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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1403915 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 7 pages. Duration 54. Heather Mueller Music #3ElqEaTzziILHHbmHfnhIa. Published by Heather Mueller Music (A0.1403915). Key: D major.Title: Gusty's Frolics Type/Genre: Slip Jig (Irish) Arranger: Heather M Music Composer: Trad (Traditional) Description: Embark on a spirited adventure with Gusty's Frolics, a lively slip jig deeply rooted in the musical traditions of Ireland. This energetic tune, known for its playful melodies and intricate rhythms, captures the essence of Irish music and evokes images of joyful gatherings and spirited dancers. Whether you're playing at a session or exploring the rich tapestry of Irish musical heritage, Gusty's Frolics invites you to join in the spirited celebration of Celtic tradition. Let the lively tempo and dynamic energy of this slip jig transport you to the heart of Ireland's musical landscape, where every note dances with joy and enthusiasm. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melody along with basic accompaniment and guitar chords, providing a solid foundation for musicians of all levels.
Gusty's Frolics
Violon et Piano
Traditional Fiddle Tunes
$2.99 2.56 € Violon et Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 8 pages. Arte Nova Music Lab #4600763. Published by Arte Nova Music Lab (A0.742473). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Le Turc Generaux. Osman Pasha is in love with his slave, the young Émilie, but she rejects him, telling him she was about to be married when a group of brigands abducted her. Osman urges her to give up hope that her fiancé is still alive (Air: Il faut que l'amour s'evole) but Émilie refuses to believe this is true. The sky turns dark as a storm brews; Émilie sees the violent weather as an image of her despair (Air: Vaste empire des mers). A chorus of shipwrecked sailors is heard (Chorus: Ciel! de plus d'une mort). Émilie laments that they too will be taken captive. She recognises one of the sailors as her fiancé Valère. Their joy at their reunion is tempered by sadness at the thought they are both slaves now. Osman enters and is furious to see the couple embracing. However, unexpectedly, he announces he will free them. He too has recognised Valère, who was once his master but magnanimously freed him. Osman loads Valère's surviving ships with gifts and the couple praise his generosity. They call on the winds to blow them back to France (Duet and chorus: Volez, Zéphyrs). The act ends with celebratory dances as Valère and Émilie prepare to set sail.
Les Indes Galantes - Le Turc Generaux (Premiere Entree)
Quatuor à cordes: 2 violons, alto, violoncelle

$20.00 17.12 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre

$20.00 17.12 € Orchestre de chambre PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553984 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Contemporary,Folk,Multicultural,World. 22 pages. RayThompsonMusic #6426207. Published by RayThompsonMusic (A0.553984). Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. In 1933, Bartók adapted and orchestrated parts of the piece as Hungarian Peasant Songs, Sz. 100, BB 107, commonly known by its Hungarian name, Magyar parasztdalok([ˈmÉ’ÉŸÉ’r ˈpÉ’rÉ’stËŒdÉ’lok]).My arrangement for standard wind quintet is based on the piano music.The collection consists of fifteen movements, some of which are grouped together. A typical performance lasts 13–15 minutes. The movements in my arrangement are as follows:Four Old TunesRubatoAndante â€“ Poco sostenuto â€“ Più andante (Tempo I) â€“ Poco sostenuto â€“ Più andantePoco rubato â€“ SostenutoAndanteScherzo. Andante â€“ Sostenuto, poco rubato â€“ Tempo IScherzoBallad (Theme with Variations)
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 1 - 6) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$14.95 12.8 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Guitar ensemble - Intermediate - Digital Download SKU: ZZ.DZ-4281 Composed by Francesco Di Giandomenico. Score and parts. 42 pages. Les Productions d'OZ - Digital #DZ 4281. Published by Les Productions d'OZ - Digital (ZZ.DZ-4281). ISBN 9782898521980.Music For a While is a collection of three short sketches. The music interweaves elements of East European folklore, North American minimalism, European polyphony and traditional Italian music.The first sketch is a very rhythmical, lively and powerful dance based on a fragment from Bela Bartok’s collection For Children.The second sketch is like a canon, a tribute to Pachelbel, but interestingly the development of the piece is influenced by contemporary minimalism. The music, based on a cell of 4 bars with a typical tonal progression that is constantly variated, is simple, beautiful and bright.The last sketch is an homage to Federico Fellini’s universe. With a typical Italian dance rhythm (including references to Nino Rota’s music), this piece evokes the crazy, funny and melancholic wMusic For a While est une collection de trois courts croquis. La musique entrelace des éléments du folklore d'Europe de l'Est, du minimalisme nord-américain, de la polyphonie européenne et de la musique traditionnelle italienne.Le premier «sketch» est une danse très rythmique, animée et puissante, basée sur un fragment de la collection For Children de Béla Bartók.Le deuxième «sketch» est comme un canon, un hommage à Pachelbel, mais de manière intéressante, le développement de la pièce est influencé par le minimalisme contemporain. La musique, basée sur une cellule de 4 mesures avec une progression tonale typique constamment variée, est simple, belle et lumineuse.Le dernier «sketch» est un hommage à l'univers de Federico Fellini. Avec un rythme de danse italienne typique (incluant des références à la musique de Nino Rota), cette pièce évoque le monde fou, drôle et mélancolique du cirque.
Music for a While (3 Sketches)

