Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1508907 By Lyrics by Juliette Amberson Jones. By Paul Leavitt. 21st Century,A Cappella,Christian,Religious,Sacred. 4 pages. Lumenaria Music Publishing #1084159. Published by Lumenaria Music Publishing (A0.1508907). Hymn: At the Table of RemembranceLyrics by Juliette Amberson JonesMusic by Paul LeavittMovement 7 of Cantata EmmanuelTextAt the table of remembrance, we recall God’s saving deeds.When the spirit of death passed o’er us, when God’s holy manna filled our needs,mighty God came near to us and He drew us to His breast.We will thank the Lord forever for our lives that He has blessed.Refrain:For what is more precious than communion with the Lordat the table of the Lord?At the table of remembrance are more blessings from the Lord.Eat the bread that Jesus broke for us, drink the wine that He has poured. Of His body these are tokens of the sacrifice He made.Jesus loves us, He is with us, and our souls He has saved.For what is more holy than communion with the Lordat the table of the Lord?At the table of remembrance all are welcome, all belongat the Lord’s wondrous feast of love, where we’ll sing a banquet song..Praise the Lord for this bread of life and this holy cup of grace.Touch the wounds in his hands and side, accept His sweet embrace.For what is more precious the communion with the Lordat the table of the Lord?

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1162569 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #762940. Published by Socrates Arvanitakis (A0.1162569). This is the twenty-sixth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 26 (Songs 676-702)Once a Farmer and His WifeOnce I Loved a LassOnce I Loved a maiden fairOne man went to mowOne More RibberOrientis PartibusOrphan Girl (the)Ould John BraddlumOur Captain cried All Hands 1Our Captain cried All Hands 2Our Captain cried All Hands 3The Outlandish KnightOwl (the)Oxen Ploughing (the)Paddy on the RailwayPainful Plough (the)Parson HoggPaul JonesPay Me My Money DownPeace O’er the WorldPeggy BondPenny Wager (the)Pine Tree (The)Piper o’ Dundee (the)Plains of Waterloo (the)Ploughboy’s GloryPoacher’s Song.

Small Ensemble High Voice,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.966656 Composed by Masashi Fujimoto. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. Masashi Fujimoto #2988587. Published by Masashi Fujimoto (A0.966656). A Dissenter s Hope.for voice and piano.Words by Vaughan Jones.A Dissenter’s Hope There is no limit to the truth we findWithin the realms of faithOnly the border of our mind and senseRestrict our sight and hope. Within the wellspring of a loving God,And compassion of a graceful Word,The deeper justice, deeper hopeWill flood our broken world. There is no limit to the truth we findWithin the realms of faithExpand the border of our mind and senseAnd lift our sight and hope.ISMN 979-0-9002239-2-0

Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.854331 Composed by Melanie B. Guerin. Broadway,Children,Holiday,Musical/Show. 10 pages. Melanie B Guerin #5290009. Published by Melanie B Guerin (A0.854331). Written for the unpublished musical Too Many Wishes by Steve Jones, this song is about a mother's simple wish for her child.A scientist, a doctor, or an astronaut,An action-packed adventure with an epic plot,A life of happy endings, A fairy tale and dreams that all come true,Well maybe I should wish these things for you.Class president, philanthropist, and CEO,The greatest minds to marvel at the things you know,A love that's everlasting,A roaring crowd that cheers and calls your name,And riches might be nice, but just the same,The grandest dreams I'd dream for youWould surely pale beside the taleOf deeds that you will do,So in these quiet momentsWhen I tuck you in and leave you with a kiss,I simply wish you this:Only happy, only kind,Only brave enough to speak or change your mind,Only safe and sound,Only wild and free,Only sure about what you mean to me,Only good.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.984181 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 8 pages. Deb Jones #4745375. Published by Deb Jones (A0.984181). Lullabye (Goodnight My Angel)     This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her.   As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played my original arrangement to who found it very moving.   This arrangement is for full SATB choir     I hope you enjoy it.     Formats available   Duet with cello and smattering of SSA choir Duet with cello and smattering of Male Voice Choir   Full choir versions SATB SSAA TTBB    

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.984180 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4737103. Published by Deb Jones (A0.984180). Lullabye (Goodnight My Angel)     This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her.   I was asked to arrange this as a duet with a cello and a ‘smattering of (SSA) choir.’  As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played it to who found it very moving.   This version has been reformatted for male voices, so duet, cello, smattering of TTBB.   I hope you enjoy it.   Included in this pack are a full score, vocal score and cello part with what I hope are useful cues for you to navigate your way around the piece.   Other formats will be available shortly with more choir involvement and for those without access to a cello.     Formats available Duet, cello, SSA Duet, cello, TTBB          

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.984179 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 20 pages. Deb Jones #4736339. Published by Deb Jones (A0.984179). Lullabye (Goodnight My Angel)     This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her.   I was asked to arrange this as a duet with a cello and a ‘smattering of (SSA) choir.’  As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played it to who found it very moving.     I hope you enjoy it.   Included in this pack are a full score, vocal score and cello part with what I hope are useful cues for you to navigate your way around the piece.   Other formats will be available shortly with more choir involvement and for those without access to a cello.  

