Guitar TAB - Digital Download SKU: AX.00-PS-0001605 By Days Of The New. By Travis Meeks. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0001605. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0001605).

Jazz Combo - Level 4 - Digital Download SKU: A0.1201511 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 29 pages. Christopher Burnett #800132. Published by Christopher Burnett (A0.1201511). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY� (Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS� (Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE� (It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY� (Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER� (Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS� (Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.

Piano Solo - Level 3 - Digital Download SKU: A0.1345130 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #930064. Published by Phyllis Love (A0.1345130). We'll Be Together Again for intermediate pianoThis 1945 ballad was written by Carl Fisher and Frankie Lane. Here we have a sentimental treatment of a 40's ballad with a nice bass line accompanying the melody, as well as rich chords.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1496482 Composed by Tiffany Prochera. Arranged by Tiffany Prochera. Children,Christmas,Holiday. Score. 79 pages. Swimming Tigress Music #1073003. Published by Swimming Tigress Music (A0.1496482). I Don't Like Winter and Other Songs to Celebrate the Winter Season is a collection of 11 songs for young singers filled with tunes about all aspects of the winter season - from skating alone on the pond in the backyard, picking out presents for siblings,  spending time with the family, embracing the cold, wanting to escape the cold, going to visit Santa for the first time, and being so enthusiastic to celebrate all of the special days that happen at this time of year!This collection was inspired by a voice teacher friend of mine - serendipitously also named Tiffany  :-) -  who was looking for songs about the season that were non-traditional and relatable to a wider range of singers. It's my pleasure to offer up some options!I had so much fun writing these songs and I hope students, teachers, and audiences alike enjoy them just as much! May you laugh as you state your case to go on a winter vacation.  May you cry at the idea of wearing a special hat made with a grandmother's love. May you be left  breathless with joy as you glide on a frozen pond with no one else around.  In addition to all of these brand-spankin' new tunes, I also included the previously-released  Everyone's a Kid at Christmas because, well, it's a hoot!These are crowd pleasers perfect for holiday recitals, and some can be performed in a group as well as solos.A note for teachers: These songs do have varying ranges. I, for the most part, notated them as I conceived of them. But I did my best to provide alternate pitches in case the melody goes a little high or a little low. So, I invite to you peruse a song in it's entirety and see where there may be options even if the designated range may seem a little wide. It is my intention to make these songs as accessible to as many singers as possible.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Piano Solo - Level 3 - Digital Download SKU: A0.1345101 By The Oscar Peterson Trio. By Oscar Hammerstein and Richard Rodgers. Arranged by Phyllis Love. Broadway,Jazz,Musical/Show,Standards. Score. 4 pages. Phyllis Love #930037. Published by Phyllis Love (A0.1345101). Surrey With The Fringe On Top from Oklahoma! for intermediate pianoThis classic Broadway show tune is written in 6/8 time and has a lot of movement. The bridge is played in 4/4 time, and is reminiscent of an old time piano piece.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.

Piano Solo - Level 2 - Digital Download SKU: A0.1345127 Composed by Harry Warren and Johnny Mercer. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 3 pages. Phyllis Love #930061. Published by Phyllis Love (A0.1345127). On the Atchison, Topeka and the Santa Fe from The Harvey GirlsThis delightful arrangement starts off with a rhythm that evokes a train. It's harmonically interesting, with an introduction that sets in motion an exciting beat and sets up the melody nicely.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.

Piano Solo - Level 3 - Digital Download SKU: A0.1345121 Composed by Arthur Schwartz and Howard Dietz. Arranged by Phyllis Love. Broadway,Jazz,Musical/Show,Standards. Score. 3 pages. Phyllis Love #930056. Published by Phyllis Love (A0.1345121). You and the Night and the Music from Revenge With MusicA 1934 romantic Broadway show tune that became a standard in the American Songbook. It's played here with a contrapuntal treatment and Latin flavor, while the bridge has a completely different feel with arpeggiated chords.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.

Piano Solo - Level 3 - Digital Download SKU: A0.1345082 By Various. By Jerome Kern and Oscar Hammerstein. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 2 pages. Phyllis Love #930017. Published by Phyllis Love (A0.1345082). The Last Time I Saw Paris for intermediate pianoThis 1940s lovely ballad has been overlooked. This version offers a rich harmonic arrangement, where the intensity builds as the tune progresses.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.

