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SKU: A0.1471488

Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Halloween,Thriller. 30 pages. Robert A. Howard #1049261. Published by Robert A. Howard (A0.1471488).

This work aims to depict a common theme of certain pieces by some classical composers: that of deathly or devilish dances, and the like. This piece is an extended single movement structure for a mixed chamber ensemble that is an octet of oboe, 2 clarinets, bassoon, piano, viola, cello, and double bass. The form is divided into a series of contrasting dances (labelled as Dance, Folk Lament, Jig, Meditation, and Funeral March), all of which are interspersed with differing statements of an ostinato-based 'chorale' idea on the piano. The whole work is framed by an 'intrada', which builds the germinal motif on which the whole piece is based, characterised by semitones and fourths. Indeed, the 'devil's interval' of the augmented fourth has a particular function and significance. The piece actually ends with an 'epilogue', which features mysterious and ghostly reminiscences of the previous main sections. 
The title of this work also refers to the episode 'Dance of the Dead' from the 1960s cult TV series 'The Prisoner'. In part, the piece attempts to capture the mystery and atmosphere of the series, and of that specific episode. Indeed, the music's series of related but contrasting sections act almost as an original sequence of dramatic TV incidental music cues. The work is accessible to both performers and audience alike. The attached document is the full score only, with audio provided.
Duration: 11 minutes 40 minutes.
Registered with PRS (Performing Rights Society, UK).
Composer's website: www.roberthowardmusic.co.uk

Dances of the Dead - Score Only
$8.99 8.34 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.1112901

By Liberace. By Camille Saint-Saens. Arranged by Timothy Stapay. Broadway,Classical,Film/TV,Halloween,Musical/Show,Pop. Score. 12 pages. Timothy Stapay #714856. Published by Timothy Stapay (A0.1112901).

Dance Of The Skeletons as performed by piano artist Liberace; from his classic fifties t.v. show.The song is based upon Dance Macabre op. 40 by Camille Saint-Saens. Want to learn to play like Liberace? Now you can learn to play this fun and exciting Halloween song; in the same fantastic style as the legendary showman, Liberace

According to the ancient superstition, Death appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle . The skeletons dance for him until the first break of dawn, when they must return to their graves until the next year!

Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

Dance Of The Skeletons Piano seul
Liberace
$8.99 8.34 € Piano seul PDF SheetMusicPlus

Choral Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.730418

Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418).

The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it!
 
Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale.
 
Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening.
 
The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says
that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.

As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her.

When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.

Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.

They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.

YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70
Composer website:  http://lacoronadelossantos.net/jamesnathanielholland.html

Two part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.

The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
$19.95 18.5 € PDF SheetMusicPlus

String Quartet String Quartet - Level 2 - Digital Download

SKU: A0.1323031

Composed by Trad and Alan Edgar. Early Music,Folk,Religious,Traditional. 30 pages. Alan Edgar Ted Moon #911306. Published by Alan Edgar Ted Moon (A0.1323031).

GREEK LIFE RONDO String 4tet Based on ancient tunes about Greek life.
The lively Food Market song (I'll buy you a rooster) forms the refrain.
Paraponiariko moy (Don't be unhappy, little one) is a short melody I found, with a scale I cannot name but very sad.
Kariotikos from Ikaria is a slow or accelerating dance with some singing, often seen at weddings, in a flexible mode (partly phrygian).
I entered the vineyard (Pour love over me) is related to Solomon's Song. I could only find about 6 bars of this melody: the rest is mine. Aeolian mode.
Lullaby: this lovely melody uses the Hitzaz scale, which is common in Greek regions and found in Africa, North America and Spain.
Hymn for Matins: this is the oldest Greek Orthodox chant I can find. It is from the 13th C Sticherarion and printed in modern notation in JISOCM Vol 4 (2), p357. Nowadays, chanting there is often a solo, often by a woman, but I believe parallel organum was heard in Greece from the 16th C. Modern services include 4- part hymns. I present all three styles.
Song of the Dead Brothers is a complex 9th C Byzantine mourning poem which has since been set to music many times. (The nine brothers died.) I found this phrygian setting from Karystos.

GREEK LIFE RONDO for String Quartet Quatuor à cordes: 2 violons, alto, violoncelle

$25.00 23.18 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download

SKU: A0.1013054

Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054).

Sharktooth Frenzy (2014, 4')
solo pianist with snare drum and bass drum.
For Danny Holt. Composed at The Hermitage Artist Retreat.

I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!

About the Composer

Christine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes.  Website: www.kotekan.com
Sharktooth Frenzy
$5.00 4.64 € PDF SheetMusicPlus

Piano,Soprano Flute - Level 4 - Digital Download

SKU: A0.1394363

Composed by Camille Saint-Saens. Arranged by Helene Schulthess. 19th Century,Chamber,Children,Classical,Halloween. Score and part. 11 pages. Helene Schulthess #977844. Published by Helene Schulthess (A0.1394363).