$14.95 12.8 € PDF SheetMusicPlus

Brass Ensemble - Intermediate-Advanced - Digital Download SKU: F2.FM213 Composed by Keiron Anderson. Score and parts. 46 pages. Forton Music - Digital #FM213. Published by Forton Music - Digital (F2.FM213). ISBN 9790570481125.Brass Ensemble - Trumpet in Eb or D, 2 Bb Trumpets, Flugelhorn, Horn in F, 3 Trombones, Bass Trombone, Tuba. A large scale ensemble in a mature and confidant style. The opening section is slow, with gentle syncopation and sophisticated harmonies including very controlled dissonances to heighten the emotion and tension of the music. This is then followed by a riotous fast section with the modal feeling of a Scottish reel, with everyone getting a piece of the action. Frequent modulations and lively syncopations drive this music forward - you can almost hear the dancers stamp the floor! At the end of this section the syncopations wind down and the music returns to the material from the start of the piece, before winding down and relaxing even further to an almost mournful conclusion. The slower sections will require sensitive and musical playing and direction, whilst the fast section requires nimble fingers and tongues to get the best from the music. Suitable for players of Grade 6 upwards.
Closure
Ensemble de cuivres

$19.95 17.08 € Ensemble de cuivres PDF SheetMusicPlus

String Quintet - Level 3 - Digital Download SKU: A0.901334 Composed by Johann Pachelbel. Arranged by Dan Edwards. Baroque,Holiday,Standards,Wedding. 17 pages. Arr. Dan Edwards #6590467. Published by arr. Dan Edwards (A0.901334). Canon in D by Johann Pachelbel, arranged for string quartet, string quintet, or string orchestra by Dan Edwards. Dan is a prize-winning composer and arranger, and was the staff arranger for the Countess of Wessex's String Orchestra for many years. danedwardscreative.com This is an arrangement like no other!Pachelbel's Canon is a hugely popular piece, but unfortunately it was not written for the string quartet. The original is for three violins and basso continuo, so this presents quite a few problems when string quartets attempt to play it.  - Firstly, the 'viola' part is extraordinarily high, not only making it very difficult to play, but making that one voice stick out much more than the other three in the highest parts of the piece. Usually the high bits are just transposed down an octave but this isn't very satisfying. My solution in this arrangement is to swap the voices of the canon around so that the viola always plays the lowest part. Have a look at the score to see what I mean - the viola part isn't transposed, but it never goes above an E on the A string. - Secondly, the first two bars should have harmony, as there should be a keyboard instrument accompanying the cello. To compensate for this I've added some simple harmony in small note heads at the start, before each canon entry. - Thirdly, the cellist always gets lost in this piece. I know because I am a cellist and I always get stressed out towards the end of this piece. So I've added a reduced-size violin 1 part to the cello part so the cellist can follow along and know exactly when the piece is going to end!  Includes a full score (6 pages), and complete set of parts. Violin 1 - 3 pages. Violin 2 - 3 pages. Viola - 2 pages. Cello/ bass - 3 pages.
Canon - Pachelbel, arranged for string quartet with adapted viola part
Quatuor à cordes: 2 violons, alto, violoncelle

$14.99 12.83 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.1111375 Composed by Ludwig van Beethoven. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 97 pages. J.G. Cuco Barber #713662. Published by J.G. Cuco Barber (A0.1111375). Work Title String Quartet No.13 Composer Beethoven, Ludwig van Opus/Catalogue Number Op.130 Key B-flat major Movements/Sections 6 movements: 1. Adagio ma non troppo — Allegro (B♭ major) 2. Presto (B♭ minor) 3. Andante con moto ma non troppo (D♭ major) 4. Alla danza tedesca. Allegro assai (G major) 5. Cavatina. Adagio molto espressivo (E♭ major) 6. Finale. Allegro (B♭ major) Year/Date of Composition 1825, rev.1825-26 First Performance 1827-04-22 in Vienna, Musikvereinsaal First Publication 1827 (May) - Vienna: Artaria Dedication Prinz Galitzin Composer Time Period Classical Piece Style Romantic Instrumentation 2 violins, viola, cello.
Beethoven - String Quartet No.13 in in B flat major, Op.130
Quatuor à cordes: 2 violons, alto, violoncelle

$23.00 19.69 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1168347 Composed by Claude Debussy. Arranged by Andrew Middleton. 20th Century,Classical. Score and parts. 142 pages. Andrew Middleton #768678. Published by Andrew Middleton (A0.1168347). Six Epigraphes Antiques is a suite of pieces composed by Claude Debussy for piano duo. This arrangement for chamber orchestra (1111/1000/perc/cel/hrp/strings) includes all 6 movements of the suite, including: 1. Pour invoquer Pan, dieu du vent d'été (To invoke Pan, god of the summer wind) 2. Pour un tombeau sans nom (For a nameless tomb) 3. Pour que la nuit soit propice (In order that the night be propitious) 4. Pour la danseuse aux crotales (For the dancer with crotales) 5. Pour l'égyptienne (For the Egyptian woman) 6. Pour remercier la pluie au matin (To thank the morning rain)  For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/.
Six Epigraphes Antiques for Chamber Orchestra
Orchestre de chambre

