Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1209582 Composed by Gustav Holst. Arranged by Ray Thompson. Christmas. 9 pages. RayThompsonMusic #807733. Published by RayThompsonMusic (A0.1209582). This is my arrangement of Gustav Holst's arrangement.It is arranged for wind quintetThe French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredansealong with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear) Gustav Holst incorporated the carol into his work Three Carols H133 (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.You can check out my arrangemet of this and other Marin Marais compositions here.

Clarinet Duet Bass Clarinet - Level 3 - Digital Download SKU: A0.1208435 Composed by Marin Marais. Arranged by Ray Thompson. Baroque,Christmas. 2 scores. 10 pages. RayThompsonMusic #806545. Published by RayThompsonMusic (A0.1208435). Arranged clarinet duet (clt/bass clt  with alt clt for bass clt)The French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredansealong with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear) Gustav Holst incorporated the carol into his work Three Carols (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.I have arranged the March and 3 of the Sailor's Airs from the opera for clarinet duet, The march is then reprised to complete the arrangement.

Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1211277 Composed by Marin Marais. Arranged by Ray Thompson. Baroque,Christmas. 6 pages. RayThompsonMusic #808919. Published by RayThompsonMusic (A0.1211277). Arranged clarinet trio 2 Bb and one bassThe French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredanse along with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear) Gustav Holst incorporated the carol into his work Three Carols (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.I have arranged the March and 3 of the Sailor's Airs from the opera for clarinet trio, The march is then reprised to complete the arrangement.

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068891). Något häpnadsväckande har hänt i den svenska dragspelsvärlden de senaste åren, vi har fått en ny idol. Det är häpnadsväckande på två olika sätt: för oss som kan dragspelsvärlden är det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 år, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 år tillbaka i dragspelsmusikens historia. Man kan säga att Lars Ek, idag 35 år, borde ha varit 85 år, verksam på 30-talet. Själv erkänner han att han känner en slags hemlig längtan tillbaka till en tid då dragspelare var ekvilibrister, då dragspelare spelade på ett briljant sätt, den guldålder det var för all dragspelsmusik över hela världen, en tid som vi aldrig kommer att möta igen. Det är en typ av musik som är historisk men som inte hör hemma på museerna, inte död, det är en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det är en ganska anmärkningsvärd situation. Lars Ek har spelat dragspel länge, han har spelat all typ av musik som kan spelas på dragspel. För bara några år sedan kom han i kontakt med Nils Lind och Ragge Sundquist (två legendariska svenska artister från 30- och 40-talen, båda döda sedan länge – de grundade båda en skola och en stil) och naturligtvis också Frosini. Och då, äntligen, kände Lars Ek att det var just här, i den här stilen, som han hörde hemma. Lars Ek kom äntligen hem. En del slarviga lyssnare säger att Lars Ek kopierar Nils Linds musik. Det är lyssnare som inte lyssnar. Andra säger att Lars är en galning - han spelar på ett dragspel av märket Raggie Sundquist från 1937 och sedan ett par år äger och spelar han också på ett dragspel som en gång ägdes av Pietro Frosini, tillverkat 1927. Det är inte mani. Stilen efterfrågar sådana instrument. Det är mest korrekt på det sättet. Lars Ek har blivit otroligt populär. Det finns många anledningar. Han har massor av personlighet, han är en scenpersonlighet, han visar entusiasm och glädje när han uppträder, han vet hur man lockar en publik (och tjejerna säger att han är väldigt snygg). En annan anledning är att musiken som Lars framför får mycket respons från publiken. Och snälla, tro inte att det bara är de gamla som var med på 30-talet som älskar musiken - det gör även de unga! Lars Ek x 2 heter skivan. Förklaringen är enkel. Lars kunde inte hitta någon andra dragspelare som kunde hjälpa honom. Så tack vare tekniken är han själv sin egen andra dragspelare i fem av de låtar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar också fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor säljer ändå. Men du kommer att få några sista ord. Den här skivan är, stilmässigt, väldigt sällsynt att vara inspelad 1982, det gäller att blicka bakåt och att göra det med stor skicklighet, en tillbakablick på dragspelets guldålder. Det är också en väldigt personlig skiva. Inspirationskällan kan mycket väl vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det är Lars Ek som spelar. På sitt personliga sätt. Vilket gör att detta är en skiva som spelas på ett väldigt personligt sätt.

