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Piano Solo - Level 3 - Digital Download SKU: A0.1379530 By Henrietta Atkin. By African-American Spirituals. Arranged by Henrietta Atkin. Christian,Easter,Religious,Spiritual. Score. 7 pages. Henrietta Atkin #964235. Published by Henrietta Atkin (A0.1379530). These two African-American spirituals (Calvary and They Crucified My Lord (And He Never Said A Mumbalin' Word)) are rarely arranged as piano preludes for church.Yet their lyrics, and thus the reflection they invoke, could hardly be more fitting for Good Friday services and masses. Composed by unknown enslaved persons, who were all too familiar with physical agony and pain, these spirituals shed an immediate light on the crucifixion and death of Jesus.Both pieces are set with lush harmonies, with a different iteration of the melody in each of their three parts. Reflective, poignant, powerful and prayerful, each arrangement is appropriate for Good Friday liturgies, as reflections during The Seven Last Words of Christ, and preludes during masses for suffering people worldwide.
Two Preludes for Good Friday
Piano seul
Henrietta Atkin
$7.99 6.82 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: LV.15866 Composed by A. Reinagle. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15866). Preludes. In Three Classes for the Improvement of Practitioners on the Piano forte. Composed by A. Reinagle. Published [n.d.] by Carr & Co's Musical Repository Pr. in Philadelphia. Composition of Three sets of short (one or two lines) piano preludes for study purposes with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Preludes. In Three Classes for the Improvement of Practitioners on the Piano forte
Piano seul

$5.99 5.12 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time.  Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art.  They sat around for a bit until during the quarantine when I took a look at them again.  I realized that these pieces had a lot of character to them, and they were quite distinct in nature.  The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section.  The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached.  The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit.  Rather than just release the preludes as seperate pieces,  I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time.  As such, I made them into a suite.  If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for. 
3 Preludes for a Quarantine for Solo Piano
Piano seul

$10.00 8.54 € Piano seul PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1293529 Composed by Frederic Chopin. Arranged by Kenneth Abeling. 19th Century,Classical,Romantic Period. 10 pages. LINCOLN MUSIC PUBLICATIONS #884018. Published by LINCOLN MUSIC PUBLICATIONS (A0.1293529). Three Preludes Op. 28 Nos. 4,7 and 22 by Frédéric Chopin arranged for Saxophone Quintet. These are three of Chopin’s easier and more melodic preludes playable one after another as one piece, or individually. The original Keys are listed in the titles. The total plating time is approximately 4:15. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
Chopin - Three Preludes Op. 28 Nos. 4, 7 and 22 (for Saxophone Quintet SATTB)
Quintette de Saxophone: 5 saxophones

$13.99 11.95 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.995927 Composed by Julien Musafia. Arranged by Javier Gasó-Bustos. Contemporary. 15 pages. Javier Gasó Bustos #5754443. Published by Javier Gasó Bustos (A0.995927). Shostakovic's 24 Preludes and Fugues, composed in 1950, are a tribute of the Russian composer to J.S. Bach, in his work Preludes and Fugues.On this occasion, Fugue No. 5 is presented in 3 voices, in arrangement for Clarinet Quartet and containing a rhythmic motif that contrasts with its legato counterpart, which gives a slight contrast that enriches the whole of the fugue as it develops the piece.The fugue offers many musical possibilities and for this arrangement, it has focused on being a pedagogical version; to teach instrumentalists how a fugue works, as well as Shostakovich's own speech. For this reason, writing as its technique is adapted for a quartet of students, as well as professionals who want to offer a pleasant and original recital.
Fugue Preludes And Fugues Op. 87
Quatuor de Clarinettes: 4 clarinettes

$12.99 11.1 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1491215 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1067952. Published by Müller Publishing company (A0.1491215). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDiscover the spiritual grandeur of Das Gebet des Herrn (The Lord's Prayer), a masterful composition by 19th-century composer Carl Gottlieb Mühle, now beautifully arranged for Men's Choir TTBB by L. Müller. Mühle’s work is known for its delicate interplay of reverence and melody, offering a powerful interpretation of the sacred text.This TTBB arrangement for men’s choir emphasizes the rich harmonies and depth of Mühle’s composition, making it an evocative choice for religious performances and services. The vocal arrangement follows the classic prayer, from Our Father, who art in heaven to the resounding conclusion of For thine is the kingdom, and the power, and the glory forever. Each voice part has been crafted to allow for clarity and balance, ensuring an impactful and moving performance.This digital sheet music is available in high-resolution, ideal for church performances, religious ceremonies, and concerts, providing choirs with an opportunity to delve into a profound and meditative expression of faith.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerEntdecken Sie die spirituelle Größe von Das Gebet des Herrn (Das Vaterunser), eine meisterhafte Komposition des Komponisten des 19. Jahrhunderts, Carl Gottlieb Mühle, nun wunderschön für Männerchor TTBB arrangiert von L. Müller. Mühles Werk ist bekannt für seine feinsinnige Verbindung von Ehrfurcht und Melodie und bietet eine kraftvolle Interpretation des heiligen Textes.Dieses TTBB-Arrangement für Männerchor hebt die reichen Harmonien und die Tiefe von Mühles Komposition hervor und macht es zu einer ergreifenden Wahl für religiöse Aufführungen und Gottesdienste. Das vokale Arrangement folgt dem klassischen Gebet, von „Unser Vater, der du bist im Himmel“ bis zum ergreifenden Abschluss „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“. Jede Stimmführung wurde so gestaltet, dass sie Klarheit und Ausgewogenheit ermöglicht und eine eindrucksvolle und bewegende Darbietung sicherstellt.Diese digitale Partitur ist in hochauflösender Qualität erhältlich und ideal für kirchliche Aufführungen, religiöse Zeremonien und Konzerte, und bietet Chören die Möglichkeit, in einen tiefgründigen und meditativen Ausdruck des Glaubens einzutauchen.
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
Chorale TTBB

