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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)

$19.95 16.74 € PDF SheetMusicPlus

Large Ensemble B-Flat Clarinet,B-Flat Trumpet,B-Flat Tuba,Bass Clarinet,Bass Trombone,Bass Voice,Bassoon,Drum Set,E-Flat Alto Saxophone,E-Flat Baritone Saxophone,E-Flat Clarinet,Euphonium,Flute,Glockenspiel,Horn,Maracas,Oboe,Piccolo,Tenor Saxophone,Timpani,Wind Chimes - Level 3 - Digital Download SKU: A0.1127760 Composed by Ralph Coleman. Contest,Festival,Folk,Traditional. Score and parts. 64 pages. Ralph Coleman #728367. Published by Ralph Coleman (A0.1127760). Veillée à Crostand (Campfire in Crostand) is a lively piece for wind ensemble, with a difficulty grade which makes it perfectly accessible to collegiate wind ensembles. Its inspiration is taken from a typical day at a scout camp, starting with hoisting the flag and a calm moment in early morning, before the real adventures begin. After walking in the nature and enjoying its beauty, the adventures continue and rise up to the finale with songs and rejoicing around the campfire.
Veillée à Crostand (Campfire in Crostand)

$70.00 58.73 € PDF SheetMusicPlus

Guitar (flatpicking) - Beginning-Intermediate - Digital Download SKU: M0.97177EB Composed by Mickey Cochran. Bluegrass. E-book. Mel Bay Publications - Digital Sheet Music #97177EB. Published by Mel Bay Publications - Digital Sheet Music (M0.97177EB). ISBN 9781609743567. 8.75x11.75 inches.Crosspicking technique on guitar is similar to bluegrass banjo, filling in all of the spaces between melody notes with a steady stream of harmony notes. With applied crosspicking technique, the guitar becomes a forceful solo instrument capable of filling a room with colorfully supported melodies. Not only does the guitar support itself, but crosspicking technique also works effectively for supporting other lead instruments and vocals in many styles of music including classical, rock, country, bluegrass, jazz, and new age. The methodology section of this eBook offers the intermediate to advanced guitarist many new ideas which can be added to their arsenal. The book also includes a full songbook section with an even wider repertoire to pursue. All of the lessons and songs are written in tablature only, so you don't have to read music, just count!
Guitar Crosspicking Technique
Guitare

$22.99 19.29 € Guitare PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Synthesizer - Level 5 - Digital Download SKU: A0.1002834 Composed by Kyle Vanderburg. Contemporary. Score and parts. 11 pages. NoteForge #5319515. Published by NoteForge (A0.1002834). Crosswinds represents a melding of the traditional woodwind sound of the clarinet with digital live electronic techniques, and the piece explores the potential for this relationship in three parts.To begin the piece, the stage performer breathes through the clarinet, which serves to inform the electronic elements to come. This initial breath is captured by the computer program and is modified and reduplicated to create the sonic tone of a soft wind always present beneath the piece to come. This is the first step in uniting the digital and woodwind elements, as the same breath which animates the clarinet also activates the electronics.From this most fundamental element, the breath becomes a single sustained note from which the computer will generate all of its subsequent tones. The impression is one of a mentor relationship, where the traditional instrument provides the tools and the support for the electronic elements. The disposition is contemplative, though it alternates between a subdued easiness and a playful mystery, as if to introduce the digital aspects to the range and variety of the clarinet’s moods. The rapport between the two is hesitant in the first part: the electronics contributing a subtle reverb as the performer teaches the computer dexterity through a number of broad leaps, hinting at but never fully embracing the main motif.As the theme becomes more self-assured, the digital element now produces its own tones, parroting the clarinet melody to signal its readiness to be an equal partner in the conversation. As the clarinet begins the second part of the piece, the computer now provides a harmonizing undercurrent each time it is invited to do so by the performer.In the third part, the electronics play counterpoint to the skill of the clarinetist, the two elements intricately entwined. From the elemental sound of wind first produced by the performer and perpetuated by the computer, the piece concludes in a celebration of the relationship built between the two, and the main theme is fully expressed as the two take it in variations.Crosswinds is, in many ways, an experience of the history of our music through the relationship between traditional clarinet and modern digital techniques: the common elements they share, the singularity of their own particular strengths, and the beauty that can be experienced when they collaborate.Patch for live electronics available from https://bitbucket.org/kylevanderburg/crosswinds/downloads/
Crosswinds