Full Orchestra - Digital Download SKU: A0.811410 Composed by Frederic Chopin, Johann Pachelbel, and Ludwig van Beethoven. Arranged by Daniel Ashcroft. Contemporary. Score and parts. 803 pages. DanielAshcroftMusic #118855. Published by DanielAshcroftMusic (A0.811410). Set One of Memorable Themes for Orchestra, comprising Beethoven's Ode To Joy, Pachelbel's Canon in D and Chopin's Waltz No 1 'Grande Valse Brillante'. A detailed score and complete set of parts for each work is included. Each work is also available individually on Sheet Music Plus in Score and Parts, Score only or Parts only formats.

Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533424 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 15 pages. Musik Fabrik Music Publishing #2913661. Published by Musik Fabrik Music Publishing (A0.533424). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Baritone Voice and Piano.Toccata Classics, 2016. In d minor Duration: aprox. 5 minutes 00 secondsIl est un vieux manoir à la muraille altière,Là règne un grand seigneur à l’âme impie et fière,Que l’on redoute aux environs,Le plus cruel des hauts barons!Lorsque tombe la nuit, il quitte la tourelleEn s’écriant: amis, courons!Puis l’arme au poing, le coeur gonflé de rage,Ils s’en vont répandant l’effroi sur leur passage!Refrain:Et Satan, l’oeil en feu, palpitant de bonheur,Enfin sûr de sa proie est près du vieux seigneur!Un soir qu’il chevauchait dans la forêt prochaine,Le diable, le suivant, l’entraîna dans la plaine,Et s’élança sur lui soudainEn blasphémant saisit sa mainEt demi-mort d’effroi, tout pâle et sans défense,Le renversa sur le chemin;Puis l’entrainant, malgré sa résistance,L’emporta d’un seul bond, dans sa fournaise immense!On dit que tous les soirs, près de la tour tremblante,On entend retentir une voix languissante,Qui remplit l’air de cris affreux;Puis on croit voir briller des feux.C’est l’âme du baron qu’avec lui, sur la terre,La nuit, Satan traîne en tous lieux;Et du château les noirs oiseaux de proie,Seuls seigneurs désormais, poussent des cris de joie!

Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533425 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 15 pages. Musik Fabrik Music Publishing #2913665. Published by Musik Fabrik Music Publishing (A0.533425). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In b minor Duration: aprox. 5 minutes 00 secondsIl est un vieux manoir à la muraille altière,Là règne un grand seigneur à l’âme impie et fière,Que l’on redoute aux environs,Le plus cruel des hauts barons!Lorsque tombe la nuit, il quitte la tourelleEn s’écriant: amis, courons!Puis l’arme au poing, le coeur gonflé de rage,Ils s’en vont répandant l’effroi sur leur passage!Refrain:Et Satan, l’oeil en feu, palpitant de bonheur,Enfin sûr de sa proie est près du vieux seigneur!Un soir qu’il chevauchait dans la forêt prochaine,Le diable, le suivant, l’entraîna dans la plaine,Et s’élança sur lui soudainEn blasphémant saisit sa mainEt demi-mort d’effroi, tout pâle et sans défense,Le renversa sur le chemin;Puis l’entrainant, malgré sa résistance,L’emporta d’un seul bond, dans sa fournaise immense!On dit que tous les soirs, près de la tour tremblante,On entend retentir une voix languissante,Qui remplit l’air de cris affreux;Puis on croit voir briller des feux.C’est l’âme du baron qu’avec lui, sur la terre,La nuit, Satan traîne en tous lieux;Et du château les noirs oiseaux de proie,Seuls seigneurs désormais, poussent des cris de joie!

Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes.  Website: www.kotekan.com

Large Ensemble Clarinet,Drum Set,Organ,Piano,Synthesizer,Trombone,Trumpet,Tubular Bells - Level 3 - Digital Download SKU: A0.976854 Composed by Monica Bergo. Contemporary. Score and parts. 36 pages. Monica Bergo #3236823. Published by Monica Bergo (A0.976854). 2017 Holiday Contest EntryIL PRIMO GIORNO DELL’APOCALISSE (OLTRE L’ORIZZONTE) Gente che invade le strade Siamo d’estate e la neve cade Nell’aria oscuri presagi Lancette ferme negli orologi Oltre l’orizzonte non posso guardare Una stella che brilla è già pronta a morire Il sole e la luna, che sta succedendo? Insieme nel cielo , è la fine del mondo Sei pronto a pentirti di tutti i peccati? La gente impazzita, va in cerca dei preti Chi piange, chi ride, chi canta , chi prega campane suonate, tamburi rullate è giunta la fine per l’umanità Non mi aspettavo che tutto finisse Questo è il primo giorno dell’Apocalisse Io che sono astemia mi riempio il bicchiere Se devo morire, non voglio capire E scendo in pista per l’ultima danza Mentre lo tzunami si innalza ed avanza Fra tutta la gente non cerco che te Ma tu dove sei? Non vieni da me? Oltre l’orizzonte ti vorrei portare Non sarebbe bello? Tra campi di fiori Noi sopravvissuti ,nell’eden perduto Soltanto per noi Dimmi che lo vuoi E sarebbe vita e nuova occasione E sarebbe gioia e non più prigione Incontaminati, senza più peccati Dimmi una bugia e portami via Da questo tragico presente Dall’Armagghedon imminente Angeli cantano in coro Mi metto in fila, vado con loro Ma tra la folla il tuo viso E Chi se ne frega del paradiso Maschere bianche mi sbarrano il passo Io grido , ti chiamo, ma tu sei lontano Lo strato d’ozono è ormai inesistente La pelle si brucia Il caldo è asfissiante Ognuno parla una lingua diversa moderna Babele, la torre è riapparsa Frammenti di Bibbia, la Genesi insegna Per ogni peccato, la giusta condanna Non mi aspettavo che tutto finisse Ma è l’ultimo giorno dell’Apocalisse Il genere umano , si estingue stanotte La terra oltraggiata, alla fine ci inghiotte Sarebbe bello morire abbracciati I nostri 2 corpi in eterno avvinghiati Oltre l’orizzonte non posso guardare Il sole che esplode Continuo a ballare La morte che avanza Una tragica danza Oltre l’orizzonte ti ritroverò Monica Bergo

Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1490042 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 14 pages. RayThompsonMusic #1066905. Published by RayThompsonMusic (A0.1490042). The Fantasies (German Fantasien), Op. 116 for solo piano were composed by Johannes Brahms in the Austrian town of Bad Ischlduring the summer of 1892.The set consists of seven pieces entitled Capriccio or Intermezzo, though Brahms originally considered using Notturno for No. 4 and Intermezzo for No. 7.The pieces were published by N. Simrock in December 1892, and represent the end of Brahms's long break from composing piano pieces.The seven pieces are:Capriccio in D minor. Presto energicoIntermezzo in A minor. AndanteCapriccio in G minor. Allegro passionatoIntermezzo in E major. Adagio (This one)Intermezzo in E minor. Andante con grazia ed intimissimo sentimentoIntermezzo in E major. Andantino teneramenteCapriccio in D minor. Allegro agitatoThis is my arrangement of No. 4 Intermezzo in E for standard wind quintet.Clarinet part  is for Clt in A. (An alternative Bb part is provided).

