Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q25990 Composed by Albert Franz Doppler. This edition: Sheet music. Il Flauto traverso. Das abwechslungsreiche Charakterstück für Flöte und Klavier, mit ihren reizvollen, elegischen wie virtuosen Passagen, ist dank seines gemäßigten Schwierigkeitsgrades schon für ambitionierte Liebhaber eine Repertoire-Bereicherung. Downloadable. Op. 16. Schott Music - Digital #Q25990. Published by Schott Music - Digital (S9.Q25990). This Mazurka de Salon for flute and piano with its delightful elegiac and virtuoso passages is a character piece full of contrasts; moderate in difficulty, it represents a valuable addition to the repertoire for ambitious amateur players.Along with his younger brother Carl (1825–1900), Albert Franz Doppler (1821–1883) was one of the most celebrated flautists of the nineteenth Century. Their virtuoso duo playing was greatly admired and they captivated audiences in the musical capitals of Europe with works they had composed themselves.In 1842 the brothers were founder members of the Vienna Philharmonic orchestra. After spending some time as principal flautist at the Bucharest Opera (1835) and in the orchestra of the Hungarian National Theatre (1841), Franz Doppler decided to return to Vienna, where he worked as principal flautist and conductor at the Court opera and was appointed professor at the Conservatoire in 1865. Awarded the Franz-Joseph medal by the Kaiser in 1881, he died in Baden near Vienna in 1883.

Xylophone Solo - Level 5 - Digital Download SKU: A0.949397 Composed by Adam Lenhart. Contemporary,Standards. 3 pages. Adam Lenhart #6718477. Published by Adam Lenhart (A0.949397). With it's energizing use of dynamic contrast and chromatic descents, A Playful Scheme, embodies the child in us all. The song create imagery of a mischievous memories of childhood, attempting to pull off the most troublesome of practical jokes. This unaccompanied solo for xylophone explores the full dynamic and melodic range of the instrument and is sure to put a smile on a nostalgic audience.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.

Marimba Solo - Level 4 - Digital Download SKU: A0.949340 Composed by Adam Lenhart. Contemporary. Individual part. 5 pages. Adam Lenhart #4969133. Published by Adam Lenhart (A0.949340). This intense mallet solo uses mixed meter to evoke an exciting and slightly chaotic of the climax of a town celebration. Each section embodies a different group of people celebrating and dancing in their own unique style, as if the audience were in the center of the dance looking around at the variety of cultures contained in the festival. Moonlight Festival Dances is an original piece that encompasses a variety of emotions and tones and requires the player to swiftly change between time signatures, styles and keys.Suitable for 3-octave marimba, xylophone or vibes; 2-mallets, unaccompanied.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.

Violin Solo - Level 3 - Digital Download SKU: A0.1022757 Composed by Stefano Maria Torchio. Concert,Contemporary,World. 2 pages. Stefano Torchio #3120587. Published by Stefano Torchio (A0.1022757). Stefano Maria Torchio: ScherzinoAs the title says (engl.: little scherzo), it's a small, playful, light and bouncy piece, that features a free atonal style and funny asimmetrical rhythms and metrics. It's not difficult but it could be wise to practice it slower at first, in order to check careful the intonation and the correct smooth and legato articulation between the fingers of left hand of the Violin player. The most careful precision in rhythm and differentiation between the articulations (that in general tends to a light staccato) is required.The piece is also suitable for school pourposes and concerts and also for liturgical ones (for example at the offertory or as final piece) by special festive occasion. Primarily it was composed for a wedding ceremony and it was for Piano and Organ and for Church Bell Carillon.Composer's dataStefano Maria Torchio, born in Padova (Italy), studied Orchestra and Choir Conducting at the Universität für Musik und darstellende Kunst in Vienna respectively with U. Lajovic, J. Wildner, E. Ortner and T. Lang. Further studies in Conducting pursued Torchio with Z. Metha, F. Luisi, R. Muti, B. de Billy, S. Young and G. Andretta, as well as with R. Heintze for the Piano, C. Leitner for Opera Conducting and A. Huber for the Musical Analysis. He also studied Composition and Violin at the Conservatory of his home town and with A. Corghi at the Accademia Chigiana in Siena, at the Accademia L. Perosi in Biella and at the R. Romanini Foundation in Brescia. Further seminars in Composition followed with C. Ambrosini, I. Fedele, M. Lichtfuss and I. Karchim. Between his Violin teachers S. Domoustchieva, E. Porta, S. Tschakerian and G. Furini are included. He's member of S.A.C.E.M. for copyright protection.You can find me on: facebook, instagram (stefano.mus) and twittere-mail: stefanotorchio84@gmail.com.

