String Trio Cello - Level 2 - Digital Download SKU: A0.1270982 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 16 pages. Jmsgu3 #863369. Published by jmsgu3 (A0.1270982). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:1. Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. 2. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.3. Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.

Trombone - Level 2 - Digital Download SKU: A0.1271003 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863388. Published by jmsgu3 (A0.1271003). INSTRUMENTATION: 1 Tenor Trombone, 2 Bass TrombonesSolage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.

Euphonium - Level 2 - Digital Download SKU: A0.1271299 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863692. Published by jmsgu3 (A0.1271299). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning. Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.

Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 2 - Digital Download SKU: A0.1271294 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863691. Published by jmsgu3 (A0.1271294). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.

Woodwind Ensemble,Woodwind Trio Bass Flute - Level 2 - Digital Download SKU: A0.1271330 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863726. Published by jmsgu3 (A0.1271330). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning. Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.

Brass Ensemble - Digital Download SKU: A0.931695 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 38 pages. Trombacor Music #6273527. Published by Trombacor Music (A0.931695). Here’s A Raggy Boogaloo scored for standard brass quintet with rhythm section of piano, bass, and drums. Feature your fabulous trombone player with this jazz style quintet composed by Dr. John D. Swan. The trombone solo is accompanied by the octet throughout. There is an extended jazz section for the improvising trombonist to demonstrate her/his skills. If the trombone player does not improvise, a Lead Sheet with the changes for other improvisers in the octet to use is included. A performance for a jazz audience can extend the solo section for as many improvisers as a feature piece for other soloists. A Raggy Boogaloo is an audience pleaser where your quintet of 2 trumpets, horn in F, trombone, and tuba, is joined by a rhythm section. This is a great opportunity to expand your brass quintet into a larger group with an up tempo jazzy ragtime piece. This work fits well in school demonstration concerts, on the concert stage, or in concerts in the park when weather permits. When performed at tempo, with all repeats, and the full jazz improvisation solo section, the piece is 9 minutes and 25 seconds long. **Watch for other works in the Trombacor Music Library for quintet and rhythm section as they become available. They are currently being transcribed into the Sibelius software by the composer’s assistant.

Handbell - Level 3 - Digital Download SKU: A0.953728 Composed by Anonymous and Ralph E. Hudson. Arranged by G. R. Adkison. Christian,Easter,Sacred. Score. 4 pages. Gary Ray Adkison #14273. Published by Gary Ray Adkison (A0.953728). He Is So Good is a 3-4-5 octave, 45 measure medley of the Christian hymns God Is So Good and At the Cross (Alas, and Did My Savior Bleed) arranged for 3-4-5 octave handbell choirs. Because of the inclusion of At the Cross, this arrangement might be suitable for Easter/Lent. The overall theme is the love of God for us, whether as the Father or as Jesus. The strategy of this arrangement is to start out softly and *very* plainly and build---both in volume and in complexity. From the chorus of At the Cross to the end, a lot of doubling of the melody in the highest bells is used. There are two surprise modulations used in the chorus of At the Cross. In At the Cross there are chords used that are more interesting than those in the original hymn. After the triple-forte volume level at the end, there is a mezzo-piano tag, echoing the melody of the preceding musical phrase, with a chord progression that is substantially different from the original version of this hymn. This arrangement is probably a 3 plus (3+) level of difficulty, with the plus being due to some eighth-note runs in the bass line towards the end of At the Cross. The demonstration audio file provided is in a piano voice (patch) but suffices to demonstrate how the arrangement is generally meant to sound.

Handbell - Level 2 - Digital Download SKU: A0.953727 Composed by William B. Bradbury and John B. Dykes. Arranged by G. R. Adkison. Christian,Sacred. Score. 5 pages. Gary Ray Adkison #14257. Published by Gary Ray Adkison (A0.953727). Holy God Medley is a medley of the Christian hymns: He Leadeth Me, O Blessed Thought and Holy, Holy, Holy arranged for 4-5 octave handbell choirs. It starts with a two measure introduction, followed by He Leadeth Me, O Blessed Thought. This is fairly up-tempo, with a surprise modulation going into the chorus. In the chorus, there are bass runs, a brief descant line, and doubling of the melody into the high bells. There are then two verses of Holy, Holy, Holy. The first verse is slow and is in ¾ time, instead of the normal common meter. It is also soft and *very* plain, as a setup for the last verse, which is faster, and grows in volume to the end, with much fuller chords, and uses the normal common meter that the original hymn uses. There is another surprise modulation halfway through this verse. Very full chords are used, with a brief bass clef downward arpeggio in the next to last measure, to emphasize the ending. The first verse of Holy, Holy, Holy can be performed with handchimes, if desired, although the arrangement is not scored as such. The audio demonstration clip provided is in a piano voice (patch) but suffices to demonstrate how this arrangement is generally meant to sound. I believe that this is probably a 2+ (2 plus) arrangement in degree of difficulty.