Open configuration options
Danse macabre (op. 40) is a symphonic poem for orchestra. However, the first version was a song with piano accompaniment. Saint-Saëns himself later made two versions for violin and piano and for two pianos. Further transcriptions were added by other composers, e.g. for solo piano and organ etc. Giuseppe Gariboldi wrote a Fantaisie-Transcription for the flute.

The composition is based on the poem by Henri Cazalis. In the 19th century, piano songs with dance of death stories had a special significance. (e.g. F. Schubert: The Death and the Maiden)

According to legend, Death appears at midnight every year on Halloween. He calls forth the dead from their graves to dance for him. The skeletons dance for him until the cockerel crows at dawn, then they must return to their graves until the next year.

Camille Saint-Saëns / Giuseppe Garibaldi – Danse macabre Fantaisie transcription Flûte traversière et Piano

$18.00 16.69 € Flûte traversière et Piano PDF SheetMusicPlus

Mixed choir (SSSAAATTTBBB) - difficult - Digital Download

SKU: S9.Q19671

For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671).

English.

Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.

Sea Songs
$12.99 12.04 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.869677

Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677).

Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.

Symphony No. 5 ... Utopia Parkway is in five movements.

I. Allegro marcato 3708 Utopia Parkway, Flushing, NY
II. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941
III. Avian scherzo Habitat Group for a Shooting Gallery, 1943
IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian Scientist

Joseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.

The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.

Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.

Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.

Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.


Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003

Symphony No. 5 ... Utopia Parkway (2003) full score Orchestre

$9.99 9.26 € Orchestre PDF SheetMusicPlus

Percussion Ensemble Bass Marimba,Bell (or Triangle),Boomwhackers,Claves,Glockenspiel,Snare Drum,Tom Tom,Woodblock,Xylophone - Level 4 - Digital Download

SKU: A0.1427368

By JC Cro. By JC Croyle. Classical,Contemporary,Contest,Festival. 350 pages. JC Croyle #1008094. Published by JC Croyle (A0.1427368).

The Vampire Suite is a percussion suite of four Act's, each having anywhere from six to ten parts.  It is aproximately 60 minutes long.  It can be performed as a percussion suite or can be performed with dance to tell the 4 distinct stories.   Each Act is based on a short story written between 1800 and 1920. The stories are The Vampire Maid by Hume Nisbit, Dracula's Guest by Bram Stroker, Clarimonde by Theophile Gautier and Wake Not the Dead by Ernst Raupach.

It would take 4-6 percussionists of an intermediate to advanced level.  The Marimba parts, being the most difficult, could also be played by a pianist on piano.  

Included:

  • Full Score
  • Each Part Individually
  • The storyboards for the Ballet
  • Instrument List
  • Bio's of each character

Instrumentation:
  • Bass Drum (Concert)
  • Bongos
  • Boom Whackers
  • Claves
  • Concert Toms
  • Conga
  • Cowbell
  • Djembe
  • Drum-Set
  • Glockenspiel (Bells)
  • Marimba
  • Snare Drum (Concert)
  • Triangle
  • Tubular Bells
  • Vibraphone
  • Wood Blocks
  • Xylophone
The mp3 here is a sampling of the pieces.

The music can be heard in full at https://jccroylepercussion.bandcamp.com/album/the-vampire-suite-for-percussion

Percussion Suite (& Ballet): The Vampire Suite JC Cro
$39.99 37.08 € PDF SheetMusicPlus

Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download

SKU: A0.835820

Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820).

The Troubles of an Automaton, or The Table and the Chair.  

Composed Paul Burnell 2019. 

Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration)  

For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator  

Text: Clementina Maria Black (1853-1922)  / Edward Lear (1812-1888)

Note: The associated recording is of the version using the text by Clementina Maria Black.


 First performed by Jordan Wright-Murray on 30 May 2019.

 The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments.  

Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum.  

The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note.  From bar 62 to the end the cimbalom may be played an octave higher than written.  The cimbalom and gongs are played laissez vibrer throughout.  The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique.  

The narrator may choose one of two texts: 

A:  The Troubles of an Automaton (Excerpt) by Clementina Maria Black 

B:  The Table and the Chair by Edward Lear.  

The start of each section of Narrator text is indicated in the score with boxed text.  Where necessary the end of a text section is shown as unboxed text.  The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.

Programme note: 
This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'.  'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876.  The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton.  'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870.  In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.


The Troubles of an Automaton, or The Table and the Chair
$3.95 3.66 € PDF SheetMusicPlus






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