Easy Piano - Level 2 - Digital Download SKU: A0.1391211 By Olivia Rodrigo. By Olivia Rodrigo. Arranged by Cathy Pate. 21st Century,Country,Film/TV,Pop,Singer/Songwriter. Score. 2 pages. Aiwo Production #974742. Published by Aiwo Production (A0.1391211). Olivia Rodrigo's song All I Want explores the complexities of love and relationships. 💔 The lyrics describe past experiences with a guy who seemed perfect on paper but lied, and another from the past where love didn't last.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.781977 By The Beatles. By John Lennon and Paul McCartney. Arranged by Aaron Hettinga. Rock. Score and parts. 17 pages. Aaron Hettinga #6022111. Published by Aaron Hettinga (A0.781977). An enjoyable romp from the Beatles’ Abbey Road album shows up here for 5 brass. The form and character of the original recording is generally fairly closely followed. This arrangement is set ½ step higher than the original recording for better accessibility, especially for players not as comfortable with the key of D. Besides the Tuba part (which has some fun twists and turns), every other instrument gets a chance to play the melody for an entire verse or chorus to keep things interesting for all.Performance options: The first and second verses are fairly identical. Since the lyrics of this song tell a story, it didn’t feel right to eliminate anything from the form. So, for variety’s sake, a different player is featured for each verse. If desiring a shorter play duration, a choice can be made to either feature the F Horn player or the Trombone player (or alternating between them) on the opening section before heading straight into the second ending.

Flute,Piano - Level 3 - Digital Download SKU: A0.549330 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486233. Published by jmsgu3 (A0.549330). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Instrumental Duet - Level 5 - Digital Download SKU: A0.1365910 Composed by Ian Deterling. Classical. 172 pages. Ian Deterling #950261. Published by Ian Deterling (A0.1365910). Note: The original version of Duet in D-Flat Major made use of relatively uncommon time signatures (6/16; 9/16; 12/16). This 'Alternate Version' has rewritten the piece into more familiar time signatures (6/8; 9/8; 12/8). Duet in D-Flat Major was written in what could perhaps be best described as a burst of inspiration. After a couple of days of casually juggling some motifs around in my mind, clicked and I woke up with a musical idea that I scrambled to write down as quickly as possible. I spent the majority of that day developing these ideas, and this became what is now the third movement. Some of the ‘leftover ideas’ that didn’t make it into the finale were used as seeds for the second movement - in particular, the motifs at measure 9 and from 70-80. The opening movement ended up being the last one written and begins with a noble and/or heroic fanfare in 6/16. The second movement cautiously meanders through unexpected harmonies, much like someone nervously exploring unfamiliar places. The finale is another fanfare, but has some mischievous fun after turning a few harmonic corners in minor. My goal with this duet was to create a musical universe that has the grandeur of an orchestra with just two voices.  I’ve adapted this duet for a variety of instruments. The score reads as a small flex-band ensemble, but this piece is intended to be performed by just two musicians.Instruments:Part 1 - Clarinet in Bb - Alto Clarinet - Bass Clarinet - Alto Saxophone - Tenor Saxophone in Bb - Baritone Saxophone - Trumpet in Bb - Horn in F - Alto TrombonePart 2 - Bass Clarinet - Bassoon - Baritone Saxophone - Trombone - Bass Trombone - Euphonium (BC and TC) - Tuba.

Piano,Trumpet - Level 3 - Digital Download SKU: A0.919560 Composed by Mike DeWeese. Concert,Contemporary. Score and part. 9 pages. Mike DeWeese #3473269. Published by Mike DeWeese (A0.919560). Originally meant to be a silly, overly sad, tongue-in-cheek piece of music, Nocturne evokes emotions of melancholy, longing, and passion. During the early stages of composing this piece, it became obvious to me that the music was going someplace where comedy didn't feel right. Because of that, I decided to ditch the original instrumentation of kazoo, voice, and piano, and instead went with flugelhorn and piano. Nocturne includes most of everything I love playing as a trumpeter: lyrical melodies, melodies over jazz chords, and a more technical section to show off a little bit. Great for recitals!All of the music was composed in FL Studio, with the flugelhorn part recorded by me and the piano part sequenced using the Pearl Concert Grand sample library from Impact Soundworks.  .

Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081858 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 48. George Kaplan #1iaCvuKkfEHODGgoNuqBzA. Published by George Kaplan (A0.1081858). Key: Db major.Composed of 2 side-long suites, Silver 'n Wood features his regular touring front end of Tom Harrell on Trumpet and Bob Berg on tenor together with Ron Carter and Al Foster (both of whom didn't tour with Horace). Wade Marcus orchestrated the brass and reed overdubs according to Horace's exacting charts, doing a wonderful job. What stands out is the quality of the 8 compositions: unsurpassed. The record is long at about 48 minutes but immensely rewarding in all respects.

Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549333 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486247. Published by jmsgu3 (A0.549333). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Piano - Digital Download SKU: A0.1069955 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 298. Boothe Publishing #4633651. Published by Boothe Publishing (A0.1069955). After being married for several years I realized that I had never written a love song for my wife. So, one day during a lull in guitar lessons I wrote her a song. I truly believe she is the light in my life and that without her my life would be about as interesting as a stone. When I am with her I feel that I can accomplish anything. She inspires me to be better than I am because she is in every way better than I am. She has more patience, kindness, is more caring and less concerned about how others view her than anyone else I know. I'm glad I finally worked up the courage to ask her to marry me. I was afraid to open my mouth and speak what was on my mind. After many months, when I thought I was going to lose her completely, I opened up my feelings to her, and to my great relief she had some of the same feelings that I had. She didn't say yes she would marry me right away, (I had to lock her in a room to get that response) however, over time she did decide of her own free will and choice to marry me. Thank you Karen Ziegelbauer, you are the best.

Solo Guitar - Level 4 - Digital Download SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement! 

Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.

Piano Solo - Level 2 - Digital Download SKU: A0.1300308 Composed by traditional, different, Lysenko, Mayboroda. Arranged by Iryna Martynova. Multicultural,Patriotic,Singer/Songwriter,Standards,Traditional,World. Score. 11 pages. Iryna Martynova #890043. Published by Iryna Martynova (A0.1300308). An easy version of the famous ukrainian folk and popular traditional songs for piano solo. 1. What a moonlit night - M. Lysenko, M. Starytskyi2. The wide Dnieper roars and moans - D. Kryzhanivskyi, T. Shevchenko3. The mountain is high - M. Lysenko, L. Hlibov4. Black eyebrows - Ukrainian. born song5. Why didn't you come - Ukrainian. born song6. Oh, there is a red viburnum in the meadow - S. Charnetskyi7. Oh, don't light up, mysiachenku - Ukrainian. born song8. The winds are blowing - M. Lysenko, I. Kotlyarevskyi9. I look at the sky - V. Zaremba, M. Petrenko10. My mother is P. Maiboroda, A. Malyshko11. Chornobrivtsi - V. Vermenych, M. Syngaivskyi.

Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.578953 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 8 pages. David Warin Solomons #2063473. Published by David Warin Solomons (A0.578953). Journeymen (young craftsmen) in Germany used to be required by law to go from town to town to practise their skills rather than stay in one town, which gave rise to many songs, of which Es es es und es is the best known - (the words of that song mean it is a hard conclusion but I have to leave this town). These journeys were referred to as Walz so these workers went auf der Walz. The idea of travelling auf der Walz was also taken up in Australia (where they called it on the Waltz or on the Wallaby) and it gave rise to the famous song Waltzing Matilda, although in the Ozzie song the traveller was a swagman rather than a craftsman. So I have called this arrangement On the Wallaby. In neither case was the 3/4 time of the Waltz used although there is probably a connection: I initially tried to create this merged arrangement in 3/4 but it didn't seem to work satisfactorily... So here is a 4/4 waltz based on the two traditional and related songs. The pdf file contains score and parts. The sound sample is an electronic preview.

Piano Solo - Level 1 - Digital Download SKU: A0.961544 Composed by Olly Wedgwood. Classical,Concert,Contemporary,Standards. Score. 3 pages. OllysPianoSheets #4791097. Published by OllysPianoSheets (A0.961544). All At Sea is a classical piano ballad in the key of D minor for beginner level pianists at the grade 1 (ABRSM) standard.The phrase All at sea harks from back in the times when sailing ships didn't have navigation aids. So if they were at sea and land was not visible, then they could quite easily get lost and find themselves in dangerous waters...All at Sea expresses the uncertainty and worry that sailors might have had when they lost sight of land. Of course, these days we have satellite navigation, radar and other neat gadgets, which make navigating the seas much easier.However, sometimes life can still be uncertain, so here is a piano piece which could also express those days when we feel like we've 'lost sight of the land'.All at Sea will suit pianists of about grade 1-2 (ABRSM) standard and should be played with feeling and reflection, taking special care of the dynamics as they rise and fall with the melody.Explore more fun piano sheet music by Olly Wedgwood at OllysPianoSheets.com