Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.984295 Composed by Trad. Arranged by Karen E McAulay. Christian,Christmas,Praise & Worship,Sacred. 1 pages. Dr Karen E McAulay #4993683. Published by Dr Karen E McAulay (A0.984295). A brand new descant for Adeste Fideles (O, Come All Ye Faithful) verse 3 (Sing, Choirs of Angels), composed November 2019.  For ease of rehearsal, the score comes as a piano score (descant in the treble clef and the usual melody and bassline in the bass clef).Equally effective with any treble instrument augmenting or replacing a sung descant.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.842372 Composed by Felix Bartholdy Mendelssohn. Arranged by Mike Eades. Romantic Period. Brass Band. 121 pages. Mike Eades #3506903. Published by Mike Eades (A0.842372). A much simplified arrangement which I hope keeps the mood of the overture. Transposed to Ab it's still not without it's challenges with semi-quaver runs and sections playing against each other. Plenty of work for the 1st Baritone, the Horns, Euphs and the Bb basses! Need a strong front row as well....

Organ - Moderately Easy - Digital Download SKU: MQ.10-744-E Composed by Charles E. Callahan Jr. and G. Grieco. 52 pages. MorningStar Music Publishers - Digital Sheet Music #10-744-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-744-E). A delightful and useful collection of music from composers spanning the 17th-21st centuries. While the music is manuals only, it has such class and pedigree that you will want this book near your console at all times.Includes:Allegro in E-flat by BachPostlude in F by CallahanMarche by ClaussmannLargo by LefeburePostludium by Rinck.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1485456 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Religious,Sacred. 7 pages. Hélder Bento #1062513. Published by Hélder Bento (A0.1485456). Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and PartsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.

Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 3 - Digital Download SKU: A0.1485457 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Religious,Sacred. 6 pages. Hélder Bento #1062514. Published by Hélder Bento (A0.1485457). Mass in G Major - Qui sedes - Duet (Soprano, Alto) - Vocal ScoreCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.

Flute Duet - Level 4 - Digital Download SKU: A0.1047146 Composed by Scott Joplin. Arranged by Frank Poloney. Jazz,Ragtime. Score. 8 pages. Frank Poloney #651675. Published by Frank Poloney (A0.1047146). This is an arrangement of the ragtime piano composition The Cascades by Scott Joplin. The 1st flute part is more difficult, while the 2nd is more intermediate. Two players of equal skill could exchange parts on all of the repeats, so that each gets a chance to play the more difficult part.The PDF provides both parts on one stave, followed by each part separately, so the piece can be played without page turns.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1272438 By Luis Fonsi Featuring Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Published Harmony and Teacher Valarie. 21st Century,Children,Contemporary,Film/TV,Pop. Score. 10 pages. Published Harmony Valarie #864664. Published by Published Harmony Valarie (A0.1272438). Easy for students to learn and easy for teachers to teach - in person or lesson. Added note names, enlarged fonts, finger numbers guides added and meanings of the terms used for performance. Piano Sheet Music added with note names, finger numbers & explanation of the terms and symbols in the performance directions.

Piano Solo - Level 4 - Digital Download SKU: A0.977391 By Suzanne Herman. By Suzanne Herman. 21st Century,Classical,Contemporary,Contest,Festival,New Age. Score. 54 pages. Suzanne Herman Music #5019693. Published by Suzanne Herman Music (A0.977391). Cascades of Time is a collection of ten sophisticated piano stylings that portray passing years and fleeting moments. These original piano solos depict various aspects of time using a wide array of moods and sentiments. The Cascades of Time Songbook includes expressive melodies, expansive dynamics, bold harmonies, spirited arpeggios, and musical nuance. The continuation of time through periods of both joy and tribulation, is reflected in the enchanting, and innovative, music of Cascades of Time. Cascades of Time can be found worldwide including Spotify, Apple Music, Pandora, SoundCloud, etc. For more information about Suzanne Herman:Website  

Piano and voice - Digital Download SKU: LV.5828 Composed by Erwin C. Koeppen. Portraits, Barrooms, Youth, Alcoholics, Handguns, Vice, Mothers & children, Fathers & children, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5828). Descriptive Song. True To His Promise. [Description of circumstances surrounding subject matter of song on back cover]. Words and Music by Erwin C. Koeppen. Published 1896 by E.T. Paull Music Co., 20 East 17th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Barrooms, Youth, Alcoholics, Handguns, Vice, Mothers & children, Fathers & children, Death. First line reads In the barroom of a mining town a pale and trembling lad stood.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano - Digital Download SKU: LV.15274 Composed by S. Mazurette. Boaters, Crowds, Contests, Bodies of water. Lester S. Levy Collection. 19 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15274). The Magic Boatman, Grande Paraphrase de Concert. Descriptive Composition for Piano [description of Program and Directions for playing on back cover]. By S. Mazurette, Op. 140. Published 1882 by C.J. Whitney, 40 Fort Street West in Detroit Mich.?]. Composition of sectional with piano [chromatic passages in bass represent the stroke of the oar instrumentation. Subject headings for this piece include Boaters, Crowds, Contests, Bodies of water. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.991830 Composed by Mark Haas. A Cappella,Christian,Contemporary,Sacred. Octavo. 12 pages. Mark Haas #3099757. Published by Mark Haas (A0.991830). The Beatitudes is one of the most well-loved scriptural passages from the Gospel of Matthew. During his sermon on the mount, Jesus provides a detailed list of attributes that all Christians should strive to attain. Mark Haas has written this SATB a cappella piece that embodies a heavenly sound, full of rich harmonies and lyrical gestures.2017 Choral Contest Entry

Euphonium Solo - Level 4 - Digital Download SKU: A0.955741 Composed by Claude Debussy. Arranged by Phil Thrift. 20th Century,Classical. Individual part. 55 pages. Phil Thrift #6362953. Published by Phil Thrift (A0.955741). Claude Debussy’s two sets of Préludes for piano have always been among my favorites and I have selected these three from Livre 1 because they work well on low instruments. If you are unfamiliar with the Préludes, I suggest you listen to some recordings first to get an idea of what these pieces are all about. You can then perhaps introduce your own ideas. Debussy specified the very slow tempo for Footprints…, but the other tempos are just my suggestions. Likewise, the translations of the less familiar French terms are mine, and you may wish to rethink them. These pieces will really test your quartet’s ability to play together.The score is in bass clef, but alternative treble clef parts are included.

Full Orchestra - Level 3 - Digital Download SKU: A0.924784 Composed by John Francis Wade. Arranged by Stenio Caixeta. Christian,Christmas,Concert,Standards. Score and parts. 48 pages. Stênio Caixeta #4820809. Published by Stênio Caixeta (A0.924784). Arranjo orquestral desta famosa canção / tema de Natal atribuído a John Francis Wade

Trombone Duet Trombone - Digital Download SKU: A0.784313 Composed by Joshua Hauser. Instructional. Score. 41 pages. Slide Ride #3570011. Published by Slide Ride (A0.784313).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  â€ƒAs with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!

Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat!  Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble.  Since then I have brought that version to several clinics and warm up sessions.  One time before I got to explain the title, a fellow trombone professor said, Oh, I get it!  Don’t step in the holes! I only wish I had thought of that myself...  Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  â€ƒAs with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions.  That helps everyone to keep on track and stay in time.  Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set.  For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key.  Play them in f minor (all forms), different modes, etc.  For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!