Flute Quartet,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.563308 Composed by Christoph Willibald Von Gluck, Erik Satie, George Frideric Handel, Johann Pachelbel, and Traditional. Arranged by Austin Ralphson. 20th Century,Baroque,Classical,Wedding. 62 pages. Austin Ralphson #3540043. Published by Austin Ralphson (A0.563308). This mega-bundle of music enables you to save significantly on the individual prices, and includes full scores and parts for the following pieces:Andante (Gluck)Ar Lan y Môr (Welsh Trad.)Canon in D (Pachelbel) (flute quintet)Gymnopédie No.1(Satie)Largo from ‘Xerxes’ (Handel)Suo Gan (Welsh Trad.)

Easy Piano - Level 1 - Digital Download SKU: A0.1336019 Composed by James R. Murray. Arranged by Amy Warmenhoven. Christian,Christmas,Classical,Holiday,Instructional. Score. 1 pages. Amy Warmenhoven #921851. Published by Amy Warmenhoven (A0.1336019). Early Elementary/ Elementary Piano Solo Middle C Thumb position Melody travels between hands  Moderate hands-together playing required 3/4 meter C Major 8th notes & dotted rhythms Dynamic is mf Tempo vocabulary Andante Quarter rests

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149582 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 11 pages. RayThompsonMusic #749729. Published by RayThompsonMusic (A0.1149582). Arranged wind quintet Horn in Bb basso (alt hn in F) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.5 Allegro assai.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149073 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 10 pages. RayThompsonMusic #749198. Published by RayThompsonMusic (A0.1149073). Arranged wind quintet. Horn in G/Clarinet in A (Alt parts for Hn in F/Clt in Bb) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.3 Allegretto.

Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694).     British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century.    While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes.    Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments.     This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1150248 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 9 pages. RayThompsonMusic #750424. Published by RayThompsonMusic (A0.1150248). Arranged wind quintet The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.6 Vivace My mp3 tempo dotted crotchet = 56, which is still vivace enough, and the semi quaver runs are still playable by the woodwind!

Piano - Level 2 - Digital Download SKU: A0.1296175 By Andrea Bocelli. By Giuseppe Servillo and Giuseppe Vessicchio. Arranged by Piano. 20th Century,Wedding. Score (Chords/Lyrics). 2 pages. Sérgio Matias da Cunha #886420. Published by Sérgio Matias da Cunha (A0.1296175). Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, células rítmicas envolvendo quartos de tempo,  linhas de oitava, sinais de intensidade, sinais de expressão e mudança de tonalidade, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1457421 Composed by Domenico Gallo/Giovanni Pergolesi. Arranged by Ray Thpmpson. Baroque. 8 pages. RayThompsonMusic #1036444. Published by RayThompsonMusic (A0.1457421). Arranged wind quintetThe original baroque music used by Igor Stravinsky for his ballet Pulcinella was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.However Most of the original music is by Domenico Gallo (including the Finale of the suite), one or two are by Giovanni Pergolesi (including the Menuetto)The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. This is the original music he used as the basis of the Minuetto/Finale.But even though Stravinsky used Gallo's and Pergolesi's melodies and bass lines with little change in the earler movements of the Suite he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications. However in the Menuetto and Finale he changes things considerably, with more dischordant harmonies and rhythm changes.My arrangement is of the the original two pieces:My arrangement  uses Gallo's/Pergolesi's classical/baroque harmonies.Check out my other arrangements of other music used by Stravinsky in his Pulcinella Suite.