Composed by David McKeown. 20th Century, Concert, Latin, World. Score and parts. 6 pages. David McKeown #5792909. Published by David McKeown

Composed by Johann Wilhelm Gabrielski. Arranged by Lisa Ochoco. Romantic Period, Recital. Score, Set of Parts. 38 pages. Published by Lisa Ochoco

Concert Band - Level 3 - Digital Download SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 48 pages. Salvador Rojo-Gamon #4897799. Published by Salvador Rojo-Gamon (A0.962401). AGRADECIMIENTOSAntes de nada dar las gracias a la Unión Musical de Algimia por confiar en mi para componer una composición que conmemore el 30 aniversario.Al peu del Picayo está como casi todas mis composiciones inspiradas en hechos ya sea verídicos o ficticios. En este aspecto tengo que agradecer a Helios Borja Cortijo su gran contribución a mis conocimientos sobre la historia de Algimia. Mis composiciones nunca narran historias, se inspiran en ellas, en los sentimientos que de ellas extraemos, sentimos o transmitimos, Estas historias tan sólo nos facilitan la comprensión de la obra.ANÃ�LISISFormalmente la obra está compuesta en la forma sonata, con algunas licencias respecto a la que podríamos calificar –si es posible- Sonata Escolástica.INTRODUCCIÓN Inicio hasta compás 59.La introducción comienza con el acompañamiento de un clúster de cinco notas octatónicas. A partir del segundo compás va apareciendo –siempre de forma desfigurada- el tema principal de esta composición. Este no aparecerá claramente hasta el compás 62TEMA PRINCIPALCompás 60 hasta 101Alrededor de la tonalidad de LA se construye el tema principal que aparece en los graves de la banda, pasando a los agudos mientras los graves hacen un canon a la 4ª Justa.A nivel comprensivo y tan sólo como recomendación diré que la introducción y el tema principal corresponden históricamente a ALGIMIA MUDEJARTEMA SECUNDARIOCompás 102 a 136Esta parte inspirada en la Ã‰POCA MORISCA de Algimia está formada por diferentes elementos siendo cuatro los más importantes.Al igual que la Introducción el tema segundario está iniciado por un Clúster, en éste caso el Clúster es cromático.El siguiente elemento en aparecer –Corno Inglés- es el propio nombre de Algimia en movimiento contrario, tomando el Abecedario como modelo y partiendo de la nota LALa inquisición está representada por las trompetas y los trombones.Estos elementos están acompañados de la simbología mayormente personal del número once, representado por los cuartos y las once campanadas.En el compás 112 aparece el Elemento Cristiano de este Tema Secundario, este está en modo Dórico, también llamado Protus o Auténtico. Primero aparece en el registro grave de la banda y posteriormente en el registro grave de las maderas.DESARROLLOCompás 137 hasta el 217Basado en el Periodo de la Ã‰POCA CRISTIANA MODERNA elabora los elementos presentados en la exposición con cambios a veces muy significativos.Lo primera sensación es que estamos reexponiendo los materiales, sin embargo, se está creando una falsa reexposición que en este caso nos lleva a SIb dándonos sensación de cadencia rota con un inesperado SIb.Después de un breve comentario del Tema Secundario –Tema cristiano- aparece muy desfigurado el Tema principal en oposición al Tema Cristiano, éste último en modo octatónico.Tema PrincipalTema CristianoA partir del 182 está inspirado en la expulsión de los Moriscos. Después de una breve introducción con elementos del Tema Principal y del tema Cristiano, compases 182 a 189, aparece el Tema Principal en forma de llamamiento a la guerra. Éste se repite tres veces, una pequeña coda de tres compases 214 al 217 da paso a la reexposición.REEXPOSICIÓN

