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Level 3 - Digital Download SKU: A0.781970 Composed by Terry Rendall and Werner Thomas. Arranged by Aaron Hettinga. Children,Contemporary,Folk,Multicultural,Standards,World. 12 pages. Aaron Hettinga #6014805. Published by Aaron Hettinga (A0.781970). This wedding reception/dance party standard is presented here in an arrangement for Brass Quintet. As this song meant to be a fun participation number, much interpretation of tempo and form will be left to the performers. It’s best to start moderately slow, then increase tempo a little more every time taking the D.S. There is no need to limit a performance to following this road map once through, be ready to repeat it for as long as your dancers are still active...and up to as fast as your players can handle! Flexibility: The 5 core brass parts will work fully freestanding on their own without drums as the accompaniment can propel itself forward without depending on the drummer alone for the rhythm. This arrangement’s package includes a sub part for Alto Sax in place of the F Horn. Find more from this arranger at https://aaronhettinga.com  
The Chicken Dance
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$14.99 12.82 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Percussion Ensemble Marimba Solo - Level 3 - Digital Download SKU: A0.881326 Composed by Harvey Minchin. Instructional. Individual part. 1 pages. Harvey Minchin #6365469. Published by Harvey Minchin (A0.881326). Dancing Shoes is an intermediate two mallet study for mallet percussion (xylophone, marimba, vibraphone or orchestra bells). The piece is designed as a supplemental short solo that allows students to work on their mallet percussion skills in addition to their regular lesson books. Sixteenth note syncopated rhythms will get feet tapping. Students get practice with both 8th and 16th note triplets and rolls are added to really give it a more danceable feel. This piece is also included in the collection Seven Studies for Solo Mallet Percussion Volume 2. 
Dancing Shoes for Solo Mallet Percussion

$2.50 2.14 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1444558 By Artie Shaw & His Orchestra. By Arthur Schwartz and Howard Dietz. Arranged by Timothy Stapay/Carmen Cavallaro. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 14 pages. Timothy Stapay #1024455. Published by Timothy Stapay (A0.1444558). Dancing in the Dark is a popular American song, with music by Arthur Schwartz and lyrics by Howard Dietz.  Arranged as performed by famous pianist, Carmen Cavallaro.  One of the central themes of Dancing in the Dark is the power of love and longing.  Dancing in the Dark also highlights the transformative power of dance as a means of self-expression. Carmen Cavallaro was an American pianist who established himself as one of the most accomplished and admired light music pianists of his generation.Cavallaro developed a piano-playing style of glittering and rippling arpeggios to augment his melody, which was often arranged in thick and lush triple- and quadruple-octave chords. His musical interests and arrangements included dance music, particularly Latin rhythms, tangos and strict tempo dancing styles, as well as some pop and jazz arrangements of classical melodies.
Dancing In The Dark
Piano seul
Artie Shaw & His Orchestra
$9.99 8.55 € Piano seul PDF SheetMusicPlus

Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
The Tale Of The Slightly Miffed Dancing Bear

$7.95 6.8 € PDF SheetMusicPlus






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