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Piano Solo - Level 3 - Digital Download

SKU: A0.958777

Composed by Anónimo/Desconocido. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6633137. Published by Juan Carlos Cortés Aguirre (A0.958777).

Transcripción para Piano Solo por:

JUAN CARLOS CORTÉS A.

Basado en la antológica versión fonográfica del célebre Dueto de Antaño (Camilo Arturo García Bustamante y Ramón Emilio Carrasquilla Peña).

Cibergrafía:

https://es.wikipedia.org/wiki/Dueto_de_anta%C3%B1o

Texto:

Los náufragos.

Danza por Compositor Anónimo

INTRODUCCIÓN:

Ausente y lejos de ti,
todo es un rudo penar,
Todo es bogar como bogan,
Los náufragos tristes en medio del mar.

INTERLUDIO:

Ausente y lejos de ti,
todo es un rudo penar,
Todo es bogar como bogan,
Los náufragos tristes en medio del mar.

NTERLUDIO:

Aquel que ausente se haya sin poderte ver jamás,
Los crueles desengaños siempre han sido para mí.
No pienses que yo te olvido y en la ausencia te he de amar…
Porque los que se alejan, recuerdos dejan cuando se van.

INTERLUDIO:

Sin salvación sin amparo,
con la esperanza perdida,
Pierden los que aman la vida,
la vida, la dicha y hasta el corazón.

INTERLUDIO:

Más yo que he comprendido,
que olvidarte no podré,
Los crueles desengaños siempre han sido para mí,
Por eso vida mía te he de amar y te he de amar…
Porque los que se ausentan, recuerdos dejan cuando se van.


Los náufragos. Danza (Habanera) Colombiana por Compositor Anónimo
Piano seul

$7.99 7.59 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download

SKU: A0.533546

Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. 42 pages. Musik Fabrik Music Publishing #3017639. Published by Musik Fabrik Music Publishing (A0.533546).

This seven minute modernist work uses both structured and aleatoric elements.

Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe.

Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments.

Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.


Andersen Viana: Quartet for flute, oboe, Bb clarinet and bassoon
Flûte, Hautbois, Clarinette, Basson

$19.95 18.96 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download

SKU: A0.889419

Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419).

For the 2018 Chamber Music Contest Entry

Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass.

It is not a difficult piece once learned.

It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people.

Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists.

P.S. - The score was written on Finale.

The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score.

This is the first time that this version is published in Sheet Music Plus.

Thank you very much for taking your time to read this text and to listen to the file.


I hope you have a lot of fun and enjoy the music.

Sheers!


Thanks to Claudia Eppelt for the cover design, all the Love and inspiration.

Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion.

Love Forever.


„The litle story of the - „Eternal Bridge

Eternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:

Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho

Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream

Eternal Bridge For Oboe Harp And Strings

$25.00 23.76 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1292804

By Clayderman Richard. By Paul Marie Andre De Senneville. Arranged by Sérgio Matias da Cunha. 20th Century,Wedding. Score. 1 pages. Sérgio Matias da Cunha #883370. Published by Sérgio Matias da Cunha (A0.1292804).

Arranjo objetivo e conciso, apresentando marcação de cifra, mudança de signo de compasso, linhas de oitava e células rítmicas envolvendo quartos de tempo, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com equilíbrio e harmonia. Acompanhamento diversificado, valorizando cada parte da melodia através de movimentos e arpejos (estendidos para além de uma oitava) que melhor se integram com os diferentes momentos rítmicos e demais intensões. Presença de sinais de repetição e retornelo também contribuem para a praticidade e a concisão deste arranjo, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Mariage D'amour
Piano seul
Clayderman Richard
$4.99 4.74 € Piano seul PDF SheetMusicPlus

B-Flat Clarinet - Level 4 - Digital Download

SKU: A0.1326659

By Budapest Scoring Clarinet Ensemble. By Johannes Ciconia. Arranged by David Warin Solomons. Medieval. Full Performance. Duration 177. David Warin Solomons #914801. Published by David Warin Solomons (A0.1326659).

Instrumental arrangement of a three-voice Italian madrigal by Johannes Ciconia (1370 - 1412), which was written to celebrate the visit of the nobleman Lazzaro Guinigi from Lucca to Ciconia's employer Giangaleazzo Visconti in Padua in 1399.

The lyrics are intended to flatter their guest by referring to the mythical founding of his city, Lucca, by an armored panther (or leopard), in the company of the war-god Mars.
The celebration of the creature’s strong defence of the city was intended to encourage Lazzaro to accept terms for a political and military alliance between Lucca and Padua.

The first stanza and ritornello have the following words in the original madrigal:
Una panthera in compagnia de Marte
Candido Jove d'un sereno adorno
Constant è l arme chi la guarda intorno.
Dando a ciaschun mortal che ne sia degno
Triumpho, gloria e parte in questo regno.


Performed by The Budapest Scoring Clarinet Ensemble.

Una panthera for clarinet trio (mp3)
3 Clarinettes (trio)
Budapest Scoring Clarinet Ensemble
$4.50 4.28 € 3 Clarinettes (trio) PDF SheetMusicPlus


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