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Instrumental Duet Instrumental Duet,Marimba,Multi-Percussion - Level 2 - Digital Download SKU: A0.927277 Composed by Clifton Davis, ASCAP. Concert,Instructional,Jazz,Latin,Standards. Score and parts. 5 pages. Clifton Allen Davis Music, ASCAP #5741659. Published by Clifton Allen Davis Music, ASCAP (A0.927277). Want to explore some of the rhythms of Bossa Nova and Reggae while practicing your snare and marimba?  This fun track is 3 minutes long and offers opportunity for improvisation too!  Enjoy a short adventure while building your technique. A recital selection or teaching etude for early intermediate solo percussion.  Must use fixed electronics (backing track) for for performance, available for purchase: http://www.sheetmusicplus.com/title/21814919
Explorations (For Solo Percussionist on Snare and Marimba, with Fixed Electronics)

$4.99 4.6 € PDF SheetMusicPlus

Brass Ensemble - Level 1 - Digital Download SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703. Published by beginning.band (A0.768557). A collection of six duets and six trios written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part is numbered! You're welcome! Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentation you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Trios should be performed by two higher pitched instruments and one lower pitched instrument. Parts 1 and 2 could be flute, clarinet, alto sax, tenor sax, trumpet, or horn. Part 3 should be at least one octave lower, and should be bassoon, bass clarinet, baritone saxophone, trombone, baritone, or tuba.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesDuetsSneaking AroundMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: A - GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be especially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.Night SongMeter: 4/4Key: EbRange: Ab - AbFocus: Legato, Phrasing, BalanceAdagiettoMeter: 3/4Key:EbRange: Ab - AbFocus: Legato, Phrasing, Balance, IndependenceTriosParlor DanceMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, PhrasingBow and CurtsyMeter: 3/4Key: EbRange: Low A  GFocus: Pickups, Staccato, Triple MeterHopscotchMeter: 4/4Key: EbRange: Ab - AbFocus: Staccato, BalanceGalliardMeter: 3/4Key: BbRange: A - GFocus: Phrasing, BalanceOn a CarouselMeter: 4/4Key: EbRange: Ab - AbFocus: Pickups, IndependenceHymnMeter: 3/4Key:EbRange: Low G - AbFocus: Legato, Phrasing, Balance
Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
Ensemble de cuivres

$30.00 27.63 € Ensemble de cuivres PDF SheetMusicPlus

Small Ensemble Drums,Multi-Percussion,Tuba - Level 4 - Digital Download SKU: A0.1009734 Composed by Adam Taylor. Jazz. Score and parts. 31 pages. Adam Taylor #6093165. Published by Adam Taylor (A0.1009734). Five Jazz Miniatures for Tuba and one percussionist (playing five drums with no snares and tambourine)1. Funk in the Trunk (funk)2. An Evening at Club Pinotte (burlesque)3. 7th Avenue Stomp (swing)4. Blue Rain in the Street (blues)5. Ain't No Jive Trunk! (jive)The score includes the full duet score and separate parts for tuba and percussion. Percussion backing files are available on request. All except #1 can be performed as tuba solos without the percussion if desired. No improvisation is required of either performer.Begun in August 2020 with Funk in the Trunk composed for the Moreau-VanTuinen Duo, Feel grew into a short suite of miniatures for tuba and percussion. Feel as a title has a double meaning. In addition to feeling the groove of each piece, it also sounds similar to the Arabic word for elephant which is a common personification of the tuba.Difficulty: Advanced Intermediate (due to rhythms and range)Range: G1 to D4 (C4 is middle C)Total Duration: ca. 7 minutesThanks to Matthew Murchison for providing the solo recording of Blue Rain in the Street .
Feel (Five Jazz Miniatures for Tuba and Percussion)

