SKU: AX.00-PS-0015652

ISBN 9780739094877. UPC: 038081456898.

Country music fans who play or sing will love this giant songbook, which contains sheet music for more than 40 all-time favorites. Titles: All-American Girl (Carrie Underwood) * Almost Persuaded (David Houston) * Amazed (Lonestar) * American Honey (Lady Antebellum) * Anyway (Martina McBride) * Before He Cheats (Carrie Underwood) * Blown Away (Carrie Underwood) * Crazy Girl (Eli Young Band) * The Dance (Garth Brooks) * Do You Believe Me Now (Jimmy Wayne) * For You (Keith Urban) * Go Rest High on That Mountain (Vince Gill) * Good in Goodbye (Carrie Underwood) * How Do I Live (LeAnn Rimes) * I Could Not Ask for More (Sara Evans) * I Swear (John Michael Montgomery) * I Told You So (Carrie Underwood) * If I Die Young (The Band Perry) * I'll Stand by You (Carrie Underwood) * In My Daughter's Eyes (Martina McBride) * Jesus, Take the Wheel (Carrie Underwood) * Let Me Down Easy (Billy Currington) * Live Like You Were Dying (Tim McGraw) * Love Can Build a Bridge (The Judds) * Mama's Song (Carrie Underwood) * Margaritaville (Jimmy Buffett) * My Heart Can't Tell You No (Sara Evans) * Red Solo Cup (Toby Keith) * Smile (Uncle Kracker) * Some Hearts (Carrie Underwood) * Stand By Your Man (Tammy Wynette) * Take Me Home, Country Roads (John Denver) * Teardrops on My Guitar (Taylor Swift) * Temporary Home (Carrie Underwood) * There You'll Be (Faith Hill) * Undo It (Carrie Underwood) * Walk Me Down the Middle (The Band Perry) * When I Said I Do (Clint Black) * When You Come Back Down (Nickel Creek) * Whenever You Remember (Carrie Underwood) * Whiskey Lullaby (Brad Paisley and Carrie Underwood) * White Horse (Taylor Swift) * Why Wait (Rascal Flatts) * You Light Up My Life (LeAnn Rimes).

SKU: A0.1000810

This is arrangement in Gershwin style for 5 pianos. Das ist Arrangement in Gershwin Style für 5 Pianos. SET OF PARTS !!

SKU: A0.1225179

This arrangement is for accordion beginner with fingering, chords, english, german, croatian and hungarian lyrics.
Diese Arrangement ist für Akkordeon Anfänger mit Fingersatz, Akkorde, englische, deutsche, kroatische und ungarische Text.

SKU: A0.1000823

This arrangement in swing style for Contrabass and for 2 pianos or 1 piano (left and right hand). Diese Arrangement ist in Swing Style für Contrabass und für 2 Pianos oder 1 Piano (linke und rechte Hand). Ovaj aranzman je u swing stilu za kontrabas i za 2 klavira ili za 1 klavir (ljeva i desna ruka).

SKU: A0.738150

A medley of 4 songs arranged for string quartet.
England- Early One Morning
Ireland - Danny Boy
Scotland - Blue Bells of Scotland
Wales - The Ash Grove.

SKU: A0.1197366

Key: G major.

Violin & Cello duet version of Best Part by H.E.R. ft Daniel Caesar, as performed by The Chapel Hill Duo. Perfect for Weddings and other performances. Advanced level suitable for professional and enthusiastic amateurs.

SKU: A0.1419120

Arranged to be performed by a string trio (violin, viola, cello) in addition to the melody.

SKU: A0.962499

This Vibraphone Concerto is an Advanced piece for Vibraphone and piano.  It is written in a way that will stretch the player’s ability to communicate with an accompanist and perform complex crossed and additive patterns.  This concerto requires the soloist to develop a keen sense of phrasing to execute the melodic and additive lines properly. Duration – 13mins

This piece was started in 2008 as an incidental piano piece written for The Revolving Doors Soap Opera.  I didn't finish the piece until 2013 when by accident I changed the midi sound to a vibraphone and proceeded to rewrite the 1st theme for vibraphone and piano.  The flow of the piece could be attributed somewhat to listening to the music of Phillip Glass, Jethro Tull, Claude Debussy, and Béla Fleck at the time.  I wrote parts of this composition while under the instruction of Dr. Daniel McCarthy.

SKU: A0.1225840

RAGING FURIES - Rasende Furien
Goddesses of revenge - Göttinnenn der Rage

Concert Piece for big orchestra - Score and Parts

The image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.
This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.
The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.
They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.
They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).
In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.
Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.

SKU: A0.1159114

A detailed and accurate arrangement of Imagine Dragon's Believer for beginner drumset. This piece features interesting pop grooves and simple fills and utilises drumming concepts such as triplets and playing the rim of the drum, as well as score concepts including repeats and D.S. al Fines. A popular piece for a beginner drummer to learn, the drumming on this song is unique and will improve the player's coordination.

SKU: F2.FM493

ISBN 9790570483921.

All four of these pieces were arranged for concert flute and piano at the request of his daughter Hilary, who is a flautist. Pourquoi Pas? - This piece started life as a violin and piano piece written whilst Tomlinson was on active service in northern France during the Second World War serving as a wireless mechanic in the RAF. His commanding office was a good violinist and had found a local French family who had a grand piano. Hearing that Ernest was studying composition he was challenged to write a piece to entertain the French family. The piece was named after a local cafe much frequented by the troops. Chadkirk Idyll - Written in 2002, this was originally for recorder and guitar and then rescored in 2003 for recorder and string quartet. Naturally, it works very well for flute and piano so this arrangement was made at about the same time. Ernest wrote On receiving the request to write this piece, the description of Chadkirk and it's history conjured up for me an imaginary picture back in history. The mental image of a small and lonely chapel in the river valley at the base of a windswept hillside inspired the melodies around which the Idyll was shaped. Air - This piece started life as a cello and piano piece and has also been arranged for violin and piano. Linda's Dance - During the late 1950's and all through the 1960's Tomlinson wrote much orchestral music intended for use as background music in radio, films and tv. The piece was part of a suite that was eventually published as his first Light Music Suite. He always found titles a difficulty but his youngest daughter, Linda, was very fond of dancing so he simply called this movement Linda's Dance. The original orchestration was for alto flute but the composer was prevailed upon to make this concert flute and piano arrangement.