Concert Band - Level 3 - Digital Download SKU: A0.1404055 Composed by Daniel Seraphine and David Hawk Wolinski. Arranged by John Ivor Holland. 20th Century,Disco,Pop,Rock. 89 pages. John Ivor Holland #987228. Published by John Ivor Holland (A0.1404055). 'Street Player' is the opening track on Chicago 13, the eleventh studio album by American rock band Chicago, released on August 13, 1979, by Columbia Records. The song is a cover, having previously been performed by Rufus and didn't chart very highly, although the album eventually was certified Gold. It is primarily known as being sampled for the 1995 hit The Bomb! (These Sounds Fall into My Mind) by The Bucketheads, the 2009 hit I Know You Want Me (Calle Ocho) by Pitbull and the 2013 remix by dance music producer Tradelove. The original recording featured a long trumpet solo by Maynard Ferguson; this arrangement, however, has been shortened, although still packing a punch with its distinctive brass lines - it should still be accessible to most bands with some careful rehearsal to get the rhythms together and should be a sure-fire hit with your audience.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1296063 Composed by Michael Alexander Chadwick. 21st Century,Classical,Contemporary. Score. 13 pages. Michael Alexander Chadwick #886336. Published by Michael Alexander Chadwick (A0.1296063). A set of six songs for low voice and piano. Original compositions by Michael Alexander Chadwick, set to poems by the great American poet Ogden Nash. This set is a perfect addition to any recital program or concert. The set includes: Samson Agonistes, The Hunter, My Dream, A Word to Husbands, Untitled, and I Didn't Go to Church Today.

Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1287548 Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred,Spiritual. 56 pages. Shaw Music #878566. Published by Shaw Music (A0.1287548). This collection of seven all-new arrangements showcases the profound beauty of these extraordinary spirituals. Equally appropriate for sanctuary and recital hall, the lush harmonies and soaring vocal lines are sure to delight performer and audience alike. Titles include: By and By; Didn't My Lord Deliver Daniel, with Joshua Fit the Battle; Oh, My Good Lord, Show Me the Way; Going Up; I Know I Would Like to Read; That Suits Me; Run to Jesus.

Piano,Trombone - Level 1 - Digital Download SKU: A0.548678 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410439. Published by jmsgu3 (A0.548678). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Register for free lifetime updates and revisions at www.jamesguthrie.com

B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.643955 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Josiel Oliveira. Multicultural,Pop,Romantic Period,World. Individual part. 2 pages. M das Melodias #253032. Published by M das Melodias (A0.643955). Music sheet music Deja Vu for Trumpet in Bb. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Singer Olivia Rodrigo. Relaxing music to dream. Car rides to Malibu #oliviarodrigo #dejavu #trumpet #sheetmusic #relaxingmusic Strawberry ice cream One spoon for two And trading jackets Laughing 'bout how small it looks on you (Ha-ha-ha-ha, ha-ha-ha-ha, ha-ha-ha-ha) Watching reruns of Glee Being annoying Singing in harmony I bet she's bragging To all her friends, saying you're so unique, hmm So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was our place, I found it first I made the jokes you tell to her when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? (Ah), hmm Do you get déjà vu, huh? Do you call her Almost say my name? 'Cause let's be honest We kinda do sound the same Another actress I hate to think that I was just your type I'll bet that she knows Billy Joel 'Cause you played her Uptown Girl You're singing it together Now I bet you even tell her How you love her In between the chorus and the verse (ooh) (I love you) So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was the show we talked about Played you the song she's singing now when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? Oh Do you get déjà vu? Strawberry ice cream in Malibu Don't act like we didn't do that shit, too You're trading jackets like we used to do (Yeah, everything is all reused) Play her piano, but she doesn't know (oh, oh) That I was the one who taught you Billy Joel (oh) A different girl now, but there's nothing new (I know you get déjà vu).