Flute Duet Flute - Level 3 - Digital Download SKU: A0.811711 Composed by Giuseppi Sammartini (1695 - 1750). Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 20 pages. Piper Publications #4897105. Published by Piper Publications (A0.811711). These are the first three of Sammartini’s SIX SONATAS OR DUETS for two German flutes Compos’d for the Temple of Apollo published by James Oswald and sold at his music shop in St. Martin’s Church Yard in the Strand London shortly after October 1747. The title page is followed by a copy of the permission of George the Second King of Great Britain, France and Ireland to print and publish two operas of Vocal and Instrumental Music intitled (sic), The Temple of Apollo which he has composed and employed others to compose, for a period of fourteen years.Sonatas 1 & 2 have three movements, No. 3 has four: No. 1 in D major - Andante, Allegro & AllegroNo. 2 in E minor - Andante, Allegro & Minuet & TrioNo. 3 in A major - Spiritoso, Allegro, Andantino & MinuetThe parts are of equal difficulty and move independently. Players of intermediate ability and above will enjoy these. The format is a playing score with no page turns during the movements.N.B. These Sonatas are completely different sonatas from the VI SONATE A TRE for 2 flutes & basso published by Boivin in Paris in 1740 which, confusingly were also described as 'opera 1'.

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.637855 Composed by Various. Arranged by Eugene Egorov. Baroque,Classical,Romantic Period. Score and part. 101 pages. Eugene Egorov #4853675. Published by Eugene Egorov (A0.637855). 1.    Pomp and Circumstance   Edward Elgar 2.    Andante (Surprise Symphony)   Franz Joseph Haydn 3.    Arioso   Daniel Gottlob Turk 4.    Lullaby   Johannes Brahms 5.     Melody   Robert Schumann 6.    Sarabande   George Frideric Handel 7.    Silent Night   Franz Xaver Gruber 8.    A Little Piece   Robert Schumann 9.    Carnival Of Venice   Julius Benedict 10.  La Donna E Mobile   Giuseppe Verdi 11.  Largo (The New World)   Antonin Dvorak 12.  Old French Song   Peter Ilyich Tchaikovsky 13.  Waltz (Sleeping Beauty)   Peter Ilyich Tchaikovsky 14.  We Wish You A Merry Christmas  English Folk Song 15.  Air   Henry Purcell 16.  Ode To Joy   Ludwig Van Beethoven 17.  Italian Polka   Sergei Rachmaninoff 18.  Minuet (In F Major)   Wolfgang Amadeus Mozart 19.  Solveig`s Song   Edvard Grieg 20.  Sonatina (In C Major)   Muzio Clementi 21.  Waltz   Dmitri Kabalevsky 22.  Alouette   French Folk Song 23.  Gaudeamus Igitur   Johannes Brahms 24.  Green Sleeves   English Folk Song 25.  Hongroise   Adolphe-Charles Adam 26.  Minuet (In F Major)   Franz Joseph Haydn 27.  Serenade (Eine Kleine Nachtmusik)   Wolfgang Amadeus Mozart 28.  Soldier's March   Robert Schumann 29.  Arietta   Muzio Clementi 30.  Emperor Waltz   Johann Strauss Jr. 31.  Grand March (Aida)   Giuseppe Verdi 32.  Happy Birthday To You   Patty & Mildred J. Hill 33.  Minuet (In D Minor)   Johann Sebastian Bach 34.  Santa Lucia   Italian Folk Song 35.  The Emperor's Hymn   Franz Joseph Haydn 36.  La Paloma   Sebastian Yradier 37.  Dance Of The Hours   Amilcare Ponchielli 38.  Fur Elise   Ludwig Van Beethoven 39.  Humoresque   Antonin Dvorak 40.  Minuet (In G Major)   Johann Sebastian Bach 41.  Toreador Song   Georges Bizet 42.  Turkish March   Wolfgang Amadeus Mozart 43.  Ave Maria   Franz Schubert 44.  Barcarolle   Jacques Offenbach 45.  In The Hall Of The Mountain King Edvard Grieg 46.  Melody In F Anton Rubinstein 47.  None But The Lonely Heart   Peter Ilyich Tchaikovsky 48.  Polovtsian Dance   Alexander Borodin 49.  Spanish Romance 50.  Liebestraum (Dream Of Love)   Franz Liszt 51.  Arioso   George Frideric Handel 52.  O Mio Babbino Caro   Giacomo Puccini 53.  O Sole Mio   Eduardo Di Capua 54.  To A Wild Rose  &.

