is available separately.)Christian readers will need no further elucidation of the title. It affirms that freedom [from sin and death] is personified in Jesus Christ, who having defeated death was resurrected and crowned in glory. The crown is called thorny here in remembrance of the crown of thorns Jesus endured in his passion, a reminder our freedom was not won without a cost.

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284056 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 8 pages. Maria Thompson Corley #875229. Published by Maria Thompson Corley (A0.1284056). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 35 pages. Maria Thompson Corley #864733. Published by Maria Thompson Corley (A0.1272508). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. Please note that the YouTube version for clarinet is slightly different than the one with violin, to accommodate the differences in range.

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.