C Instrument - Digital Download SKU: A0.1259046 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Lead Sheet / Fake Book. 1 pages. Darek #852309. Published by Darek (A0.1259046). Nocturne in Eb Major, Op. 9, No. 2 (LEAD SHEET) [Frédéric Chopin]Lead Sheet arrangements of Nocturne in Eb Major, Op. 9, No. 2 by Frédéric Chopin (Frederic Francois Chopin) on various instruments.  I offer a stunning selection of lead sheets for the timeless Nocturne in Eb Major, Op. 9, No. 2 by the legendary composer Frédéric Chopin. If you're looking to explore this masterpiece on your instrument of choice, you've come to the right place. My lead sheets cater to a variety of instruments, allowing musicians of all backgrounds and skill levels to engage with this iconic composition. From piano and guitar to saxophone, trumpet, and more, you'll find the arrangement that suits your instrument and musical style. Unlock the expressive beauty of Chopin's Nocturne as you navigate the enchanting melodies and harmonies meticulously transcribed in my lead sheets. Each note, chord, and phrase is carefully notated, capturing the essence of the original composition. Whether you're a beginner, intermediate, or advanced musician, my lead sheets accommodate various levels of difficulty, ensuring an enjoyable and rewarding experience for all players. Embrace the challenge and embark on a musical journey that will enhance your skills and deepen your understanding of Chopin's artistry. Immerse yourself in the romantic era, where Chopin's Nocturne captivated audiences with its emotional depth and timeless melodies. Experience the magic of this composition, transporting yourself to a bygone era of music and craftsmanship. Positioned as a versatile resource, my lead sheets offer a convenient and accessible way to explore Chopin's Nocturne across a range of instruments. Whether you're seeking to perform solo or collaborate with fellow musicians, these lead sheets provide a solid foundation for creative expression and collaboration. Discover the joy of interpreting Chopin's Nocturne on your instrument, as my lead sheets provide the framework for your musical journey. Dive into the intricacies of the composition, exploring its nuances and bringing your unique interpretation to life. Explore the world of music with my lead sheets for the Nocturne in Eb Major, Op. 9, No. 2. Unleash your creativity, showcase your skills, and let the magic of Chopin's masterpiece resonate through your instrument. Begin your musical adventure today and unlock the limitless possibilities of this timeless composition.

Concert band - Grade 4 - Digital Download SKU: IZ.CBW195 Composed by Samuel Livingston. Score and Parts. 81 pages. Imagine Music - Digital #CBW195. Published by Imagine Music - Digital (IZ.CBW195). 9 x 12 in inches.Silvertube Variations is a set of variations for concert band with flute solo. (The title refers to the solo flute.) The music is consistently melodic, with harmonies that are modal and consonant. The piece begins with a simple, folk-like theme, played by the solo flute, alone. The theme is then repeated in the full band, with a chord progression that is not as simple as the tune seems to imply. The piece continues with several variations on that chord progression. Some variations feature the soloist, some feature specific sections of the band, and some use all the resources of the full band. Some variations are brisk and playful; some are quiet and tranquil; some are expansive and forceful. In the final variation, the full band builds toward a climax, and then, just before the final chord, stops abruptly. After a moment of silence, the solo flute, again playing alone, reprises the theme, and a quiet two-bar coda in the woodwinds and horns ends the piece.

Concert band - Grade 4 - Digital Download SKU: IZ.CBW195-S Composed by Samuel Livingston. Score. 25 pages. Imagine Music - Digital #CBW195-S. Published by Imagine Music - Digital (IZ.CBW195-S). 9 x 12 in inches.Silvertube Variations is a set of variations for concert band with flute solo. (The title refers to the solo flute.) The music is consistently melodic, with harmonies that are modal and consonant. The piece begins with a simple, folk-like theme, played by the solo flute, alone. The theme is then repeated in the full band, with a chord progression that is not as simple as the tune seems to imply. The piece continues with several variations on that chord progression. Some variations feature the soloist, some feature specific sections of the band, and some use all the resources of the full band. Some variations are brisk and playful; some are quiet and tranquil; some are expansive and forceful. In the final variation, the full band builds toward a climax, and then, just before the final chord, stops abruptly. After a moment of silence, the solo flute, again playing alone, reprises the theme, and a quiet two-bar coda in the woodwinds and horns ends the piece.

Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.

Easy Piano - Level 2 - Digital Download SKU: A0.1429188 Composed by Franz Schubert. Arranged by Miyuh Kawanishi. Classical,Multicultural,Traditional,World. Score. 2 pages. Piano to Piano Rendan Kyodai #1009975. Published by Piano to Piano Rendan Kyodai (A0.1429188). We arranged this for toy piano which has 32 keys: F to C.