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1417980 By Dave Mason Cass Elliot. By David Mason. Arranged by Jeff Tincher. Contemporary,Folk,Pop,Rock,Singer/Songwriter. 9 pages. Jeff Tincher #999531. Published by Jeff Tincher (A0.1417980). This song takes me back to a time when music was simple, light, and enjoyable to listen to. In the original key from the self-titled Dave Mason & Cass Elliott lp. this was one of the first superstar duet teams to become popular. Why they didn't do a follow-up lp is beyond me. Duration = 2:16. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1285286 By Rod Stewart. By Cat Stevens. Arranged by Spencer Bundy. 20th Century,Pop. 14 pages. Spencer Bundy #876401. Published by Spencer Bundy (A0.1285286). Although the song had been written earlier, the composer didn't release his own version, until his second album,'New Masters' from 1967. Successfully covered many times by Rod Stewert, Sheryl Crow & others, this song remains popular with people everywhere.

Choral Choir,Choral (SAT) - Level 3 - Digital Download SKU: A0.1310211 Composed by Franz Schubert. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 10 pages. Benzaiten Editions #899349. Published by Benzaiten Editions (A0.1310211). Hey! Do you want to learn how to sing Schubert's Ave Maria for the SAT choir? It's your lucky day! 🎵Schubert Ave Maria • SAT (soprano I • alto • tenor) choir sheet music with easy piano accompaniment About the song Ave Maria by Franz Schubert, composed in 1825, is one of his most famous pieces. It's often associated with the Catholic prayer, but it's actually based on a work by the Scottish poet Walter Scott. Originally part of Ellens Gesang III, this gentle, melancholic melody with Latin lyrics invoking the Virgin Mary has been adapted for various instruments and choirs. Schubert didn't anticipate it becoming widely known as Ave Maria; the original title was Ellens Gesang III: Hymn to the Virgin. This beautiful composition is performed in various settings and continues to inspire listeners, showcasing Schubert's brilliance as a composer.

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.955898 Composed by George Gershwin and Ira Gershwin. Arranged by Scott S. Stewart. Contemporary. 9 pages. Scott S. Stewart #6882583. Published by Scott S. Stewart (A0.955898). Aren’t You Kind of Glad We Did? is an unused George Gershwin song recycled posthumously by brother Ira for the 1947 film The Shocking Miss Pilgrim (Dick Haymes and Betty Grable) – a story about the Women’s Suffrage movement of 1874, and equality in the workplace.  The film was a disappointment. This song didn’t get radio airplay (as recorded by Dick Haymes and Judy Garland) because censors inferred it had a too suggestive meaning.    This ‘trunk tune,’ however, found its way into the Great American Songbook. This arrangement is an (interactive conversational) duet for soprano and baritone with piano accompaniment.  Performance time: 3:38+-

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.837943 By The Commodores. By Lionel Richie. Arranged by Spence Bundy. 20th Century,Pop. 17 pages. Spencer Bundy #6439101. Published by Spencer Bundy (A0.837943). The Commodores first No.1 from August 1978. Lionel Ritchie, the lead singer and composer of the song, wanted to pitch it to Frank Sinatra as he didn't believe it was a suitable song for the group. It went on to be a top five hit in over twenty five countries and is still popular to this day.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1447110 Composed by Harmonised by J S Bach (1685 - 1750). Arranged by Andrew Emmet. A Cappella,Christian,Christmas,Religious,Sacred. 4 pages. Andrew J Emmet #1026889. Published by Andrew J Emmet (A0.1447110). SSAA A Cappella arrangement.When I came to make an SSA arrangement of this, It was obvious to me that the bass part was such an important part of the arrangement, that it had to somehow stay there. It just didn't fit for an Alto 2, so I put it in as Sop 2, putting it up an octave, with a couple of minor adjustments. It sounds a bit like a descant, but it's always needed for the harmomies. I think it works well!

Piano Solo - Level 3 - Digital Download SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible:  no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece.  In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions.  Playing a piece of music is not the same as mastering it.  Surviving a performance is not the same as playing with confidence.  There is no joy in being vulnerable to embarrassing mistakes.  It is no way to live.  You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are.  The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate.  If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music.  Debussy broke the boundaries of conventional piano notation.  That means contradictions and ambiguity, which must be addressed.A note about fingering:  where and why it is or is not presented.  I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece.  My goal is to include information that the pianist needs, but does not already know.  For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution.  For example, m9-24, and m61-62, fall into this category.  Octaves can only practically be played with fingers 1 and 5.  I provide a lot of finger numbers, but that is not the same as  creating an edition that can be played without significant staff reading.  The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced.  Attempting to bridge more than one level is not my goal.