Full Orchestra - Level 3 - Digital Download SKU: A0.1118521 Composed by Howard Blake. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and parts. 53 pages. Kevin Riley #720042. Published by Kevin Riley (A0.1118521). Walking in the Air is a song written by Howard Blake for the 1982 animated film The Snowman based on Raymond Briggs' 1978 children's book of the same name. The song forms the centrepiece of The Snowman, which has become a seasonal favourite on British and Finnish television. The story relates the fleeting adventures of a young boy and a snowman who has come to life. In the second part of the story, the boy and the snowman fly to the North Pole. Walking in the Air is the theme for the journey. They attend a party of snowmen, at which the boy seems to be the only human until they meet Father Christmas with his reindeer, and the boy is given a scarf with a snowman pattern. In the film, the song was performed by St Paul's Cathedral choirboy Peter Auty, and reissued in 1985 (on Stiff Records) and 1987. In 1985, an altered version was recorded for use in a TV advertising campaign for Toys R Us. As Auty's voice had then broken, Blake recommended the then-14-year-old Welsh chorister Aled Jones, whose recording reached number five in the UK Singles Chart, and who became a popular celebrity on the strength of his performance. The association of the song with Jones, combined with Auty not being credited on The Snowman, led to a common misbelief that Jones performed the song in the film. Walking in the Air has subsequently been performed by over forty artists, in a variety of styles. In a UK poll in 2012, the Aled Jones version was voted 13th on the ITV television special The Nation's Favourite Christmas Song.

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1422424 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Nathan Jones. 20th Century,Comedy,Pop. 8 pages. Nathan Jones Music #1003763. Published by Nathan Jones Music (A0.1422424). Originally arranged for Rechoir (SATB) to perform at a member's wedding, the arrangements is now available for TTBB, arranged for The Morriston Orpheus Choir.This jovial choral arrangement of 'Bring Me Sunshine' is sure to get feet tapping, and bring a smile to any audience. This piece would fit well into any Spring or Summer programme, or even into a Winter one, if you're trying to cheer everyone up!Made famous in the UK as the signature tune of Morcambe & Wise.This arrangement is for standard TTBB with no splits, slightly simplified rhythms (compared to the SATB version) and identical repeats, all to aid learning. The melody moves between the sections, giving everyone a chance to shine!Intended for choirs of intermediate ability.Essential skills for this piece - Smiling and having fun!The YouTube link is of a live performance by Swansea University Choral Society (SATB). I updated the arrangement following this recording (which is the one available for sale here), but the video gives the gist of the cheery feel and an idea of the harmony.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.927475 Composed by Annie Routley. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Christian Music Ministries #6306121. Published by Christian Music Ministries (A0.927475). Words and music by Annie RoutleyA setting of words from Hebrews 12:2 (chorus) with verses encouraging faith and hope in the midst of a painful situation.Sources of inspiration for this song were threefold: firstly the Scripture from Hebrews 12 was my baptism verse, on Easter Sunday 1979; secondly, from Corrie ten Boom´s ´The Hiding Place´, where her sister Betsy tells Corrie not to look at the wounds she´d received from the concentration camp guards, but to look instead at Jesus and fix her eyes on him; and thirdly, from C S Lewis´ ´The Magician´s Nephew´, where Digory wants so desperately for Aslan to cure his mother who is terminally ill, but the great Lion sets him a task instead which will protect all of Narnia for years to come; Digory is looking down at Aslan´s paws, his heart heavy, but as he looks up into the Lion´s face, what he sees there surprises him very deeply – for Aslan´s eyes are filled with tears. He realizes that Aslan cares even more deeply about Digory´s mother than he himself.For soloist, 4–part choir and piano accompaniment. Guitar chords also included.From the Roger Jones Song Collection (2010); originally from the collection ´Precious and honoured´ (1995). A backing track and/or instrumental parts are available on request from events@cmm.org.uk