Handbell - Level 3 - Digital Download SKU: A0.953708 Composed by Carey Bonner, Felice Giardini, Michael Haydn, and and George W. Warren. Arranged by G. R. Adkison. Christian,Sacred. Score. 7 pages. Gary Ray Adkison #2035805. Published by Gary Ray Adkison (A0.953708). Majestic God is a 4-5 octave, 110 measure medley of the Christian hymns: Come, Thou Almighty King, Praise to the Lord, the Almighty, Praise Him, Praise Him, All Ye Little Children, O Worship the King, and God of our Fathers. Within this arrangement are descant lines, doubling of the melody line, at times, and some bass runs, and triplets. It probably is a level 3 difficulty arrangement---maybe a 3+ (3 plus). There is a juxtaposition of styles, dynamic levels and tempos within this arrangement, for the sake of variety. The first verse of God of our Fathers is done rather straight-forwardly as a setup for the next verse, where the fanfare portions are significantly different from the original. There is also a fanfare tag at the end. The audio demonstration clip is in a piano voice (patch) but suffices to demonstrate how the arrangement is generally meant to sound.

Brass Ensemble - Level 4 - Digital Download SKU: A0.931693 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 26 pages. Trombacor Music #6270169. Published by Trombacor Music (A0.931693). Feature your fabulous trombone player with this jazz style quintet composed by Dr. John D. Swan. The trombone solo is accompanied by the quintet throughout. There is a jazz section for the improvising trombonist to demonstrate her/his skills. If the trombone player does not improvise, a Lead Sheet with the changes for other improvisers in the quintet to use is included. Here is another feature of this work: if no one improvises in the quintet, but you still want to feature the trombone solo, markings in the score and parts explain how to omit the jazz improvisation section and take an Optional D.S. back to letter A, and then jump to the Coda. A Raggy Boogaloo is an audience pleaser where your quintet of 2 trumpets, horn in F, trombone and tuba can perform an up tempo jazzy ragtime piece. This work fits well in school demonstration concerts, on the concert stage, or in concerts in the park when weather permits. When performed at tempo with all repeats, and the full jazz improvisation solo section, the piece is 9 minutes and 25 seconds long.

Small Ensemble Bassoon,English Horn,Flute,Timpani - Level 4 - Digital Download SKU: A0.1031573 Composed by Xiaowei Cao. Arranged by Xiaowei Cao. Contemporary. Score and parts. 16 pages. ShallV #4764939. Published by ShallV (A0.1031573). Notice: The mp3 file is played by midi instruments, not the actual recording of the piece.Tiananmen (2018) is a piece in memory of the Tiananmen Square protests of 1989, which was commonly known as the June Fourth Incident (六四事件). The protests were students led demonstrations in Beijing, the capital of the People’s Republic of China, and were forcibly suppressed after the government declared martial law. In what became known in West as the Tiananmen Square Massacre, troops with automatic rifles and tanks killed at least several hundred demonstrators trying to block the military’s advance towards Tiananmen Square. The number of civilian deaths has been estimated variously from 180 to 10,454.The piece itself reflects the atmosphere of China chronologically from the day before the incident to the time when protests were completely suppressed. The piece was divided into two movements. The first part of the piece serves as an introduction setting up the depressing tone of the whole piece. The first part of the piece reflects the anxiety of the whole society when the martial law was declared. And the second part of the piece refers to Zhao Ziyang’s (赵紫阳) speech at the Tiananmen Square where he tries to communicate with the students and peacefully resolve the protest. The third part and the fourth part of the piece directly describes the protest on June 4th which show a catastrophic and desperate atmosphere.

