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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre

$3.99 3.46 € Orchestre de chambre PDF SheetMusicPlus

Percussion Ensemble Percussion Ensemble - Digital Download SKU: AX.00-PC-0016594_M2 2nd Mallet Percussion. Composed by Carole Bayer Sager and David Babyface Foster. Arranged by Kirk J. Gay. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016594_M2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016594_M2). ISBN 9781470614799. UPC: 038081481418.This beautiful ballad, by Carole Bayer Sager and David Foster, has been performed and recorded by many artists, including Celine Dion, Andrea Bocelli, and Josh Groban. Originally written for the movie soundtrack to Quest for Camelot, it was nominated for an Academy Award and won the Golden Globe Award for Best Original Song in 1998. This medium-advanced arrangement for percussion ensemble requires four mallets by both the vibraphone and marimba players. Programming this emotional piece at your next concert is sure to be a hit with your students and the audience.
The Prayer: 2nd Mallet Percussion

$3.00 2.6 € PDF SheetMusicPlus

Percussion Ensemble Bass Marimba,Chimes,Cymbals,Mallet Percussion,Sleigh Bells,Snare Drum,Tambourine,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1297809 Composed by Watts/Mason/Handel. Arranged by Harvey Minchin. Christmas,Holiday. 28 pages. Harvey Minchin #887784. Published by Harvey Minchin (A0.1297809). Joy To The World for Percussion Ensemble is arranged for a large, 13 player ensemble, but can also be performed with as few as 10 players. After a short intro performed by the entire ensemble, the main “Joy To The World†descending scale is a solo for the chimes, then the ensemble joins back in for the remainder of the melody. After a repeat of the melody, the drums are featured, followed by some melodic play over the melody on the mallet percussion instruments. The entire ensemble plays through the melody again with a repeat of the last section for a big ending.
Joy To The World for Percussion Ensemble

$20.00 17.35 € PDF SheetMusicPlus

Percussion Ensemble Marimba Solo - Level 3 - Digital Download SKU: A0.881323 Composed by Harvey Minchin. Instructional. Individual part. 1 pages. Harvey Minchin #6365463. Published by Harvey Minchin (A0.881323). That Waltz Feeling is an intermediate two mallet study for mallet percussion (xylophone, marimba, vibraphone or orchestra bells). The piece is designed as a supplemental short solo that allows students to work on their mallet percussion skills in addition to their regular lesson books. You guessed correctly – this piece is in the ¾ time signature and the moderate tempo allows the student to really play with a lot of expression and feeling. This piece is also included in the collection Seven Studies for Solo Mallet Percussion Volume 2.
That Waltz Feeling for Solo Mallet Percussion

$2.50 2.17 € PDF SheetMusicPlus

2 Trumpets, Horn, Trombone, Tuba, Percussion - Digital Download SKU: LX.30-2837L Composed by Cindy Berry. Sacred Anthem, Christ the King, Easter, General. Brass and Percussion Score and Parts. 57 pages. Lorenz Publishing - Digital Sheet Music #e30/2837L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2837L). Orchestrated by Stan Pethel.A festive, joyous anthem of praise, Sing! abounds with energy, incorporating a dynamic rendition of the Doxology as a bridge to the final restatement of the original theme. Great as an introit or general anthem to worship, this Cindy Berry selection also includes optional brass and percussion parts that add a wonderful dimension to the piece. Instrumentation: 2 Tpt, Hn, Tbn, Tuba, Perc.
Sing! - Brass and Percussion Score and Parts

$39.95 34.66 € PDF SheetMusicPlus

Mixed Percussion Instrumental Duet,Tenor Trombone - Level 5 - Digital Download SKU: A0.1315589 Composed by Brian Kershner. 21st Century,Contemporary. 14 pages. Gordon Cherry #904332. Published by Gordon Cherry (A0.1315589). Here are the program notes of Trombotriptych for solo Trombone and Percussion by composer Brian Kershner.Trombotriptych is the first piece I have written for the trombone in the main, solo role. I decided to mount the work as a duo with limited percussion, one player, and just two instruments, Woodblock and Bongos. The piece allowed me to learn about and explore the many extended techniques that the trombone can produce. I was grateful to work with the person, for whom the piece was written, Topher Logan, as this is such an immense help. The trombone is capable of great, almost oratorical power, as well as sweet, horn-like lyricism. There are portions of the piece which utilize a couple of different mutes, and the open and closed colors of the Harmon mute, slide and position changes for timbre color, glissandi, as well as multiphonics, which on this instrument are produced by using the voice, singing while playing. There are contrasting tempi in the work, including a middle section which seems barless, although is notated traditionally, and an up tempo section toward the end with exciting interplay between the instruments. It is hoped that the work captures the many sides of this most noble, heroic, and yet vocally pure member of the brass family.The music is appropriate for very advanced performers and is about 9 minutes in length.
Trombotriptych for Solo Trombone and Percussion

$42.50 36.88 € PDF SheetMusicPlus






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