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Concert Band - Level 5 - Digital Download SKU: A0.901318 Composed by Daniel Edwards. Concert,Contemporary. Score and Parts. 52 pages. Arr. Dan Edwards #4641535. Published by arr. Dan Edwards (A0.901318). An overture for concert band inspired by Robert Louis Stevenson's timeless adventure story, Treasure Island. Duration: 2 minutes 50 seconds.Instrumentation: Piccolo, Flute 1 & 2, Oboe 1 & 2, Bassoon 1 & 2, Clarinet in Eâ™­, Clarinet in Bâ™­1, 2 & 3, Bass clarinet, Contrabassoon, Alto saxophone, Tenor saxophone 1 & 2, Baritone saxophone, Trumpet in Bâ™­1 & 2, Horn 1, 2, 3 & 4, Trombone 1, 2 & 3, Bass trombone, Tuba, Double bass, Timpani, Percussion 1 (Bell tree, Glockenspiel), Percussion 2 (Suspended cymbal, triangle), and Percussion 3 (Tambourine, Gong).Includes a full score and complete set of parts.
Treasure Island Overture - original composition for Concert Band by Daniel Edwards
Orchestre d'harmonie

$9.99 8.5 € Orchestre d'harmonie PDF SheetMusicPlus

Piano/vocal - Digital Download SKU: S8.AC0300-1000394 Composed by Howard Patrick. Music from or about Utah. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 8.43: Geography - Utah, Box 41, Folder A, Archives Center, National Museum of American History, Smithsonian Institution. 5 pages. Published by Smithsonian Institution (S8.AC0300-1000394). Sheet music published in 1917 by Daniels & Wilson Music Pub. About Sheet Music from the Smithsonian CollectionThe Smithsonian Collection: These official, high-quality facsimiles have been hand-picked from the Sam DeVincent Collection of Illustrated American Sheet Music in the Archives Center of the Smithsonian Institution and are available exclusively through Sheet Music Plus.The Smithsonian name and logo are registered trademarks of the Smithsonian Institution.
If You Saw What I Saw You'd Go to Utah
Piano, Voix

$5.99 5.1 € Piano, Voix PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.   
Partita II (BWV1004) in d minor transcribed for guitar
Guitare

$8.00 6.81 € Guitare PDF SheetMusicPlus


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