Choir - Digital Download SKU: A0.1059474 Composed by Maurice Ravel. Arranged by David Warin Solomons. 20th Century,Romantic Period. Full Performance. Duration 99. David Warin Solomons #3387809. Published by David Warin Solomons (A0.1059474). Sung by the dwsChoraleLes vieilles:                           [English translation below] N'allez pas au bois d'Ormonde, Jeunes filles, n'allez pas au bois: Il y a plein de satyres, de centaures, de malins sorciers, Des farfadets et des incubes, Des ogres, des lutins, Des faunes, des follets, des lamies, Diables, diablots, diablotins, Des chèvre-pieds, des gnomes, des démons, Des loups-garous, des elfes, des myrmidons, Des enchanteurs et des mages, Des stryges, des sylphes, des moines-bourrus, Des cyclopes, des djinns, gobelins, Korrigans, nécromans, kobolds... Les vieux : N'allez pas au bois d'Ormonde, Jeunes garçons, n'allez pas au bois: Il y a plein de faunesses, de bacchantes et de males fées, Des satyresses, des ogresses et des babaïagas, Des centauresses et des diablesses, Goules sortant du sabbat, Des farfadettes et des démones, Des larves, des nymphes, des myrmidones, Hamadryades, dryades, naïades, ménades, thyades, Follettes, lémures, gnomides, succubes, gorgones, gobelines... N'allez pas au bois d'Ormonde. Filles et garçons : N'irons plus au bois d'Ormonde, Hélas! plus jamais n'irons au bois. Il n'y a plus de satyres, plus de nymphes ni de males fées. Plus de farfadets, plus d'incubes, Plus d'ogres, de lutins, De faunes, de follets, de lamies, Diables, diablots, diablotins, De chèvre-pieds, de gnomes, de démons, De loups-garous, ni d'elfes, de myrmidons, Plus d'enchanteurs ni de mages, de stryges, de sylphes, De moines-bourrus, de cyclopes, de djinns, De diabloteaux, d'éfrits, d'aegypans, de sylvains, gobelins, Korrigans, nécromans, kobolds... N'allez pas au bois d'Ormonde, Les malavisées vieilles, les malavisés vieux Les ont effarouchés! [English Translation] Old women : Don't go to Ormond wood, Maidens beware, go not to the woods: They are full of grim satyrs, and of centaurs, of cunning wizards, Of hobgoblins and of incubus, Imps and ogres hide there, Will o'the wisps and fauns, roguish lamia, Flying devils, devilkins, Goat-footed folk and gnomes and demons, Full of werewolves, elves, tiny myrmidons, Of enchanters and of magicians, Strygia and sylphs, full of humpback monks, Of cyclops and of djinns, goblins, Korrigans, necromancers, kobolds... Old men : Don't go to Ormond wood, Young lads beware, go not to the woods: They are hiding host of fauns, and of bacchantes and of fairy folks, Of satyresses and ogresses, and of babaïagas, Of centauresses and of shedevils, Witches out from their sabbath, Of she-hobgoblins, of female demons, Of larves and of nymphs, tiny myrmidons, Of Hamadryads, and dryads, of naiads, menades, thyades, Will o'wisps, of lemures, female gnomes, succubus, of gorgons and she-goblins... Don't go to Ormond wood. Maidens and Young lads : We shall not go to the wood again, Alas, never more shall we go there. There are no more grim satyrs, And no more nymphs, fairy folk have fled. Gone the hobgoblins and incubus, Or ogres, no more imps, Fauns or will o' the wisps, No more furies, flying devil, devilkins, goat-footed folks, No more gnomes or demons, No more werewolves, elves, imps and myrmidons, No enchanters, or magicians, or strygia, No more sylphs or humpba.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1249236 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,Advent,Barbershop,Christian,Contemporary. Octavo. 1 pages. Semii Music #843702. Published by Semii Music (A0.1249236). Title: Only LoveLove is paramount in a persons life.  When you show love to others, they feel loved because God loves them through the love you show.Jesus demonstrated His love by dying on the cross for us- which makes God loves us. Through the love of Christ, we are bought from the fall of sin. Love is the lifeblood of the Divine Mercy of God. If there was no love, we could have been lost.Please sing this song and you will find real love in what Christ has demonstrated on the cruel cross of Calvary.

C Instrument - Level 2 - Digital Download SKU: A0.1043949 By Unknown. By Unknown. Arranged by Matthew David. Easter,Praise & Worship,Spiritual. Lead Sheet / Fake Book. 1 pages. Terror of Demons #648650. Published by Terror of Demons (A0.1043949). This is a very popular Praise Song. It's usually learned by rote, but I wanted to write out the melody.

Small Ensemble B-Flat Trumpet,High Voice,Tenor Saxophone,Trombone - Level 4 - Digital Download SKU: A0.1043645 Composed by David Babyface Foster and John Parr. Arranged by Matthew David. Multicultural,Patriotic,Pop,Rock,World. Score and parts. 13 pages. Terror of Demons #648341. Published by Terror of Demons (A0.1043645). This is arrangement is based on the recording of St. Elmo's Fire (Man In Motion). It contains the one vocal, two trumpet, tenor saxophone and trombone parts to augment a rhythm section.