$7.99 6.7 € PDF SheetMusicPlus

Piano - Digital Download SKU: LV.14974 Composed by J. Holt. Athletic fields, Native Americans, Lacrosse. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14974). La Crosse. J. Holt. Published 1867 by A. & S. Nordheimer in n.p. Composition of sectional with piano instrumentation. Subject headings for this piece include Athletic fields, Native Americans, Lacrosse. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
La Crosse
Piano seul

$5.99 5.03 € Piano seul PDF SheetMusicPlus

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.1026330 Composed by Jason Anthony Gomez. 20th Century,Contemporary. Score and parts. 15 pages. Jason Anthony Gomez #6092107. Published by Jason Anthony Gomez (A0.1026330). I started writing these movements as exercises in melody and motivic economy with a reduced ensemble, but as I shared the MIDI recordings on Instagram they got a lot of interest from various players who wanted to perform them. The feedback was positive enough that I decided to tidy up the score, and make them available to performers. The term microlude was originally coined by Hungarian Composer Gyorgy Kurtag, whose Hommage à Mihály András, 12 microludes for string quartet became revolutionary in demonstrating the capabilities of short form structures.This collection of Microludes are fun and vary in character. They are perfect for an opening piece for your program. You can also feature them on your live streams or as short, captivating performances that you can share as content with your fans. Enjoy!
Microludes for Flute and Bb Clarinet
Flûte, Clarinette (duo)

$30.00 25.17 € Flûte, Clarinette (duo) PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1497451 By Jim Funnell. By Jim Funnell. Arranged by Jim Funnell. 21st Century,Blues,Jazz. 14 pages. Funnelljazz Publishing #1073863. Published by Funnelljazz Publishing (A0.1497451). (en) This playful, corky composition for jazz trio (piano, bass, drums) is a musical depiction of the large-scale patterns known as “crop circles,” sometimes mysteriously created in fields by flattening cereal crops... Surely, the phenomenon will boggle your mind and the tune make your ears crackle!(fr) Cette composition enjouée et percutante pour trio jazz (piano, basse, batterie) est une représentation musicale des motifs de grande envergure connus sous le nom de crop circles (cercles dans les blés), parfois mystérieusement créés dans les champs en aplatissant les cultures céréalières... Crépitement des yeux et des oreilles garanti !
Crop Circle Crackle
Ensemble Jazz
Jim Funnell
$8.99 7.54 € Ensemble Jazz PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1434797 By The Beatles. By John Lennon and Paul McCartney. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Rock,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1014928. Published by Timothy Stapay (A0.1434797). Across the Universe is a song that holds a special place in the hearts of many Beatles fans. It was released as part of their final studio album, Let It Be, and holds a deep and profound meaning both lyrically and musically.Lyrically, Across the Universe is a complex and poetic exploration of spirituality, love, and universal connection. John Lennon, the primary songwriter of the song, crafted lyrics that evoke a sense of transcendence and the interconnectedness of all things. The song takes listeners on a journey through beautiful imagery and metaphors, inviting them to contemplate the vastness and wonder of the universe.Words are flowing outLike endless rain into a paper cupThey slither wildly as they slip away across the universePools of sorrow waves of joyAre drifting through my opened mindPossessing and caressing meJai Guru Deva, OmNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my worldImages of broken lightWhich dance before me like a million eyesThey call me on and on across the universeThoughts meander like aRestless wind inside a letter boxThey tumble blindly as they make their way across the universeJai Guru Deva, OmNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my world.
Across The Universe
Piano seul
The Beatles
$7.99 6.7 € Piano seul PDF SheetMusicPlus






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