EUROPE
604 articles
USA
1437 articles
DIGITAL
2500 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
2500 partitions trouvées


C Instrument - Level 3 - Digital Download

SKU: A0.1291974

By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by Popnroll.76. 20th Century,Children,Christmas,Pop. Lead Sheet / Fake Book. 4 pages. Popnroll 1976 #882593. Published by Popnroll 1976 (A0.1291974).

Let It Snow, Let It Snow, Let It Snow - Carnie & Wendy Wilson (Lead Sheet for vocals & harmonica solo with piano intro)

Lead Sheet with vocal harmonies for Let It Snow, Let It Snow, Let It Snow from the fun Christmas album Hey Santa! by Carnie & Wendy, sisters daughters of Brian Wilson of the Beach Boys, released in 1993. ( Piano intro included )

PDF format, 4 pages.
Lyrics: Sammy Cahn / Music by Jule Styne 
Sung by Carnie & Wendy Wilson.

Let It Snow! Let It Snow! Let It Snow!
Instruments en Do
Jessica Simpson
$4.99 4.7 € Instruments en Do PDF SheetMusicPlus

Clarinet Duet Clarinet - Level 3 - Digital Download

SKU: A0.700360

Composed by Various. Arranged by Kenneth D. Friedrich. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 2 scores. 20 pages. KFS Publishing #4744643. Published by KFS Publishing (A0.700360).

Volume seven of ten in a large collection of arranged hymns, spirituals, and spiritual songs for clarinet and bass clarinet duet. Difficulty level: 2+ to 4

List: O Lord, Hear My Prayer, O Love, How Deep, O Master, Let Me Walk With Thee, O Perfect Love, O Sons and Daughters, Let Us Sing, O Worship the King, O, How I Love Jesus, Of the Father's Love Begotten, Old Rugged Cross, and  Onward, Christian Soldiers

Ten Selected Hymns for the Performing Duet, Vol. 7 - clarinet and bass clarinet
2 Clarinettes (duo)

$17.95 16.91 € 2 Clarinettes (duo) PDF SheetMusicPlus

2 (2:picc.) · 1 · c.a. · 2 (2: b.cl.) · 2 (2: cbsn.) - 2 · 0 · 0 · 0 - perc. (timp., b.d., tam-tam, sus. cym., vibra., glock., tub. bells, marimba) (2 players) - hp - str. (6 · 6 · 4 · 4 · 2 minimum) cello and orchestra - Digital Download

SKU: S9.Q3688

Farewell to philosophy. Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 35 minutes. Schott Music - Digital #Q3688. Published by Schott Music - Digital (S9.Q3688).

I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars.

Cello Concerto
Violoncelle, Orchestre

$30.99 29.19 € Violoncelle, Orchestre PDF SheetMusicPlus

2 voices and piano - intermediate - Digital Download

SKU: S9.Q47807

Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807).

German.

When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.

Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.

Hänsel und Gretel
Voix duo, Piano
the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles
$23.99 22.6 € Voix duo, Piano PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download

SKU: A0.700476

Composed by Various. Arranged by Kenneth D. Friedrich. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 20 pages. KFS Publishing #4758409. Published by KFS Publishing (A0.700476).

Volume seven of ten in a large collection of arranged hymns, spirituals, and spiritual songs for violin and cello duet. Difficulty level: 2+ to 4

List: O Lord, Hear My Prayer, O Love, How Deep, O Master, Let Me Walk With Thee, O Perfect Love, O Sons and Daughters, Let Us Sing, O Worship the King, O, How I Love Jesus, Of the Father's Love Begotten, Old Rugged Cross, and  Onward, Christian Soldiers

Ten Selected Hymns for the Performing Duet, Vol. 7 - violin and cello
Violon, Violoncelle (duo)

$17.95 16.91 € Violon, Violoncelle (duo) PDF SheetMusicPlus




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale