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Concert Band - Level 4 - Digital Download SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
When I Look In The Mirror...
Orchestre d'harmonie

$30.00 25.97 € Orchestre d'harmonie PDF SheetMusicPlus

Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Henderson. By Horace Silver. Arranged by Horace Silver. This edition: Interactive Download. Jazz. 37 pages. Duration 355. George Kaplan #C5SAErxqDpwnfFE1mI7uF. Published by George Kaplan (A0.1297026). Key: Db major.This is a note-for-note transcription of the October 31, 1963 trio recording of Horace Silver’s tune Que Pasa. It is notated for piano, bass and drums, although the bass is a three-note figure that hardly ever varies. For his improvisations, Horace employed a call-and-response pattern between his two hands, with little overlap. This means that the solo pianist can play the string bass part with her left hand while handling both piano staves with her right. Horace observed, “We never used this trio version but I really like this earlier version. I approached it differently in that I didn’t always resolve it when I was improvising. It’s different and I like it.†See bar 67 for an example of his reluctance to resolve. To create Que Pasa, Horace took the first line of Gershwin's Nice Work If You Can Get It (“Holding hands at midnightâ€) and put a samba bassline underneath. It is written in the theoretical key of Db minor, together with the non-diatonic chords G13 and F13. The tune stayed in his bandbook for the next three years and has become something of a mini-standard over the years.
Que Pasa
Joe Henderson
$9.99 8.65 € PDF SheetMusicPlus

Cello Solo - Level 1 - Digital Download SKU: A0.643947 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Josiel Oliveira. Multicultural,Pop,Romantic Period,World. Individual part. 2 pages. M das Melodias #253024. Published by M das Melodias (A0.643947). Music sheet music Deja Vu for Cello. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Singer Olivia Rodrigo. Relaxing music to dream. Car rides to Malibu Strawberry ice cream One spoon for two And trading jackets Laughing 'bout how small it looks on you (Ha-ha-ha-ha, ha-ha-ha-ha, ha-ha-ha-ha) Watching reruns of Glee Being annoying Singing in harmony I bet she's bragging To all her friends, saying you're so unique, hmm So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was our place, I found it first I made the jokes you tell to her when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? (Ah), hmm Do you get déjà vu, huh? Do you call her Almost say my name? 'Cause let's be honest We kinda do sound the same Another actress I hate to think that I was just your type I'll bet that she knows Billy Joel 'Cause you played her Uptown Girl You're singing it together Now I bet you even tell her How you love her In between the chorus and the verse (ooh) (I love you) So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was the show we talked about Played you the song she's singing now when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? Oh Do you get déjà vu? Strawberry ice cream in Malibu Don't act like we didn't do that shit, too You're trading jackets like we used to do (Yeah, everything is all reused) Play her piano, but she doesn't know (oh, oh) That I was the one who taught you Billy Joel (oh) A different girl now, but there's nothing new (I know you get déjà vu).
Deja Vu
Violoncelle
Olivia Rodrigo
$4.99 4.32 € Violoncelle PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1201501 By The Beatles. By John Lennon and Paul McCartney. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #800122. Published by Timothy Stapay (A0.1201501). This is an arrangement of Norwegian Wood, composed by John Lennon and Paul McCartney.  It is written in a bright improvisational style; with changes of key.Norwegian Wood (This Bird Has Flown) is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon, with lyrical contributions from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with Nowhere Man. Norwegian Wood Lyrics:[Verse 1: John Lennon]I once had a girlOr should I say, she once had me?She showed me her roomIsn't it good, Norwegian wood?[Bridge: John Lennon & Paul McCartney]She asked me to stay and she told me to sit anywhereSo I looked around and I noticed there wasn't a chair[Verse 2: John Lennon]I sat on the rugBiding my time, drinking her wineWe talked until twoAnd then she said, It's time for bed[Guitar Solo][Bridge: John Lennon & Paul McCartney]She told me she worked in the morning and started to laughI told her I didn't and crawled off to sleep in the bath[Verse 3: John Lennon]And when I awokeI was alone, this bird had flownSo I lit a fireIsn't it good, Norwegian wood?
Norwegian Wood (this Bird Has Flown)
Piano seul
The Beatles
$6.99 6.05 € Piano seul PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
Beyond The Sea
Chorale SATB

$10.00 8.66 € Chorale SATB PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1472545 Composed by Laura G Cole. Christian,Contemporary,Praise & Worship,Religious,Spiritual. Score. 14 pages. Laura G. Cole #1050193. Published by Laura G. Cole (A0.1472545). This original song is for solo voice & piano. I’ve kept the accompaniment to the bare minimum so that the words can have greater impact on the listener. I wrote this song quite a long time ago. I was in the process of finding my way as a Christian. I accepted Jesus Christ as my Lord and Savior in my teens, but had always had Him in my heart as a child. My relationship didn’t grow for years because I don’t think I was being fed spiritually. It took a long time to begin that growth toward a personal relationship with Christ. I had lots of people help me along the way. A major influence on me was a student who was more spiritually mature in her teens than I have been all of my adult life. Allie, this song is for you.
Set Me Free
Piano, Voix

$2.99 2.59 € Piano, Voix PDF SheetMusicPlus

String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1419194 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. 12 pages. Sarah Cellobat Chaffee #1000626. Published by Sarah Cellobat Chaffee (A0.1419194). *INSTRUMENTATION: 2 VIOLINS & CELLO*New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello trio features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
Theme From "New York, New York"
Trio à Cordes: 2 violons, violoncelle
Frank Sinatra
$14.99 12.97 € Trio à Cordes: 2 violons, violoncelle PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.533319 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 12 pages. Musik Fabrik Music Publishing #2343097. Published by Musik Fabrik Music Publishing (A0.533319). This charming piano solo was first performed by its dedicatee, Jacques Leguerney’s good friend and muse Thérèse Cahen (1897-1944), in the Salle Debussy-Pleyel. They met around 1925. Cahen was the first person outside of his family to encourage his musical aspirations. For years, they met every Saturday to read through and discuss his music. She not only helped him with piano and harmony, but also performed his early chamber works, recruiting from her entourage to help him find high level interpreters for his music. Other early Leguerney works that she premiered included the Trio pour violon, violoncello et piano; the Sonatine pour flûte et piano; and two vocal chamber works presented by the Société Musicale Indépendente (S. M. I.), Epitaphe guerrière and Clair de lune for voice, flute and piano. Their friendship lasted until Cahen was deported from Paris on July 31, 1944, only a few weeks prior to the Liberation of Paris. Working with the Center of the Union Générale des Israélites de France in Saint-Mandé (a Parisian suburb), Thérèse Cahen had dedicated herself to the care of children of deported French parents. She left Paris with these children in the Convoy 77, and was taken to the gas chamber of Auschwitz. She left a letter for him, along with her grand piano, which remained in his apartment until his death.My dear Jacques,It is impossible to write on this little page how much I have appreciated your kindness toward me for years and years, and how much happiness this has given me: there have been thousands of Saturdays, and I thought of them every day of the week. Probably you didn’t realize the influence you have had on me: it seems that my whole personality, my way of thinking and feeling has been transformed by you; it is a very deep imprint. If I am taken and in consequence you read this letter, tell yourself that I will continue to count the Saturdays in order to have an idea of the number of songs composed during my absence and that I will be delighted to hear them when I return. If I don’t return, I definitely want you to keep my piano but I don’t think it will happen and I say that I will see you soon.Very tenderly,ThérèsePS Speaking of tenderness, I think with emotion about the little passage concerning tenderness in your latest song.[La Fontaine d’Hélène]
Jacques Leguerney: Impromptu for piano
Piano seul

$10.35 8.96 € Piano seul PDF SheetMusicPlus

Bass Clarinet,Guitar,Voice - Interactive Download SKU: A0.482136 By Kelly Brock and Nicholas Cocco. By Nicholas Cocco and Kelly Brock. This edition: Interactive Download. Country. Lead Sheet / Fake Book. 24 pages. Duration 264. Published by CoccoMusic LLC and Underdog Music and Publishing (A0.482136). Hear the demo version at www.nimbitmusic.com/underdogpublishing. She was Seventeen... Didn't know how to take her time. First Time Feeling is the coming of age story of two young lovers and the unmistakable feeling of falling in love for the first time. At the heart of the song, hidden within the lustful lyrics and romantic guitar, lies a deep truth about love, loss and regret.
First Time Feeling
Ligne De Mélodie, (Paroles) et Accords
Kelly Brock and Nicholas Cocco
$3.99 3.45 € Ligne De Mélodie, (Paroles) et Accords PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801561 Composed by Connie Boss. Children,Christmas,Country,Folk,Pop. Score. 6 pages. Connie Boss #6198089. Published by Connie Boss (A0.801561). I decided to make a collection of my favorite Christmas memories as a child and then as a parent. This is the 4th and final song in the collection. It is for duet and piano. In every song, the refrain uses the same lyrics but has a different melody. There are 4 songs in the collection. It is about waking up on Christmas morning and how excited we were to see what Santa had brought us. There are 7 kids in my family and we didn't have a lot of money. One Christmas by the grace of God, dad got a bonus check to buy us presents. Even though I am now 62 years old, I still have fond memories of my youth. As my family is aging, we don't exchange presents, but love to be together on Christmas. cdboss@cvalley.net for any questions.
Christmas Memories - The Christmas Presents #4 duet - from Christmas Memories Collection
Piano, Voix et Guitare

$5.00 4.33 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1415941 Composed by Gavin Koh / Wolfgang Amadeus Mozart. Arranged by Gavin Koh. Classical. Score. 5 pages. Gavin Koh #997636. Published by Gavin Koh (A0.1415941). The Nuovo series is a new series of music where I take the bass line of an existing piece and create a new melodic line for it.  I have taken Mozart's Rondo alla Turca (the final movement from Piano Sonata No. 11, K.331) and replaced the melody for the entire Rondo. If you look closely, the entire bass line is intact as well as most of the dynamics. If the music still sounds distinctly like the original (especially the coda section), well, that was intentional; I didn't want this first piece to be too different.
Nuovo Rondo alla Turca
Piano seul

$4.99 4.32 € Piano seul PDF SheetMusicPlus






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