Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.591397 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293683. Published by David McKeown (A0.591397). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.591396 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6293681. Published by David McKeown (A0.591396). The Easter Bonnet Bop is a fun and original duet written by David McKeown for two Trombones. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.591392 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293673. Published by David McKeown (A0.591392). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Soprano and one Alto Saxophone. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.591377 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. 2 scores. 3 pages. David McKeown #6293641. Published by David McKeown (A0.591377). The Easter Bonnet Bop is a fun and original duet written by David McKeown for two Clarinets. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1203502 By Average White Band. By Alan Gorrie, James Hamish Stuart, Malcolm Duncan, Owen McIntyre, Robbie McIntosh, and Roger Ball. Arranged by P. R. Frederick. Funk,Pop. Saxophone Duet. 4 pages. P. R. Frederick #802137. Published by P. R. Frederick (A0.1203502). Pick Up the Pieces is a catchy funk tune that was recorded by the Scottish band, Average White Band, back in 1974. The song is known for its iconic saxophone riff and has been featured in numerous movies, TV shows, and commercials over the years. It's a true classic that continues to keep people on the dance floor! And now it is arranged for two like saxophones (Alto & Alto or Tenor & Tenor) so you can enjoy playing it at your next performance! A score and separate parts are provided.

Percussion Ensemble - Level 3 - Digital Download SKU: A0.991820 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Bradley R Meholick. Dance,Pop. Score and parts. 43 pages. Bradley R Meholick #3449965. Published by Bradley R Meholick (A0.991820). Have some fun with your percussion ensemble with this 2016 Justin Timberlake from the Dreamcast motion picture TROLLS.  This arrangement is perfect for percussion ensembles at either the middle or secondary level as it's varied level parts makes this showy sounding arrangement very accessible to groups with students at different performance levels.  An advancing mallet player can enjoy learning a familiar song while working their 4 mallet technique while those newer to the mallets can work with a part that stays on the popular melody.  