$49.99 42.79 € Orchestre de chambre PDF SheetMusicPlus

Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53273 Air favori de l’opéra La muette de Portici de D.F.E. Auber. Composed by Christian Rummel. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 12 pages. Schott Music - Digital #Q53273. Published by Schott Music - Digital (S9.Q53273). German • Danish.Christian Rummel (also Chrétien Rummel), music educator, pianist, clarinettist, violinist and composer, was born in Gollachostheim, Franconia (Germany). He received his musical education in Mannheim. Rummel first worked as a military band director. Following his military career, he moved to Wiesbaden as he was offered a position as a music teacher there. Later he directed the court orchestra in Biebrich and following its dissolution, he directed the Wiesbaden theatre orchestra. On the occasion of a visit to Vienna, the publishers Schott recommended him to Ludwig van Beethoven (letter of 19th April 1824), with the request for ‘friendship and good will‘. He is said to have had an ‘urge for perfection through studying composition‘. This Schlummerlied is dedicated to Baron Breidbach-Bürresheim. The melody comes from the opera ‘La muette de Portici (The mute girl of Portici) by the composer Daniel-François-Esprit Auber (1782–1871), which was first performed at the Paris Opera House in 1828. The setting is a fishing village near Naples. The plot revolves around love, marriage, revolt against the Spanish occupying forces and, as if that were not enough, the volcano Vesuvius erupts at the end. The piece was published by Schott in 1832 (plate number 3733).
Schlummerlied
Clarinette

$3.99 3.42 € Clarinette PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.976865 Composed by Monica Bergo. Children,Contemporary. Score. 13 pages. Monica Bergo #3239653. Published by Monica Bergo (A0.976865). 2017 Holiday Contest Entry                        Come Scrooge (Ghost's Christmas) Din-don din-don suonan le campane ad ogni rintocco ti ricordan che è Natale sono ombra,buio è il tempo che mi porta sono il tuo fantasma proprio come fu per Scrooge   Mi seguirai nel già vissuto ti immergerai dentro al passato come un pittore che ha sbagliato i suoi colori come un'attrice che il suo ruolo più non ha camminerai dentro la nebbia dei tuoi errori finchè quell'irrisolto sparirà   Che senso ha questo tuo folle viaggio non cambierà niente col tuo passaggio non amerò quei tuoi natali infreddoliti quella tua neve che li imbianca io odierò e quegli auguri non sinceri e comandati abbracci ipocriti rifiuterò   come vampiri nella notte ci muoviamo in  libertà e trasformati in pura luce noi voliamo via da qua   sfioro la luna, immensa e bianca solo lei non cambia mai la sua  immortalità spaventa è luce eterna su di noi   la mia casa è là un punto lontano e mi manca già la mia realtà   e ora siamo qua e l'angoscia mi attanaglia quanto grigio e che male fa ogni giorno una battaglia in silenzio urlo dentro di me la mia anima è già stanca e vorrei fuggir via   lì nascosta c'è una bimba vuol venire via con me e mi guarda impaurita mi ha riconosciuta sono io a una vita da qua   un istante che pare sia eterno ci guardiamo negli occhi io e lei la domanda inespressa è sempre la stessa mi chiede se ciò cambierà   vorrei solo abbracciarla e cullarla sai l'istinto materno com'è? ma il fantasma mi dice non si interferisce il passato rimanga com'è   E fa Din - Don Din-Don  la triste campana apro  gli occhi e ascolto la sua melodia lontana è già l'una in punto aspetto il mio fantasma sono un fiore e come al vento io gli ubbidirò   Vieni con me no, aspetta non parlare conosco già ciò che mi vuoi mostrare ma non c'è nulla che non so del mio presente portami allora nel futuro come Scrooge tu incappucciato sei un fantasma un po' inquietante ma io non temo ciò che mi accadrà   così attraverso quel confine che incatena tutti noi battito d'ali di farfalle così volan gli anni miei e come un film ormai datato che nessuno vede mai io spettatrice solitaria che fermarmi ora vorrei   come un libro che svela il suo finale il futuro è qua è scritto già   e ora siamo qua una  dimensione nuova non conosco questa realtà questi luoghi e le persone sono tristi e stan piangendo sembra che stian sussurando il nome mio   ed inciampo tra maschere bianche sembra che Carnevale sia qua ed è un tragico samba mi unisco alla danza che il mio funerale sarà   Sto bussando alla porta del cielo chiedo se ci sia un posto pe rme
Come Scrooge (Il fantasma del Natale)
Piano seul

$3.99 3.42 € Piano seul PDF SheetMusicPlus






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