Easy Piano - Level 2 - Digital Download SKU: A0.1502917 By David Fenn. By David Fenn. Arranged by Rosemary Abetz-Rouse. 21st Century,Video Game. Score. 2 pages. Rosemary Abetz-Rouse #1078587. Published by Rosemary Abetz-Rouse (A0.1502917). This piece comes from the 2021 action-adventure game Death's Door.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1350419 By David Warin Solomons. By David Warin Solomons. Contemporary. Score. 8 pages. David Warin Solomons #935216. Published by David Warin Solomons (A0.1350419). Three altos performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. The sound sample is a performance by the composer - multitracking.It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd    Thrice and once the hedgepig whin'd    Harper cries: 'Tis time, 'tis time.    Round about the cauldron go;    In the poison'd entrails throw.    Toad, that under cold stone    Days and nights hast thirty one    Swelter'd venom sleeping got,    Boil thou first i' the charmed pot.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Fillet of a fenny snake,    In the cauldron boil and bake;    Eye of newt, and toe of frog,    Wool of bat, and tongue of dog,    Adder's fork, and blind-worm's sting,    Lizard's leg, and howlet's wing,    For a charm of powerful trouble,    Like a hellbroth boil and bubble.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Scale of dragon, tooth of wolf,    Witch's mummy, maw and gulf    Of the ravin'd saltsea shark,    Root of hemlock digg'd i' the dark    Liver of blasphemer too,    Gall of goat, and slips of yew    Sliver'd in the moon's eclipse,    Nose of Turk, and Tartar's lips,    Finger of birth-strangled babe    Ditch-deliver'd by a drab,    Make the gruel thick and slab:    Add thereto a tiger's chaudron,    For the ingredients of our cauldron.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Cool it with a baboon's blood,    Then the charm is firm and good.The pdf contains score and separate guitar part.

Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1350418 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 175. David Warin Solomons #935215. Published by David Warin Solomons (A0.1350418). Three witch-like altos performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. The sound sample is a performance by the composer - multitracking.It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd    Thrice and once the hedgepig whin'd    Harper cries: 'Tis time, 'tis time.    Round about the cauldron go;    In the poison'd entrails throw.    Toad, that under cold stone    Days and nights hast thirty one    Swelter'd venom sleeping got,    Boil thou first i' the charmed pot.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Fillet of a fenny snake,    In the cauldron boil and bake;    Eye of newt, and toe of frog,    Wool of bat, and tongue of dog,    Adder's fork, and blind-worm's sting,    Lizard's leg, and howlet's wing,    For a charm of powerful trouble,    Like a hellbroth boil and bubble.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Scale of dragon, tooth of wolf,    Witch's mummy, maw and gulf    Of the ravin'd saltsea shark,    Root of hemlock digg'd i' the dark    Liver of blasphemer too,    Gall of goat, and slips of yew    Sliver'd in the moon's eclipse,    Nose of Turk, and Tartar's lips,    Finger of birth-strangled babe    Ditch-deliver'd by a drab,    Make the gruel thick and slab:    Add thereto a tiger's chaudron,    For the ingredients of our cauldron.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Cool it with a baboon's blood,    Then the charm is firm and good.

Clarinet,Guitar - Level 3 - Digital Download SKU: A0.1350421 Composed by David Warin Solomons. Contemporary. 13 pages. David Warin Solomons #935218. Published by David Warin Solomons (A0.1350421). Three clarinets performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd    Thrice and once the hedgepig whin'd    Harper cries: 'Tis time, 'tis time.    Round about the cauldron go;    In the poison'd entrails throw.    Toad, that under cold stone    Days and nights hast thirty one    Swelter'd venom sleeping got,    Boil thou first i' the charmed pot.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Fillet of a fenny snake,    In the cauldron boil and bake;    Eye of newt, and toe of frog,    Wool of bat, and tongue of dog,    Adder's fork, and blind-worm's sting,    Lizard's leg, and howlet's wing,    For a charm of powerful trouble,    Like a hellbroth boil and bubble.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Scale of dragon, tooth of wolf,    Witch's mummy, maw and gulf    Of the ravin'd saltsea shark,    Root of hemlock digg'd i' the dark    Liver of blasphemer too,    Gall of goat, and slips of yew    Sliver'd in the moon's eclipse,    Nose of Turk, and Tartar's lips,    Finger of birth-strangled babe    Ditch-deliver'd by a drab,    Make the gruel thick and slab:    Add thereto a tiger's chaudron,    For the ingredients of our cauldron.    Double, double toil and trouble;    Fire burn and cauldron bubble.    Cool it with a baboon's blood,    Then the charm is firm and good.The pdf file contains score and parts.

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792222 Composed by Heinrich Schutz. Arranged by Fetter, David. Baroque,Classical,Renaissance. Score and parts. 40 pages. Gordon Cherry #4728855. Published by Gordon Cherry (A0.792222). Psalm 1 by Heinrich Schütz (1585-1672), is taken from his collection of choral settings of several of the biblical Psalms of David, in which Schütz continued the polychoral tradition he had absorbed in Venice as a student of Giovanni Gabrieli.   Schütz indicated in his preface to the Psalms, published in 1619, that due to limits on performance during the Thirty Years War, alternate instruments or voices could be employed as available.  As Psalm 1 was composed for two choirs of voices, it might be an attractive option to double the parts in this version for brass.  Also, the choirs might be placed some distance apart.  The original version of Psalm I is for two four-part choirs, one of mixed voices and one of tenors and basses.  (The original also calls for continuo accompaniment, but, as in similar works of Gabrieli, the choral parts sound complete in themselves.) Composer/arranger David Fetter (b. 1938) is a Trombone faculty member at the Peabody Conservatory of the Johns Hopkins University in Baltimore, Maryland.  Also a conductor, his works are performed in concert, at festivals, and in educational settings in the U.S. and Europe and they have been recorded by leading soloists. Mr. Fetter is a former member of the Cleveland Orchestra, the Baltimore Symphony Orchestra, the Radio/Telefis Symphony Orchestra of Ireland, the U.S. Army Band, and other ensembles, where he performed for conductors who included George Szell, Leonard Bernstein, Seiji Ozawa, James Levine, Sergiu Comissiona, and David Zinman.  At the Eastman School of Music he was a trombone student of Emory Remington and a member of the Eastman Wind Ensemble under Frederick Fennell.  He holds a Master’s in Musicology from The American University.  See www.peabody.jhu.edu/David Fetter.