Solo Solo instrument (Flute, French Horn, Other) - Digital Download SKU: H1.C5206PDP Composed by Lloyd Larson. Piano with Optional Flute, Oboe, French Horn & Cello. Vocal Solo Sheet Music Series. Lent, Holy Week, Good Friday, Atonement, Blood, Cross of Christ, Gratefulness, Lamb of God, Life of Christ, Redemption, Sacrifice. Instrumental Parts. 5 pages. Hope Publishing - Digital #C5206PDP. Published by Hope Publishing - Digital (H1.C5206PDP). Christopher Idle. Matthew 26:36 - Matthew 26:37 - Matthew 26:38 - Matthew 26:39 - Matthew 26:40 - Matthew 26:41 - Matthew 26:42 - Matthew 26:43 - Matthew 26:44 - Matthew 26:45 - Matthew 26:46 - Matthew 26:47 - Matthew 26:48 - Matthew 26:49 - Matthew 2.Original Anthem Especially meaningful during the days of Holy Week, this Christopher Idle text relates to our Lord praying in the garden of Gethsemane, and weaves around the 'tree' theme found in many Scriptures about the cross. Lloyd Larson's original accompaniment for piano, plus the optional flute, oboe, French horn and cello perfectly capture the somber mood. This top-seller is now available in SATB, SAB, Two-Part Mixed voicings and a new Medium Voice Solo. The SATB version appears in Lloyd's blockbuster Lenten musical, The Shadow of the Cross, newly re-voiced for SAB choirs.

Choral, Solo (Flute, French Horn, Other) - Digital Download SKU: H1.C5382DP Composed by Lloyd Larson. Piano with Optional Flute, Oboe, French Horn & Cello. Vocal Solo Sheet Music Series. Lent, Holy Week, Good Friday, Atonement, Blood, Cross of Christ, Gratefulness, Lamb of God, Life of Christ, Redemption, Sacrifice. Octavo. 8 pages. Hope Publishing - Digital #C5382DP. Published by Hope Publishing - Digital (H1.C5382DP). Christopher Idle. Matthew 26:36 - Matthew 26:37 - Matthew 26:38 - Matthew 26:39 - Matthew 26:40 - Matthew 26:41 - Matthew 26:42 - Matthew 26:43 - Matthew 26:44 - Matthew 26:45 - Matthew 26:46 - Matthew 26:47 - Matthew 26:48 - Matthew 26:49 - Matthew 2.Original Anthem Especially meaningful during the days of Holy Week, this Christopher Idle text relates to our Lord praying in the garden of Gethsemane, and weaves around the 'tree' theme found in many Scriptures about the cross. Lloyd Larson's original accompaniment for piano, plus the optional flute, oboe, French horn and cello perfectly capture the somber mood. This top-seller is now available in SATB, SAB, Two-Part Mixed voicings and a new Medium Voice Solo. The SATB version appears in Lloyd's blockbuster Lenten musical, The Shadow of the Cross, newly re-voiced for SAB choirs.

Choral, Solo (Flute, French Horn, Other) - Digital Download SKU: H1.C5743DP Composed by Lloyd Larson. Piano with Optional Flute, Oboe, French Horn & Cello. Vocal Solo Sheet Music Series. Lent, Holy Week, Good Friday, Atonement, Blood, Cross of Christ, Gratefulness, Lamb of God, Life of Christ, Redemption, Sacrifice. Octavo. 8 pages. Hope Publishing - Digital #C5743DP. Published by Hope Publishing - Digital (H1.C5743DP). Christopher Idle. Matthew 26:36 - Matthew 26:37 - Matthew 26:38 - Matthew 26:39 - Matthew 26:40 - Matthew 26:41 - Matthew 26:42 - Matthew 26:43 - Matthew 26:44 - Matthew 26:45 - Matthew 26:46 - Matthew 26:47 - Matthew 26:48 - Matthew 26:49 - Matthew 2.Original Anthem Especially meaningful during the days of Holy Week, this Christopher Idle text relates to our Lord praying in the garden of Gethsemane, and weaves around the 'tree' theme found in many Scriptures about the cross. Lloyd Larson's original accompaniment for piano, plus the optional flute, oboe, French horn and cello perfectly capture the somber mood. This top-seller is now available in SATB, SAB, Two-Part Mixed voicings and a new Medium Voice Solo. The SATB version appears in Lloyd's blockbuster Lenten musical, The Shadow of the Cross, newly re-voiced for SAB choirs.