Ukulele - Level 1 - Digital Download

SKU: A0.842824

Composed by Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period,Standards. Score. 30 pages. Javier Marco #6358077. Published by Javier Marco (A0.842824).

Cette collection présente une sélection d'oeuvres classiques appartenant aux compositeurs les plus renommés: Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Johann Pachelbel, Giuseppe Verdi, Richard Wagner et Johannes Brahms.

18 thèmes faciles et amusants à jouer comme solos, présentée dans une version simplifiée pour les débutants, qui peuvent être accompagnés de piano ou de guitare (chiffrage américain).

En notation classique et en tablature.

Comprend:

1812 Overture, Op. 49
An der schönen blauen Donau, Op. 314
Chorfantasie, Op. 80
Dance of the Flowers, Op. 71a
Eine kleine Nachtmusik, K.525
Für Elise, WoO 59
Greensleeves
Guten Abend, gut’ Nacht
I Dovregubbens hall
Jesus bleibet meine Freude, BWV 147
La Donna è Mobile
Menuett, BWV Anh 114
Ode an die Freude, Op. 125
la Primavera, RV. 269
Pomp and Circumstance March Nº1, Op. 39
Tannhäuser Overture
Treulich geführt
Water Music, HWV 349

2 violins, viola, cello and guitar - intermediate - Digital Download

SKU: S9.Q48114

�Fandango Quintet“ D major. Composed by Luigi Boccherini. Arranged by Siegfried Behrend. This edition: set of parts. Chamber Music with Guitar. Downloadable, Set of parts. Duration 24 minutes. Musikverlag Zimmermann - Digital #Q48114. Published by Musikverlag Zimmermann - Digital (S9.Q48114).

Key: D major.

Für Luigi Boccherinis (1743-1805) alljährlich dem preußischen Hof zugedachten Quintettkompositionen erhielt er von König Friedrich Wilhelm II. den Titel und die Besoldung eines Hofkomponisten. Er konnte sich aber nicht entschließen, sein sonniges Madrid mit dem preußisch-strengen Berlin zu vertauschen. Das Fandango-Quintett wurde in dieser Ausgabe für den praktischen Gebrauch von Siegfried Behrend bearbeitet. Es enstpricht dem Quintett No. 4 (G 448).

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download

SKU: A0.1467794

Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794).

A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:

1. Boulevard Montmarte (Pissarro – 1897)
 The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance.  An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement.

2. Lac d'Annecy  (Cézanne - 1896)
 Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping.
 
3. La Cathédrale de Rouen  (Monet - 1894)
 This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air.
 
4. Les Parapluies  (Renoir - 1884)
 A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through.
 
5. Au Moulin Rouge  (Toulouse-Lautrec - 1895)
 A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in,  as required. 
 


 

 

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download

SKU: A0.1475437

Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437).

A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:

1. Boulevard Montmarte (Pissarro – 1897)
 The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance.  An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 

2. Lac d'Annecy  (Cézanne - 1896)
 Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 
 
3. La Cathédrale de Rouen  (Monet - 1894)
 This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 
 
4. Les Parapluies  (Renoir - 1884)
 A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 
 
5. Au Moulin Rouge  (Toulouse-Lautrec - 1895)
 A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in,  as required.

A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.831679

Composed by Frederic Chopin. Arranged by Chris North. Romantic Period. Score and parts. 13 pages. Danetre Music #5330591. Published by Danetre Music (A0.831679).

The ability to say so much with so little is the mark of a true genius. This popular masterpiece is now arranged for brass quintet by Chris North. The music remains in the original key of A Major. Very short but quite a challenge. The upper part is scored for Trumpet in D. Comes with additional parts for 1st Trumpet in B-flat, 1st Trumpet in A (Piccolo), Horn in E-flat, Trombone in treble clef, and Bass in E-flat.  Advanced Intermediate level. Duration 0:50.

Harmonica - Level 4 - Digital Download

SKU: A0.1316393

Composed by Johann Sebastian Bach. Arranged by Chris North. Baroque,Early Music. Score. 5 pages. Danetre Music #905135. Published by Danetre Music (A0.1316393).

A solo arrangement for Chromatic Harmonica with piano accompaniment of the famous Air by Bach from his Orchestral Suite No. 3 in D major BWV 1068. Transposed down a tone from original into C major to allow for some elegant trills using the slider. Harmonica part includes TAB. A classic to add to your solo repertoire. Advanced Intermediate level. Duration 4:32.

Piano,Trumpet - Level 4 - Digital Download

SKU: A0.831640

Composed by Chris North. Christian,Praise & Worship. Score and part. 10 pages. Danetre Music #4365912. Published by Danetre Music (A0.831640).

Trumpet Praise for C Trumpet and Piano. This would make an ideal End of Service item. Additional parts for Trumpet in D, Bb and A (Piccolo) are included. Advanced Intermediate level. Duration 1:29.

Piano Solo - Level 4 - Digital Download

SKU: A0.1144592

By Peyton Williams-Morrison. By Peyton Williams-Morrison. Arranged by Peyton Williams-Morrison. Classical,Contemporary. Score. 7 pages. Peyton Williams-Morrison #744931. Published by Peyton Williams-Morrison (A0.1144592).

The idea for the beginning motif came when I was simply at a piano and began playing around with chords based on quintal harmonies, chords built off of perfect fifths instead of the usual major or minor third. When I wrote this piece, I thought of a scene in which a pair of beings, one with a masculine energy and the other feminine, were dancing quite literally in the clouds. In the B section, the pair holds one another tightly as they share memories of one another, some fond and some bittersweet, before returning to their waltz. In the D section, the feminine being goes her own way and dances solo with a sense of vigor and raw passion. She goes a little too hard and trips, falling on the ground. The masculine being comes to her aid and gets her back on her feet, returning to their waltz once more. By the end, the sun sets and they part ways, sharing a tender embrace and a kiss goodbye.

Easy Piano - Level 2 - Digital Download

SKU: A0.1429576

By Alex Gaudino Featuring Kelly Rowland. By Allesandro Gaudino, Giuseppe D'Albenzio, Jenson Vaughn, Joseph Bereal, Kelly Rowland, and Manny Mijares. Arranged by Irene Cara-What A Feeling [Flashdance]. Pop,Rock,Romantic Period. Score. 3 pages. O_Talentoso #1010273. Published by O_Talentoso (A0.1429576).

Irene Cara-What A Feeling [Flashdance] (Piano Cover) + SHEET Partitura Intermediary 2.

Easy Piano - Level 2 - Digital Download

SKU: A0.1429573

By Alex Gaudino Featuring Kelly Rowland. By Allesandro Gaudino, Giuseppe D'Albenzio, Jenson Vaughn, Joseph Bereal, Kelly Rowland, and Manny Mijares. Arranged by Irene Cara-What A Feeling [Flashdance]. Pop,Rock,Romantic Period. Score. 6 pages. O_Talentoso #1010270. Published by O_Talentoso (A0.1429573).

Irene Cara-What A Feeling [Flashdance] (Piano Cover) + SHEET Partitura Intermediary.

Full Orchestra - Level 5 - Digital Download

SKU: A0.730493

Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493).

Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18.  


FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.

Full Orchestra - Level 5 - Digital Download

SKU: A0.730492

Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492).

Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18.  


INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.

Small Ensemble Hand Percussion,Piano Duet - Level 5 - Digital Download

SKU: A0.730491

Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 140 pages. James Nathaniel Holland #4717661. Published by James Nathaniel Holland (A0.730491).

Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18.  


Piano Score with Story. Full Orchestral Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.

Percussion Ensemble - Level 5 - Digital Download

SKU: A0.730494

Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494).

Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18.  


INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.