String Orchestra - Level 1 - Digital Download SKU: A0.1498743 Composed by Jiyoung Um. Children,Classical,Medieval. 18 pages. Jiyoung Um #1074966. Published by Jiyoung Um (A0.1498743). Catch medieval style played mostly by D and G strings.It is a fun piece for the beginning-level string orchestra to perform.

Soprano Saxophone Solo - Level 4 - Digital Download SKU: A0.885392 Composed by Richard Wellington Wan Young ASCAP. Blues,Holiday,Jazz,R & B,Wedding. Individual part. 3 pages. Richard Young #38981. Published by Richard Young (A0.885392). Soprano Sax- Sheet music This song will definitely put you in the spotlight. Use it for club events, parties, weddings, anniversaries, and other special occasions. Your audience is going to love you! Style: Smooth Jazz/ R&B/ Club/ House Music Soundtrack Available: Contact: info@richardyoungmusic.com.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Ma?gorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Ma?gorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Ma?gorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.

Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Ma?gorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Ma?gorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Ma?gorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.

Concert Band - Level 4 - Digital Download SKU: A0.1385649 Composed by John Ireland. Arranged by John Ivor Holland. 20th Century,Christian,Classical,Religious. 82 pages. John Ivor Holland #969580. Published by John Ivor Holland (A0.1385649). John Ireland studied piano with Frederick Cliffe and composition with Charles Villers Stanford at the Royal College of Music in London, where he himself taught between 1923 and 1939, his pupils including Benjamin Britten. He worked as organist and choirmaster at St Luke's Chelsea between 1904 and 1926, while developing his career as a composer. Ireland retired in 1953, settling in the hamlet of Rock in Sussex, where he lived in a converted windmill for the rest of his life. It was there he met the young pianist Alan Rowlands who would be Ireland's choice to record his complete piano music.He died of heart failure aged 82 at Rock Mill in Washington, Sussex, and is buried at St. Mary the Virgin in Shipley, near his home. His epitaph reads Many waters cannot quench love and One of God's noblest works lies here. His organ music belongs largely to the early years of his composing career (1902-1911), however, the 'Meditation' on John Keble's Rogationtide Hymn was written in 1958, and was his very last composition. Arranged for concert band, including parts for string bass and contrabass woodwind, as well as attractive moments for Cor Anglais.

