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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1424437 By Christina Perri. By Christina Perri and David Hodges. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Score. 6 pages. B. McCormick #1005621. Published by B. McCormick (A0.1424437). “A Thousand Years” Piano Vocal and Guitar Sheet Music Step into the timeless ballad “A Thousand Years” by Christina Perri, featured in the Twilight movie soundtrack. Our meticulously crafted Piano Vocal and Guitar Arrangement captures the essence of eternal love, combining the vocal melody, harmonizing chords, and sweeping arpeggios. Whether you’re a solo performer, part of an ensemble, or a worship leader, this arrangement invites you to experience romance through music. About the Song “A Thousand Years” resonates with longing and devotion. Written for the novel and subsequent film series Twilight, it captures the love affair between Edward and Bella. The song’s haunting melody and poetic lyrics evoke the timeless promise of forever. Sheet Music Details Our arrangement offers a rich musical tapestry: Vocal Melody: The treble clef in the right hand carries the emotional weight of the lyrics, allowing you to sing or play the heart of the song. Harmony Part: The left hand provides additional harmony, enhancing the overall texture. Sweeping Arpeggios: In the chorus, sweeping arpeggios add depth and drama, creating a satisfying challenge for intermediate pianists. Pedaling and Sustain: The ending section features marked pedaling, but sustained chords can be used throughout bars with the same harmonic structure. Left Hand over Right Hand: This simple concept yet can be technically difficult is seen in the ending section. Care should be taken to ensure the upper melody is clear and legato and that there is no distinction in sound from when the right and left hand swap taking the melody Guitar Chord Sheet: Included alongside the piano part, the guitar chord sheet provides: Lyrics and Chords: Strum along with the lyrics using chord symbols. Chord Diagrams: Visualize finger placement for each chord. Strumming and Fingerpicking Patterns: Suggestions to enhance guitar accompaniment. About the Arranger: Barry McCormickBarry McCormick, the creative mind behind this arrangement, weaves emotion and musicality into every note. His journey as an arranger spans years of exploration, from classical compositions to contemporary adaptations. As you delve into “A Thousand Years,” you’ll connect with Barry’s passion for making music accessible and heartfelt.Connect with Barry: X|TT|YT|IG: @resourcefularrangementsBarry invites you to explore the magic of music, one note at a time. 
A Thousand Years
Piano, Voix et Guitare
Christina Perri
$4.99 4.24 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1322284 By Raluca Bojor. By John Francis Wade. Arranged by Raluca Bojor. Christian,Christmas,Holiday,Praise & Worship,Sacred. Score. 4 pages. Raluca Bojor #910632. Published by Raluca Bojor (A0.1322284). Here’s a traditional Christmas carol but reimagined – I used a lot of chime-like sounds and dissonances to depict the overtones created by church bells. The trick is to hold the pedal down during those dissonances. To make it easier, I marked down all the pedaling to make it as easy as possible to follow along. Then we take out the guess work :) Normally I wouldn’t mark down the pedaling (since it comes so naturally to most pianists) but in this case the pedal is key to achieving this chime-like sound. This advanced piano arrangement of traditional Christmas carol “O, Come, All Ye Faithful†(aka “Adeste Fidelesâ€) is your perfect repertoire choice for any upcoming Christmas performances, be they church services, recitals, concerts etc. LISTEN to the full recording below!Product details:• sheet music PDF• four (4) pages long• difficulty: advanced• key of F major• performance time 3’22â€DOWNLOAD your sheet music today!
O, Come, All Ye Faithful (Adeste Fideles)
Piano seul
Raluca Bojor
$6.99 5.94 € Piano seul PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1134049 Composed by Phil Beaman. Classical,Praise & Worship. Score. 5 pages. Phil Beaman #734161. Published by Phil Beaman (A0.1134049). 3 Pieces for Beginning Organist is a collection of 3 pieces which could conveniently be used as a Prelude, Offertory, and Postlude. Intended for the Beginning Organist, all pieces are written in Classical style, all are in Rounded Binary form (ABA), all are in the Key of C, all have very limited pedal use. In other words, these pieces are perfect to have in your repertoire when you need something to pull out at the last minute. Prelude - Soldier's Fanfare is an energetic organ fanfare made up of triads, scales, and arpeggios in very basic form. Pedaling is mostly on the chord root and usually changes just once per bar, and there is no pedaling at all during the middle Swell section. 2 pages, 1:30 minutes Offertory - Music Box Minuet is a delightful Organ Solo for manuals/hands (no pedal part). Both hands are in the Treble Clef. The RH has the melody of mostly quarter notes (crotchets) played on a Flute stop. The LH has mostly 2 note chords, one chord per bar, played on Strings. The A Theme is in 4/4 and the B Theme in 3/4. Each Theme is repeated. 1 page, 1 minute Postlude - Classical Euphoria is an Organ Solo of pure fun. Euphoria--a temporary feeling of excessive happiness and intense joy. That certainly describes this piece of music. This piece puts a smile on my face every time. And it is definitely classical. It is in the Key of C with broken triads and is in Rounded Binary form. The B theme is minor but still happy and energetic. The complete song is Intro-AABBAA-Coda. There is no pedal part except a drone in the Coda. 1 page, 1 minute Each of these three pieces may also be purchased separately on this site.
3 Pieces for Beginning Organist
Orgue

$6.99 5.94 € Orgue PDF SheetMusicPlus

Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta                                                                                                                  composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo.  The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion.  Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.  
Sinfonietta for Percussion Trio
measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement The exposition closes with a theme beginning in measure 51
$9.99 8.49 € PDF SheetMusicPlus






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