Concert Band - Level 1 - Digital Download SKU: A0.819980 Composed by Kathy Hirche. Contemporary,Standards. Score and parts. 54 pages. Kathy Hirche #3676065. Published by Kathy Hirche (A0.819980). These three pieces (The Procession, Waltzing in the Rain and Tim's Dance) are presented here as a suite, but may of course be used individually. The instrumentation is flexible, allowing for various combinations of instruments, including Clarinet Quartet/Quintet/Ensemble, Saxophone Quartet/Quintet/Ensemble and Brass Quartet/Quintet/Ensemble. All Clarinet and Bass Clarinet parts are below the break and all notes for all parts are kept within a comfortable range for Elementary Level performers. The melody is shared between Parts 1, 2, 3 and 4, so that all players of these parts have important parts! The score is shown in concert pitch. Octave displacement occurs in some parts. Part 5 is Optional. Rhythmic values used: semibreve (whole note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter-note), quavers (eighth-notes). Articulations/signs used: staccato, accent, slur, tie, repeat and pause. All three pieces are in Bb major (concert pitch), with no use of accidentals.  Parts in this set: Part 1 (Flute, Oboe, Clarinet, Alto Sax, Trumpet); Part 2 (Clarinet, Alto Sax, Trumpet); Part 3 (Clarinet, Tenor Sax, F Horn); Part 4 (Bassoon, Bass Clarinet, Baritone Sax, Trombone/Euphonium); Part 5 (Clarinet / Bass Clarinet, Tenor Saxophone, F Horn, Tuba); Glockenspiel; Cymbal & Triangle (Player 1) and Tambourine (Player 2); Snare Drum and Bass Drum. Less confident and/or early beginner players could also be included in the ensemble by using Part 5, as this part can be played using only the notes Bb and F (concert pitch).  ISMN 979-0-9009761-2-3  kathysprintmusic.com.    Suite corta/ conjunto de 4/5 partes de vientos y/o metales con percusión opcional. Instrumentacion flexible.  Estas tres piezas  (La Procesión, Vals en la LLuvia y EL Baile de Tim)  están presentes como una suite, pero se pueden usar individualmente. La instrumentacion es flexible, permitiendo asi varias combinaciones de instrumentos, incluyendo un cuarteto/quinteto/conjunto de clarinete, cuarteto/quinteto/conjunto de saxofón, cuarteto/quinteto/conjunto de metales. todas las partes de  clarinete y clarinete metálico están por debajo del descanso y todas las notas para cada parte están mantenidas dentro de un rango confortable para ejecutantes de Nivel Elemental. La melodía se comparte entre las partes 1, 2, 3 y 4 de tal manera que todos los músicos tengan una parte importante. La partitura esta en tono de concierto.Hay algunas partes con desplazamiento de octavas. La parte 5 es opcional. Los valores rítmicos usados son;  semibreve (entera), media con punto, media, cuarto de nota, octavos. Los octavos aparecen en grupos de 2 o de 4. Las articulaciones/signos usados son: staccato, acento, ligaduras, Calderón, repetición, pausa.  Las tres piezas están en Bb mayor (tono concierto) sin uso de accidentales. Partes en este set : Parte I; falta, oboe, clarinete, alto sax, trompeta; Parte II: clarinete, alto sax, trompeta; Parte III: clarinete, saxofón tenor, corno francés; Parte IV: fagot, clarinete bajo, saxofón barítono, trombón/eufonio; Parte V: clarinete/clarinete bajo, saxofón tenor, corno frances, tuba, glockenspiel, triangulo y címbalo (persona1), pandereta (persona 2), caja, bombo.  Aquellos músicos que son principiantes o les falta confianza para tocar, tambien pueden ser incluidos en este ensamble usando la parte 5, ya que esta parte se puede usar solo tocando las notas Bb y F (en tono de concierto).