Piano Solo - Level 4 - Digital Download SKU: A0.912491 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 4 pages. Thomas R. Schadl #3569713. Published by Thomas R. Schadl (A0.912491). Passacaglia On EGD For Piano follows the dance style that exists in a triple time. The feature in the theme consists of notes that start in a forward direction, followed by its retrograde direction.  Here is how the theme is organized. The first four bars contains EGDC#EBF#A. The notes of the next four bars are arranged this way: AF#BEC#DGE.To perform this work, one may apply the damper pedal for each note of the theme from bars 1-8. Apply the damper pedal for each quarter-note beat from bars 9 to 48. From measures 49-72, the pedal may not be used to allow clarity of the theme; however, the pedal may be used from bars 73 to the end of the piece.Structure of the six-note row:E     G D    D# G#  FC#   E B     C F   D F#   A E      F A# GF    G# D#    E A   F#C    D# A#    B E   C#D#  F# C#    D G  E E to E diagonal row                                         F to D# diagonal rowX0     E                                                      Y0 FX1     C# G                                                   Y1 G# DX2     F# E D                                                  Y2 D# F GX3     F A B  D#                                    Y3 D C A# F#X4     C G# E  C G#                                 Y4 G B F A C#X5     D# D# D#  F F F                            Y5 E E E E E EX6     F# A# E A# D                                       Y6 C# A D# B GX7    C# B A  G                                       Y7 F# G# A# DX8    D E F#                                                   Y8 F# D# C#X9    G C#                                                      Y9 C F#X10  E                                                          Y10 D#The purpose of writing this piece, based on EGD, is to show how a simple motive is expanded by applying various compositional techniques.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1032612 By The Clash. By Joe Strummer, Mick Jones, and Topper Headon. Arranged by Hector R. Barrionuevo. Punk,Rock. 37 pages. Hector R. Barrionuevo #5750157. Published by Hector R. Barrionuevo (A0.1032612). Highly energetic, driving, dance song hit by the British rock band The Clash, from their 1982 album, Combat Rock. A chart-topping (Billboard Top 100) anthem that demands attention and provides irrepressible joy to performers and audiences alike. The original video of the song was shot in Austin, Texas.The song structure remains, of course, the same throughout the arrangement. Both, clarinet and horn, participate in carrying Joe Strummer's unique, repetitive tune; the horn also has a prominent part in the chorus sections and often provides an insidious counter-melody. The bassoon plays the driving bass part. The flute and oboe mirror the guitar parts through accented, staccato harmony, throughout; at times, their flurries also evoke the guitar licks and sound effects.The arrangement is appropriate to play in concerts at schools, conservatories, community centers, and museums by Intermediate-to-Advanced ensembles. The duration of the arrangement is about 3:45.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1144882 Composed by Mark R Lewis. A Cappella,Religious,Sacred. Octavo. 12 pages. Mark R Lewis #745197. Published by Mark R Lewis (A0.1144882). I Will Sing and Praise the Lord is an original piece by Mark Lewis. Written for a cappella choir, the lyrics are adapted from Psalm 61 and the tune is entirely original. It begins with a fanfare asking God to listen and moves into a dance-like prayer for God's blessing with the chorus repeating a simple statement of praise to God. This piece is quite achievable by most groups. The tenor 1 and basses do spend a fair bit of time towards the extreme of their ranges. There is only one (optional) note that can only be reached by a true bass and the tenor 1s do go up to a G4 but most singers will have little difficulty performing it.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1193731 By Avant Featuring Ketara Wyatt. By Angela Winbush and Rene Moore. Arranged by Sarah Cellobat Chaffee. Contemporary,Hip-Hop,Pop,R & B,Wedding. 17 pages. Sarah Cellobat Chaffee #793204. Published by Sarah Cellobat Chaffee (A0.1193731). Originally recorded by R&B duo Rene and Angela in 1983, My First Love was later re-recorded to great acclaim in 2000 by Avant and Keke Wyatt. This smooth, refined, and beautifully performed recording ended up reaching the top 5 on the R&B charts, and it still remains one of the most popular songs in the New Jack Swing genre to this day! Originally written for a wedding ceremony, this Cellobat arrangement for your string quartet brings together the lush jazz harmonies, soaring vocalizations, and most of all, the romantic laid-back vibe of the original for a chart that your audience will want to slow-dance to. Rated advanced-intermediate; there are some tricky rhythms and a handful of high notes to look at, but this will be sightreadable for professionals and learnable for students.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Organ - Level 3 - Digital Download SKU: A0.912449 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Sacred,Standards. Score. 5 pages. Thomas R. Schadl #2025049. Published by Thomas R. Schadl (A0.912449). Originally written as the last movement of the Baroque suite, the Gigue is a lively dance piece that appears in many forms in many composers' repertoire. Written in a 6/8 time, Gigue In E Major depicts a joyful spirit. This work is suitable for concert use as well as joyous occasions like Easter and other celebrations.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1144881 Composed by Mark R Lewis. A Cappella,Religious,Sacred. Octavo. 12 pages. Mark R Lewis #745196. Published by Mark R Lewis (A0.1144881). I Will Sing and Praise the Lord is an original piece by Mark Lewis. Written for a cappella choir, the lyrics are adapted from Psalm 61 and the tune is entirely original. It begins with a fanfare asking God to listen and moves into a dance-like prayer for God's blessing with the chorus repeating a simple statement of praise to God. This piece is quite achievable by most groups. The sopranos and basses do spend a fair bit of time towards the extreme of their ranges but there is only one (optional) note that can only be reached by a true bass so most singers will have little difficulty performing it.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1248051 Composed by Sir Arthur Seymour Sullivan. Arranged by Ted R. Marcus. 19th Century,Chamber,Romantic Period,Wedding. 31 pages. Ted R. Marcus #842615. Published by Ted R. Marcus (A0.1248051). Day Dreams is a collection of six solo piano miniatures the young Arthur Sullivan published in 1867. The pieces amply demonstrate a natural melodic gift that would reach full fruition in the enduring comic operas Sullivan wrote with W.S. Gilbert. This is a contrasting pair of Daydreams, numbers 2 and 6, arranged for woodwind quintet. The first Daydream, Robert and Clara, is an expressive cantabile aria that evokes the music of Robert Schumann. The oboe, clarinet, and horn sing the complete melody, but everyone gets at least a fragment of it. (This selection is great for weddings and church services as well as for the concert hall.) The second, À l'Hongroise, is the flashy finale of the Day Dreams collection. It's a spirited Hungarian-inspired dance with a chromatic melody in shifting tonality, with harmonic turns audacious enough to thrill even 21st century listeners, culminating in a wide-ranging arpeggio passage for the four woodwinds. Both selections are transposed up half a step from the original keys of D major and f-sharp minor. Arranged for advanced players, the two selections make a great concert opener, closer, or encore. Duration: 6:12Please visit my Web site to explore more classics for adventurous woodwind quintets.

String Orchestra - Level 3 - Digital Download SKU: A0.800995 Composed by Justin Hurwitz. Arranged by Douglas R. Morrison. Contemporary. Score and parts. 17 pages. Douglas R. Morrison #4799033. Published by Douglas R. Morrison (A0.800995). A Rivendell String Orchestra Arrangement.  The haunting love theme of Mia and Sebastian is the musical thread that ties everything together in the film musical La La Land.  This lush arrangement for string orchestra also features the very symphonic material from the Planetarium scene (Griffith Observatory), played as Mia and Sebastian dance in the stars.  This arrangement is sure to become a favorite with players and listeners alike!

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1500187 By Jennifer Hudson. By Henry Krieger and Tom Eyen. Arranged by John Ivor Holland. 20th Century,Broadway,Musical/Show,Pop,R & B,Standards. 31 pages. John Ivor Holland #1076264. Published by John Ivor Holland (A0.1500187). And I Am Telling You I'm Not Going is from the Broadway musical 'Dreamgirls', with lyrics by Tom Eyen and music by Henry Krieger. In the musical, it is sung by the character Effie White, a singer with the girl group The Dreams, to her manager, Curtis Taylor Jr., whose romantic and professional relationship with Effie is ending. In addition to its presence in the musical, And I Am Telling You I'm Not Going is also notable as the debut single of two women who portrayed Effie; Jennifer Holliday originated the role on Broadway in 1981 and won a Tony Award for Best Actress in a Musical for the role as well as the Grammy for Best Female R&B Vocal Performance; Jennifer Hudson portrayed Effie in the 2006 film adaptation of the musical, winning the Academy Award for Best Supporting Actress and her version became a Top 20 R&B single and a number-one dance hit.