Drum Set - Level 3 - Digital Download SKU: A0.1314716 Composed by Aaron Staebell. Jazz. Educational Exercises. 24 pages. Aaron Staebell #903489. Published by Aaron Staebell (A0.1314716). This collection of eight solos aims to capture the styles and vocabulary of 10 masters of jazz drumming, and present that material in an accessible way. Much of the music available for drum set solos is difficult and geared towards those with a good amount of experience. These solos can be played by students as early as their first year of study on the drumset. It will give them exposure to material grounded in the jazz tradition, while hopefully remaining playable and generating interest and inspiration to forge deeper into the jazz drumming tradition.The eight solos are:NASHTY is inspired by Lewis Nash, and his intro on Say Hello to Calypso from a Jim Hall record called Grand Slam.ILADELPH is inspired by the classic vocabulary of Philly Joe Jones.CHILD'S PLAY brings to mind the carefree playing of both Paul Motian and Jorge Rossy.BREAKTHROUGH is inspired by the masterful vocabulary of Billy Higgins, particularly on Hank Mobley's The Break Through.THE TWISTED BARON tries to capture the vamp-oriented solos and sonic variety of Joey Baron.SOME TASTY STEW comes from the worlds of both Bill Stewart and Nasheet Waits, particularly Nasheet's intro on Kinda Dukish with Jason Moran.THANK YOU MATT WILSON! is based on the melodic soloing of Matt Wilson, specifically on his own tune, Thank You Billy Higgins!.BLAKEY’S TRY is inspired by the ferocious drumming of the great Art Blakey.

Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1121061 By Monty Python. By Fred Tomlinson, Michael Palin, and Terence Jones. Arranged by Christopher Alexander. Comedy,Film/TV. 16 pages. Christopher Alexander #722249. Published by Christopher Alexander (A0.1121061). From the renowned international comedy troupe Monty Python, this song is undoubtedly one of their most famous. A silly song? Indeed yes, but that is what Monty Python is all about. Your men's chorus will have a fun time performing this arrangement and your audiences will laugh and love it too. Give one of your performers a chance on the solo to convey the high hopes and grandeur (albeit questionable at times) to fulfill his lifelong dream of being...a lumberjack!

1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1085779 Composed by Nancy Bachmann. Classical,Contemporary,Instructional. Score. 32 pages. Nancy Bachmann #689948. Published by Nancy Bachmann (A0.1085779). This volume contains five engaging four-hand Concert Duets, each with a different musical character to expand the players' interpretive experience and please audiences. In addition, every piece focuses on a specific technique or skill that the intermediate pianist needs to master. I composed these pieces to address some of the problems common to intermediate-level piano players. There are special advantages to playing duets at this stage of advancement, beyond encouraging technical and musical progress. Working on duets with another player will inject fresh enthusiasm into music study at a time when some intermediate students may experience a plateau in progress. We are, undeniably, social creatures, and making music together has a special joy. However, unlike choral singers and band or orchestral players, the pianist is often left out of the ensemble experience until relatively advanced. Intermediate pianists will truly benefit from the energizing effects of studying a piece of music with one another. Indeed, striving toward the shared goal of an expressive duet performance requires each player to develop the entire spectrum of skills: aural, technical, personal and interpretive that combine to make a complete musician. || These Concert Duets for Intermediate Pianists are fascinating and attractive pieces, and they will be a valuable contribution to the duet repertory. The highly instructive directions to the players will prepare them to enter the world of duet playing and explore its treasures. —William Corbett-Jones, Concert Pianist, International Award-Winning Recording Artist, SFSU Professor Emeritus || These are great duets; imaginative and expressive. What a wonderful way tor my intermediate students to learn essential skills! —Joan Cifarelli, Jazz/Classical Pianist, Pedagogue.

String Orchestra - Level 3 - Digital Download SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone.  There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.

Concert Band - Digital Download SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. Score and parts. 42 pages. Ayotte Custom Musical Engravings #2347283. Published by Ayotte Custom Musical Engravings (A0.733028). Almost everybody and his mother on the Planet have written their own arrangements of Amazing Grace so I guess I should not be the exception. Amazing Grace (And Then some) is written for Solo Tuba, accompanied by a wind band. I was inspired to write this chart by a young man named Brandon Jones who lives in the Mobile, Alabama area. He was about 20 years old at the time of this writing (in 2012). He wanted to dedicate it to his father who had died when Brandon was about 4 or 5 years old. My arrangement of Amazing Grace (And Then Some) is not just another theme and variations type of work. Instead, I have interwoven two additional hymns (Praise to the Lord, the Almighty and I Will Sing of My Redeemer) in order to break up the monotony of just the one hymn (hence the subtitle And Then Some) Oh, did I mention that Brandon plays a C tuba that was passed down from his father?