Large Ensemble Clarinet - Level 5 - Digital Download SKU: A0.840378 Composed by Manuel de Falla. Arranged by Glen D. Lienhart. Romantic Period. Score and parts. 71 pages. Glen D. Lienhart #6620191. Published by Glen D. Lienhart (A0.840378). Grade V 9 part clarinet ensemble, with several alternate transposed parts. Not to be confused with the 1st Spanish Dance of the same opera.

Concert Band - Level 4 - Digital Download SKU: A0.732970 Composed by Georges Bizet. Arranged by Marc Oliver. Contemporary. Score and parts. 89 pages. Ayotte Custom Musical Engravings #2002857. Published by Ayotte Custom Musical Engravings (A0.732970). The rollicking and frenetic Gypsy Dance from Carmen here transcribed for concert band will have a rousing addition to any concert!

Cello,Piano - Level 2 - Digital Download SKU: A0.1227711 Composed by Various and compiled by Michael Praetorius (1612). Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #823673. Published by Colin Kirkpatrick Publications (A0.1227711). Dances from Terpsichore (Michael Praetorius)These are eleven of the most well-known dances of the Renaissance, selected from the famous collection entitled Terpsichore, pubished in 1612 by Michael Praetorius. They are sure to be a welcome addition to the elementary cellist’s repertoire. Some of them can be played in first position. The highest note is the “F� above the bass clef which occurs in only two of the pieces. By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory� and rhymes with the word “hickory�. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available. These arrangements for cello and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas. The audio sample contains numbers 1, 2, 3 and 5.

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553794 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Standards,Wedding. Score and parts. 31 pages. RayThompsonMusic #4621337. Published by RayThompsonMusic (A0.553794). The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by Antonín Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. Contrary to what the title might suggest, the dances are not so much inspired by Slavic folk music generally, but specifically by styles and forms from Bohemia. In these pieces, Dvořák never actually quotes folk melodies, but evokes their style and spirit by using traditional rhythmic patterns and structures in keeping with traditional folk dances.This is my arrangement of No 7 from the first set Op.46This is titled Sko�ná  which is a rapid Slavic folk-dance, normally in 24 metre.Arranged double wind quintet and bass.

Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1228118 Composed by Various and compiled by Michael Praetorius (1612). Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and individual part. 17 pages. Colin Kirkpatrick Publications #824216. Published by Colin Kirkpatrick Publications (A0.1228118). Dances from Terpsichore (Michael Praetorius)These are eleven of the most well-known dances of the Renaissance, selected from the famous collection entitled Terpsichore, pubished in 1612 by Michael Praetorius. They are sure to be a welcome addition to the recorder player's repertoire. The notes of the recorder part have been kept well within the intermediate range.By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory� and rhymes with the word “hickory�. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available.These arrangements for recorder (or recorders) and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas. The audio sample contains numbers 1, 2, 3 and 5.

Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.

Orchestra, choir and 4 soloists ad. lib. - Digital Download SKU: S9.Q21225 From the opera The Midsummer Marriage. Composed by Sir Michael Tippett. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 29 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21225. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21225). English • German • French.Tippett’s decision to extract the four Ritual Dances from his opera 'The Midsummer Marriage' as a self-contained concert suite reflects the fact that the medium of dance was always present in his conception of the opera. From the start, there was to be an interaction within the opera between the real world and the world of mythology, partly Greek, partly Celtic. This mythological element culminates, in the finished opera, in the 'Ritual Dances' of Acts 2 and 3. Tippett himself described his opera as ‘a kind of elaborate 'L’après midi d’un faune’, in which the 'Ritual Dances' display a powerful sexual energy, though of a very different kind from Debussy’s voluptuous langour. Composition of The Midsummer Marriage occupied Tippett for six years from 1946 to 1952. The first performance of the Ritual Dances as a concert suite was given in Basel on 13 February 1953 by the Basel Kammerorchester conducted by Paul Sacher, and preceded the premiere of the complete opera by two years. Today the Ritual Dances rival the Concerto for Double String Orchestra (ETP 1331) as Tippett’s most widely-performed orchestral work.

