C Instrument - Level 2 - Digital Download SKU: A0.1043949 By Unknown. By Unknown. Arranged by Matthew David. Easter,Praise & Worship,Spiritual. Lead Sheet / Fake Book. 1 pages. Terror of Demons #648650. Published by Terror of Demons (A0.1043949). This is a very popular Praise Song. It's usually learned by rote, but I wanted to write out the melody.

C Instrument - Level 2 - Digital Download SKU: A0.1243664 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Gasparo Zanetti, Guillaume Costeley, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, Tielman Susato, and etc. Arranged by Alastair Lodge. Early Music,Historic,Renaissance. Lead Sheet / Fake Book. 52 pages. Wold Meridian #838214. Published by Wold Meridian (A0.1243664). 35 pieces from the late 15th to the early 17th Century, Fully supported by YouTube Playlist demonstrating every piece in the collection, featuring the solo line with the chords as well as sections with the original full part harmony.  Videos are educational with period artworks and historical information.  https://www.youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnx.

C Instrument - Level 5 - Digital Download SKU: A0.1226095 Composed by John Meola Lindhorst. Broadway,Musical/Show,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. John Meola Lindhorst #822123. Published by John Meola Lindhorst (A0.1226095). Attention all singers!  If you are searching for an emotional powerhouse ballad, you need look no further. “Don’t Say You Love Me� by John Meola Lindhorst is the perfect choice. The lyrics are soulful and passionate. The melody is both subtle and poignant. The beginning vocal lines will allow you to demonstrate the tenderness and warmth of your voice. The “big ending� will show off your amazing belted high range. This original song was written for a new Musical Theater project, but it can be arranged and performed in a variety of musical styles.

C Instrument - Level 4 - Digital Download SKU: A0.1258035 By James Brown. By Clarence Gaskill, Leo Robin, and Russ Columbo. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #851273. Published by John Fries (A0.1258035). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Written in 1931, Leo Robin has related how publisher Con Conrad walked into his hotel room with Russ Columbo and asked him to write words within the hour for a tune he had.  Robin, who was on vacation, at first refused, but Conrad explained that he wanted Columbo to demonstrate it to Flo Ziegfeld who needed a song for Helen Morgan in one of his shows.  Robin then wrote the lyric, which he afterwards said he disliked, and the song was duly performed for Ziegfeld, but he did not accept it.  Russ Columbo, however, sang it on his radio show and recorded it on October 9, 1931, for Victor Records, and it was very popular in 1932.  Columbo also sang it in the 1933 short film That Goes Double.  In 1946, the song became a major hit for Billy Eckstine, Perry Como, and the Ink Spots.

C Instrument - Level 4 - Digital Download SKU: A0.1437219 Composed by P J Anderson. Instructional,Jazz. Lead Sheet / Fake Book. 24 pages. Peter Anderson #1017279. Published by Peter Anderson (A0.1437219). This pdf contains all the scales and exercises from Lesson 1 in my Youtube series How To Play Bebop Jazz Piano. All the scales and exercises are in all 12 Major keys and there are some extra patterns and exercises which are not in the video. I strongly recommend that you watch the video first as I explain and demonstrate how the Bebop Dominant Scale works well in improvisation with all the chord notes falling on the downbeats. Rather than trying to learn them all in all 12 keys straight away I would use them for reference and try to apply them to dominant 7th chords in jazz standards. The more standards that you apply them to the more keys you will cover but it will feel less like an exercise.

C Instrument - Level 4 - Digital Download SKU: A0.1446378 Composed by P J Anderson. Instructional,Jazz. Lead Sheet / Fake Book. 23 pages. Peter Anderson #1026186. Published by Peter Anderson (A0.1446378). This pdf contains all the scales and exercises from Lesson 2  in my Youtube series How To Play Bebop Jazz Piano. All the scales and exercises are in all 12 Major keys and there are some extra patterns and exercises which are not in the video. I strongly recommend that you watch the video first as I explain and demonstrate how the Bebop Dominant Scale works well in combination with rising arpeggios. Rather than trying to learn them all in all 12 keys straight away I would use them for reference and try to apply them to dominant 7th chords in jazz standards. The more standards that you apply them to the more keys you will cover but it will feel less like an exercise.

C Instrument - Level 4 - Digital Download SKU: A0.1361231 By Louis Armstrong. By Jerry Herman. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #945720. Published by John Fries (A0.1361231). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! Thanks, John. Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001. Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1242770 By Various. By Alan Silvestri. Arranged by Wesley Dantas. Contemporary,Contest,Festival,Film/TV,Historic,Standards. 8 pages. Wesley Dantas #837862. Published by Wesley Dantas (A0.1242770). English (US):Arranger Wesley Dantas has crafted a delightful arrangement of the film theme Just An Oasis from The Mummy Returns, composed by Alan Silvestri, specifically tailored for an initial and intermediate-level woodwind quintet. The objective is to amplify the repertoire for this instrumental ensemble, providing an enriching musical experience.With skill and sensitivity, Dantas has translated the captivating melody and atmosphere of the original film theme into a captivating interpretation for the woodwind quintet. Each instrument, such as flute, oboe, clarinet, bassoon, and saxophone, plays unique roles, creating a balanced and harmonious sound.The technical complexity adjusted to an initial and intermediate level makes this arrangement accessible to musicians at different stages of learning. The arrangement preserves the essence of the original film theme, allowing musicians to explore the expressive capabilities of their instruments and create a pleasant musical experience for both performers and audiences.Through this graceful adaptation, Wesley Dantas showcases his talent as an arranger, enriching the repertoire available for initial and intermediate-level woodwind quintets and providing a gratifying musical experience for musicians and enthusiasts of this instrumental ensemble.Português Brasileiro:O arranjador Wesley Dantas desenvolveu uma adaptação encantadora do tema Just An Oasis do filme O Retorno da Múmia, composta por Alan Silvestri, especialmente concebida para um quinteto de madeiras de nível inicial e intermediário. Esse arranjo busca amplificar o repertório dessa formação instrumental, proporcionando uma experiência musical enriquecedora.Com habilidade e sensibilidade, Dantas traduziu a melodia envolvente e a atmosfera do tema do filme original em uma interpretação cativante para o quinteto de madeiras. Cada instrumento, como a flauta, o oboé, o clarinete, o fagote e o saxofone, desempenha papéis únicos, criando uma sonoridade equilibrada e harmoniosa.A complexidade técnica adaptada a um nível inicial e intermediário torna esse arranjo acessível a músicos em diferentes estágios de aprendizado. O arranjo preserva a essência do tema do filme original, permitindo que os músicos explorem as capacidades expressivas de seus instrumentos e criem uma experiência musical agradável tanto para os intérpretes quanto para o público.Com essa adaptação graciosa, Wesley Dantas demonstra sua habilidade como arranjador, enriquecendo o repertório disponível para quintetos de madeiras de nível inicial e intermediário e proporcionando uma experiência musical gratificante para os músicos e apreciadores dessa formação instrumental.