$15.00 13.82 € PDF SheetMusicPlus

Percussion Solo - Level 1 - Digital Download SKU: A0.1359795 Composed by Béla Ugró. 21st Century,Children,Instructional,Multicultural,Traditional,World. Individual part. 117 pages. Bela Ugro #944273. Published by Bela Ugro (A0.1359795). Dive into the rhythmic world of PLAYING PERCUSSION INSTRUMENTS IN THE MUSIC SCHOOL, (JÃTÉK ÃœTÅHANGSZEREKEN A ZENEISKOLÃBAN) an insightful and comprehensive sheet music collection authored by the accomplished Béla Ugró. Designed with educational purposes in mind, this resource serves as a valuable guide for students and teachers exploring the fascinating realm of percussion instruments.PLAYING PERCUSSION INSTRUMENTS IN THE MUSIC SCHOOL offers a comprehensive and enjoyable approach to percussion education, empowering students to develop their skills across various percussion instruments. With a wide array of exercises, solos, and accompaniments, this sheet music collection is a valuable resource for both aspiring percussionists and dedicated music educators.Béla Ugró's compositions create a lively and engaging atmosphere, making music education a joyful and enriching experience for both students and instructors alike.Structured Learning:Explore fundamental rhythms in Chapter I, including basic rhythmic patterns and the exploration of eighth notes.Navigate through Chapter II, delving into the intricacies of eighth-note rests, dotted quarters, and captivating snare drum solos such as The Martian and Moonlight.Triplet Adventures:Chapter III introduces the world of triplets, fostering an understanding of triolas and incomplete triols, accompanied by engaging snare drum solos like Waterfall.Sixteenth Note Mastery:Progress through Chapter IV to master sixteenth notes, their rests, and the art of combining them. Challenge yourself with dynamic snare drum solos like Let’s Go! and Roller Coaster.Quintuplets and Beyond:Chapter V explores quintuplets, sextuplets, and septuplets, adding complexity to your percussion repertoire. Immerse yourself in captivating snare drum solos, including Ferris Wheel.Elaborate Rudiments:Journey through Chapter IX to enhance your skills with essential rudiments, including roll rudiments, paradiddles, flams, and drags. Showcase your prowess with snare drum solos like The Patrol and Smitherens.Multi-Percussion Excitement:Chapter X introduces the realm of multi-percussion, featuring unique solos like Töredékek A-B-C-D részek, Marsch, and Bossa Nova Knock.Drum Set Grooves:Explore exciting drum set grooves in Groove Modules, adding versatility to your percussion repertoire.Melodic Percussion and Song Adaptations:Engage in melodic percussion with Chapter X, practicing on melodious instruments. Enhance your skills with well-known tunes, including adaptations of Mozart, Lully, and more.Vibrant Compositions:Immerse yourself in original compositions by Béla Ugró, such as the expressive Elégia for vibraphone solo.Piano Accompaniments:Access additional piano accompaniments in the appendix, providing a rich harmonic backdrop for your percussion journey.Keywords:Percussion EducationBéla UgróSnare Drum SolosRhythmic PatternsMusic School CurriculumPercussion TechniquesEducational Sheet MusicMelodic PercussionRudiments MasteryMulti-PercussionDrum Set GroovesMusic School ExercisesTimpani SoloVibraphone ElegyMusical Expressions DictionarySheet Music CollectionMusical RudimentsEducational ResourcesStudent DevelopmentPercussion RepertoirePedagogical PercussionStudent Empowerment.
Playing Percussion Instruments in the Music School

$20.00 18.42 € PDF SheetMusicPlus

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373894 Composed by Béla Ugró. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 107 pages. Bela Ugro #958370. Published by Bela Ugro (A0.1373894). Explore the rhythmic wonders of percussion chamber music with Chamber Music with Percussion in School II. - ÃœtÅ‘s Kamarazene az Iskolában II., an exciting music sheet collection crafted by the talented composer Béla Ugró. Specifically designed for school ensembles, this collection presents an array of engaging  pieces meticulously curated to inspire and challenge budding percussionists with a total of 107 pages.Content:Drumset Duo: ROLLEREK FUNKY DRUMMERS BUMERÃNG BLUES DRUMMERS PICTURES Percussion Ensemble: AFRIKAI TÃNC JEGES LABIRINTUS Parade: BOSSA NOVA (Percussion Quintet) With a diverse selection ranging from dynamic drumset duos to intricate percussion ensemble pieces and vibrant parade compositions, this collection provides students with an immersive musical experience that fosters teamwork, creativity, and technical proficiency. Chamber Music with Percussion in School II. offers an enriching journey for both performers and audiences, encouraging exploration and expression through the captivating world of percussion chamber music.Keywords:Percussion Chamber MusicBéla Ugró CompositionsSchool Ensemble MusicDrumset Duo PiecesPercussion Ensemble RepertoireEducational Music SheetsRhythmic ChallengesCreative Percussion ArrangementsVibrant Parade CompositionsSchool Music CurriculumPercussion TechniquesEnsemble Performance MusicPercussion Education ResourcesStudent Percussion RepertoireCollaborative Percussion Music.
Chamber Music with Percussion in School II. - ÜtÅ‘s Kamarazene az Iskolában II.
Orchestre de chambre

$20.00 18.42 € Orchestre de chambre PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)

$19.95 18.38 € PDF SheetMusicPlus






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