$2.99 2.55 € Chorale TTBB PDF SheetMusicPlus

Brass Ensemble - Digital Download SKU: A0.999624 Composed by Marc Goris. 20th Century,Children,Contemporary. Score and parts. 158 pages. Brassery Publications #6029565. Published by Brassery Publications (A0.999624). ‘Mowgli et la Meute des Loups’ raconte comment un jeune enfant élevé par des loups dans un milieu souvent hostile devient un jeune homme adulte.  C’est un peu ‘Pierre et le Loup’, sauf qu’ici les animaux sont plus durs, plus sauvages, moins prévisibles.  L’histoire est toujours passionnante et souvent drôle. L’histoire traîte de différents thèmes tels que la formation de l’identité, la confrontation avec l’étranger, l’anxiété  et la sécurité.  Il y est question de respect, de séparation, d’adieu, mais aussi de la gaminerie des jeunes et de la sagesse des panthères. Le texte et la musique s’unissent pour évoquer cette histoire.  â€˜Mowgli et la Meute des Loups’ n’est pas un monologue avec accompagnement musical, c’est un conte où l’image, le texte et la musique se renforcent l’un l’autre.…Musique :  Marc Goris Texte original néerlandais :  Jos Dom Traduction : Maggy Peré, George Georis Adaptation du texte : Bruno Georis   partitions disponible sur demande, à commander via info@brassery.be plus d'infos : https://brassery.be/accueil/production/mowgli-et-la-meute-des-loups.html sur bandcamp : https://brassery.bandcamp.com/album/mowgli-et-la-meute-des-loups-un-conte-musical-pour-quintette-de-...  
Mowgli et la Meute des Loups, pour quintette de cuivres et narrateur
Ensemble de cuivres

$90.00 76.88 € Ensemble de cuivres PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.958727 Composed by Felipe Rosario Goyco Don Felo. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Latin,Standards,Traditional. Score. 3 pages. Juan Carlos Cortés Aguirre #6116469. Published by Juan Carlos Cortés Aguirre (A0.958727). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en la versión del célebre e inolvidable dueto de Juan Ernesto Peronet (Peruano) y Carlos Izurieta (Ecuatoriano), más conocidos como Peronet e Izurieta.Bolero Cuando vuelvas (Titulo original: Desde que te fuiste) Por el compositor de Puerto Rico, Felipe Rosario Goyco, más conocido como Don Felo, autor también de el célebre bolero Madrigal (Titulo original: Estando contigo).Vídeo You Tube:https://www.youtube.com/watch?v=1sHJB6TM0cATexto:Cuando vuelvas (Desde que te fuiste)Bolero por Felipe Rosario Boico (Don Felo)Introducción:El canto lastimero,de una tórtola sola,no es mas triste y sincero,que esta humilde congoja,esperando que vuelvas,pensando en tus besos,me paso las horas,y sabrásque si no vuelves me muero.Interludio:Todo está,retrato y flores,desde que te fuiste,muy triste, muy triste,y no ha vuelto a cantar,sus preciosas canciones,el divino turpial,el divino turpial,piensa bien lo que hiciste,la noche que te fuiste,y no has vuelto jamás,y yo tanto esperar,esperar que yo muera,divina mujer,para luego volvera que me has hecho padecer.Interludio:Es mi amor verdadero,de una ternura sola,y es tan grande y sincero,que mi pecho devora,esperando que llegues,pensando que vuelvasme paso lo días,pero situ no llegabas moría.Interludio:Todo está,retrato y flores,desde que te fuiste,muy triste, muy triste,y no ha vuelto a cantar,sus preciosas canciones,el divino turpial,el divino turpial,piensa bien lo que hiciste,la noche que te fuiste,y no has vuelto jamás,y yo tanto esperar,esperar que yo muera,divina mujer,para luego volvera que me has hecho padecer.
"Cuando vuelvas" o "Desde que te fuiste" - Bolero por Felipe Rosario Goyco "Don Felo"
Piano seul

$7.99 6.82 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1171245 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771583. Published by Lisa L Ochoco (A0.1171245). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying.  The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief.   The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful.This arrangement is scored for clarinet choir – 4 Bb, alto, bass, and contrabass.  There is an optional Eb part to play in addition to, or in lieu of, the 1st Bb part.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
The Saddest Noise
separation’s sorcery 
Made cruelly more dear
 
  
It makes us think of what we had, 
And what we now deplore

$16.00 13.67 € PDF SheetMusicPlus






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