Digital Download SKU: A0.1416365 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Comedy,Contest,Festival,Multicultural,World. Full Performance. Duration 163. ArtIA #998046. Published by ArtIA (A0.1416365). Découvrez une version réinventée de Chipolata de Téo Lavabo, magistralement interprétée par ma voix. Ce clip unique apporte une nouvelle dimension à la chanson humoristique, alliant l'art de la musique à une touche personnelle et créative.Dans cette réinterprétation, embarquez pour un voyage culinaire et musical, où chaque chipolata n'est pas juste un mets, mais une célébration de la joie et de l'absurdité de la vie quotidienne. Avec des scènes allant d'un petit-déjeuner festif à des aventures fantaisistes à la recherche de la chipolata parfaite, ce clip est une expérience à ne pas manquer.Suivez Cédric dans sa quête humoristique, illustrée par des séquences vidéo pleines d'humour et de fantaisie, où la préparation de chipolatas devient le prélude à des festivités inattendues. C'est un hommage à l'amour de la bonne nourriture, de la bonne compagnie, et surtout, du bon temps.Chipolata par Cédric est plus qu'un clip musical; c'est une invitation à rire, à chanter et à danser, rappelant que les plaisirs simples de la vie sont souvent les plus précieux. Préparez-vous à être captivé par cette performance vocale et visuelle, où la gaieté et l'esprit sont au rendez-vous.Chipolata par Cédric, une aventure à savourer sans modération. Partagez votre amour pour la musique et la cuisine avec moi, et voyez comment un simple plat peut inspirer une œuvre d'art.

Percussion Ensemble,Percussion Trio Percussion - Level 3 - Digital Download SKU: A0.1504788 By Francois Du Bois. By Francois Du Bois. 21st Century,Contemporary,Multicultural,Spiritual,World. 27 pages. D-Project Co., Ltd. #1080208. Published by D-Project Co., Ltd. (A0.1504788). L’éclaircie : (morceau indépendant de l’album “dive into silence), est une pièce de Musique Médita (musique conçue pour la méditation). Il symbolise l’éveil de l’âme dans une forme fondamentale et dépouillée.– “L’éclaircie” symbolise l’éveil de l’âme dans une forme fondamentale et dépouillée. Le marimba impose une rythmique forte et catégorique, mais d’autres éléments percussifs gravitent autour de lui et finalement le libère, la fin symbolise la légèreté retrouvée.Pour un marimbiste et deux percussionnistes.Instruments : Marimba/Large Tibetan Cymbal/Tibetan Bowls/Medium Slit Drum/Large Slit Drum/High Sound Singing Bowl/Low Sound Singing Bowl/ThunderDrum ou Thundersheethttps://on.soundcloud.com/tsYEfBq4kYsSdk2X8L’éclaircie??????Dive into Silence???????????Medita Music??????- ?L’éclaircie???????????????????????????????????????????????????????????????????????????????????????????????????????????1???????2??????????????????????????????????????????????????????????????????????????????????????????????????????https://on.soundcloud.com/tsYEfBq4kYsSdk2X8L’éclaircie: (independent track from the album Dive into Silence), is a piece of “Medita Music” (music designed for meditation). It symbolizes the awakening of the soul in a fundamental and stripped-down form.- L’éclaircie symbolizes the awakening of the soul in a fundamental and stripped-down form. The marimba imposes a strong and categorical rhythm, but other percussive elements gravitate around it and eventually free it, with the end symbolizing the return of lightness.For one marimbist and two percussionists.Instruments: Marimba/Large Tibetan Cymbal/Tibetan Bowls/Medium Slit Drum/Large Slit Drum/High Sound Singing Bowl/Low Sound Singing Bowl/ThunderDrum or Thundersheethttps://on.soundcloud.com/tsYEfBq4kYsSdk2X8