Concert Band - Digital Download SKU: A0.891096 Composed by Felix Bartholdy Mendelssohn. Arranged by Diana L. Appler. Classical,Romantic Period. Score and parts. 49 pages. Diana L. Appler #6689843. Published by Diana L. Appler (A0.891096). Mendelssohn abhorred Victor Hugo’s play Ruy Blas however he deemed worthy the Leipzig Theatrical Pension Fund who were producing the play. He hurriedly composed an overture in standard early romantic sonata form with dark opening chords, two distinct themes, development, restatement, and a final coda. Originally scored for winds, brass and strings, this orchestration contrasts colors between brass and woodwinds where the strings were contrasted between the woodwinds and brass.  This overture is still popular today with audiences and is fun to perform. A lyrical melody contrasts with running scale passages providing excitement and technical challenge. Grade 3+ to 4. Oversize score: Legal size 8 ½ X 14, Score only. Parts sold separately.   

Concert Band - Digital Download SKU: A0.891097 Composed by Felix Bartholdy Mendelssohn. Arranged by Diana L. Appler. Classical,Romantic Period. Score and parts. 161 pages. Diana L. Appler #6689851. Published by Diana L. Appler (A0.891097). Mendelssohn abhorred Victor Hugo’s play Ruy Blas however he deemed worthy the Leipzig Theatrical Pension Fund who were producing the play. He hurriedly composed an overture in standard early romantic sonata form with dark opening chords, two distinct themes, development, restatement, and a final coda. Originally scored for winds, brass and strings, this orchestration contrasts colors between brass and woodwinds where the strings were contrasted between the woodwinds and brass.  This overture is still popular today with audiences and is fun to perform. A lyrical melody contrasts with running scale passages providing excitement and technical challenge. Grade 3+ to 4. Oversize score: Legal size 8 ½ X 14, Sold separately.   

Concert Band - Level 2 - Digital Download SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.

Concert Band - Level 3 - Digital Download SKU: A0.1209234 Composed by Leyla Saz. Arranged by Kathryn Woodard. 20th Century,Instructional,Multicultural,World. 17 pages. Sonic Crossroads #807347. Published by Sonic Crossroads (A0.1209234). To learn more about the Ottoman composer Leyla Saz (1850-1936), to access a recording, and to inquire about parts, please visit www.soniccrossroads.com. 17 pp.

Concert Band - Level 3 - Digital Download SKU: A0.1376826 By John Travolta & Olivia Newton-John. By Jim Jacobs, John Farrar, and Warren Casey. Arranged by Lorenzo Bocci. Broadway,Film/TV,Musical/Show,Rock. 249 pages. Lorenzo Bocci #961374. Published by Lorenzo Bocci (A0.1376826). THE GREASE MEGAMIXfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by John Farrar, Warren Casey, Jim Jacobs. Arranged by Lorenzo Bocci. Musical/Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 7'10''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine, Maracas). Additional Parts:Bb Soprano Saxophone (Concert Band, Fanfare Band), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Grease is a 1978 American musical romantic comedy film directed by Randal Kleiser from a screenplay by Bronté Woodard and an adaptation by co-producer Allan Carr, based on the stage musical of the same name by Jim Jacobs and Warren Casey. Grease was released in the United States on June 16, 1978, by Paramount Pictures. The film was successful both critically and commercially, becoming the highest-grossing musical film at the time. Its soundtrack album ended 1978 as the second-best-selling album of the year in the United States, only behind the soundtrack of the 1977 film Saturday Night Fever, which also starred Travolta, and the song Hopelessly Devoted to You was nominated for an Academy Award for Best Original Song at the 51st Academy Awards. The film also received five nominations at the 36th Golden Globe Awards, including for Best Motion Picture – Musical or Comedy and two for Best Original Song, for Grease and You're the One that I Want. In 2020, Grease was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant.Subscribe to my YouTube Channel to stay updated on new releases.

Concert Band - Level 3 - Digital Download SKU: A0.1204471 Composed by Kathryn Woodard. Classical,Contemporary. 21 pages. Sonic Crossroads #802938. Published by Sonic Crossroads (A0.1204471). An original work for concert band. Grade 4. The recording is a MIDI realization without the opening flute solo. For parts contact the composer/publisher. www.soniccrossroads.com. 21 pp.