Piano - difficult - Digital Download SKU: S9.Q11142 For piano. Composed by Chaya Czernowin. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q11142. Published by Schott Music - Digital (S9.Q11142). What dance is this? Is it the dance coming from afar, its remnants too entangled to decipher, one which was brought by a gust of wind, as you stand alone and listen to a far away party in the night? Or is the one so close that the heavy beating keeps the ears grounded onto a distorted repeated detail? Neither is danceable to the legs – but both would like to dance with the imagination, leading notions of distance and closeness astray. The level of difficulty from 1-5 (5 being most difficult) is in terms of technicality around 3.7 and in terms of artistic expression and complexity of text around 4.5. – Chaya Czernowin.

Piano Solo - Digital Download SKU: A0.949323 Composed by Jean Ahn. Contemporary,World. Score. 20 pages. Jean Ahn #6207757. Published by Jean Ahn (A0.949323). Jean Ahn carefully choreographed the twenty fingers in Fingerdance (2012) to dance a new version of Korean traditional dance ‘Ganggangsulrea’. Using the form of this circular dance, the fingers communicate by playing games, singing, crying, and sharing hope throughout the piece.This piece was originally written for piano four hands and then was arranged for piano solo.

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.949300 Composed by Jean Ahn. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Jean Ahn #4717361. Published by Jean Ahn (A0.949300). Jean Ahn carefully choreographed the twenty fingers in Fingerdance (2012) to dance a new version of Korean traditional dance ‘Ganggangsulrea’. Using the form of this circular dance, the fingers communicate by playing games, singing, crying, and sharing hope throughout the piece.This piece is also recorded by Kashma Duo (Switchback).

Violin Solo - Level 4 - Digital Download SKU: A0.1145967 By Beabadoobee. By Beatrice Ilejay Laus, Beatrice Kristi Laus, Joseph Rodgers, and Oscar Lang. Arranged by Diana Mayne. Film/TV,Folk,Pop,Singer/Songwriter,Wedding. 2 pages. Diana Mayne #746187. Published by Diana Mayne (A0.1145967). Violin sheet music for the song Dance With Me by beabadoobee. Includes the main vocal melody as well as some of the instrumental riffs. Heartstopper fans may recognize this song from the scene where Nick and Charlie play in the snow. Suitable for advanced violinists, or could potentially be played by upper intermediate violinists with the guidance of a teacher. Skills needed include use of B major, syncopated rhythms, some possible half position, and fast triplets at the end. Can be played along with the original recording for fun at home.

String Orchestra - Digital Download SKU: AX.00-PC-0016866_VA1 Viola. Composed by Mike Kamuf. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016866_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016866_VA1). UPC: 038081496399.Here is an energetic original composition that will remind us all of the joys of summer, even when in the grip of a hard winter. The Italian name, meaning summer dance, brings to mind Mediterranean beaches. Keep warm and enjoy! (2:30)Concert/Contest.

String Orchestra - Digital Download SKU: AX.00-PC-0016866_SB String Bass. Composed by Mike Kamuf. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016866_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016866_SB). UPC: 038081496399.Here is an energetic original composition that will remind us all of the joys of summer, even when in the grip of a hard winter. The Italian name, meaning summer dance, brings to mind Mediterranean beaches. Keep warm and enjoy! (2:30)Concert/Contest.

String Orchestra - Digital Download SKU: AX.00-PR-0005108 Score. Composed by Mike Kamuf. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0005108. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005108). UPC: 038081496399.Here is an energetic original composition that will remind us all of the joys of summer, even when in the grip of a hard winter. The Italian name, meaning summer dance, brings to mind Mediterranean beaches. Keep warm and enjoy! (2:30)Concert/Contest.

Piano Solo - Level 3 - Digital Download SKU: A0.750083 Composed by Bradley Sowash. Standards,World. Score. 6 pages. Bradley Sowash #20737. Published by Bradley Sowash (A0.750083). A dramatic intermediate solo piano piece suggesting dashing caballeros and fan waving ladies at a dance in the big house in old California. Perhaps Zorro makes an appearance at the recital? Technically, this piece reinforces two-note chords moving in thirds, dramatic crescendos, and a mix of detached/legato touches.Download includes a studio license authorizing you to print as many copies as required for you and/or your current students’ use.