Concert Band - Level 4 - Digital Download SKU: A0.733026 Composed by Gustave Louis Ganne. Arranged by Marc Oliver. 20th Century. Score and parts. 75 pages. Ayotte Custom Musical Engravings #2347279. Published by Ayotte Custom Musical Engravings (A0.733026). Gustave Louis Ganne was one of the leading composers of light music in France during his lifetime. As a young man he enrolled at the Paris Conservatory and while there Ganne studied composition with Jules Massenet and organ with Cesar Franck. Soon after leaving the conservatory Ganne made a name for himself with his compositions: marches waltzes mazurkas and many other types of music. He is best remembered for his theatrical works first his ballets and later the operettas. Ganne was also a highly competent conductor in the theaters of Paris and later in Monte Carlo. In Monte Carlo he established a series of extremely popular orchestral presentations known as Les Concerts de Louis Ganne. In 1901 he was elected president of the Societ des Auteurs Compositeurs et Editeurs de Musique. The French government later presented him with the Legion of Honor with extra orders. Ganne was loved and admired by those who knew him because of his character and prodigious talent. He died in Paris on July 13 (or 14) 1923. Marche Lorraine is one of Gustav Louis Gannes most well loved marches. It radiates a luminous sophisticated elegance. This march has played an important historic role in France and the Alsace Lorraine area.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1209176 By Andrew Lamb. By William Warden Harvey (1861-1939). Arranged by Andrew Lamb. Religious. 19 pages. Andrew Lamb #807288. Published by Andrew Lamb (A0.1209176). Title: Andante (Introductory Voluntary)Composer: William Warden Harvey (1861-1939)Arranger: Andrew LambDescription: This is my transcription of the Introductory Voluntary ‘Andante’ by composer William Warden Harvey (1861-1939). This piece appeared in Volume 1 of the Village Organist.William Warden Harvey was an American composer and music educator born on November 20, 1861, in Auburn, New York. He began studying music at a young age and went on to receive a Bachelor of Music degree from Syracuse University in 1878. Later, he studied at the Leipzig Conservatory in Germany, where he received a degree in composition.Harvey composed a variety of works, including chamber music, choral music, and operas, but it is his work as a music educator that is perhaps most significant. He served as the director of music at Syracuse University from 1893 to 1927, during which time he established the university's music department and worked to elevate the status of music education in the United States.In addition to his work at Syracuse University, Harvey served as the president of the Music Teachers National Association and was a member of the National Association of Schools of Music. He was also a regular contributor to music journals and edited several collections of songs and hymns.William Warden Harvey died on March 20, 1939, in Syracuse, New York, at the age of 77. His contributions to music education in the United States were significant, and his legacy lives on through the many students he taught and influenced during his long career.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1211654 Composed by Edvard Grieg (1843-1907). Arranged by Andrew Lamb. 19th Century,Religious,Romantic Period. 16 pages. Andrew Lamb #809266. Published by Andrew Lamb (A0.1211654). Title: Ave Maris StellaComposer: Edvard Grieg (1843-1907)Arranger: Andrew LambDescription: This is my transcription of Ave Maris Stella by Norwegian composer and pianist Edvard Grieg (1843-1907)Edvard Grieg was a Norwegian composer and pianist born on June 15, 1843, in Bergen, Norway. He came from a musical family and showed great talent for music at a young age. He studied at the Leipzig Conservatory in Germany, where he was exposed to the music of leading German composers, such as Robert Schumann and Felix Mendelssohn.Grieg composed a variety of works, including orchestral music, chamber music, songs, and piano pieces. He is best known for his composition “Peer Gynt,� which includes the popular suite “In the Hall of the Mountain King.� Other famous works by Grieg include the Piano Concerto in A Minor and the Holberg Suite.Throughout his career, Grieg was devoted to promoting Norwegian music and culture. He was a central figure in the Norwegian music scene and worked to establish a national identity through his music.Grieg’s influence on Norwegian music was significant, and he is considered one of the leading figures in the Norwegian Romantic movement. His music was also highly regarded by his contemporaries, including Johannes Brahms and Claude Debussy.Edvard Grieg died on September 4, 1907, in Bergen, Norway, at the age of 64. His contributions to classical music were significant and he left a lasting legacy on Norwegian and European music.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1211655 Composed by Edvard Grieg (1843-1907). Arranged by Andrew Lamb. 19th Century,Romantic Period. 16 pages. Andrew Lamb #809267. Published by Andrew Lamb (A0.1211655). Title: Ave Maris StellaComposer: Edvard Grieg (1843-1907)Arranger: Andrew LambDescription: This is my transcription of Ave Maris Stella by Norwegian composer and pianist Edvard Grieg (1843-1907)Edvard Grieg was a Norwegian composer and pianist born on June 15, 1843, in Bergen, Norway. He came from a musical family and showed great talent for music at a young age. He studied at the Leipzig Conservatory in Germany, where he was exposed to the music of leading German composers, such as Robert Schumann and Felix Mendelssohn.Grieg composed a variety of works, including orchestral music, chamber music, songs, and piano pieces. He is best known for his composition “Peer Gynt,� which includes the popular suite “In the Hall of the Mountain King.� Other famous works by Grieg include the Piano Concerto in A Minor and the Holberg Suite.Throughout his career, Grieg was devoted to promoting Norwegian music and culture. He was a central figure in the Norwegian music scene and worked to establish a national identity through his music.Grieg’s influence on Norwegian music was significant, and he is considered one of the leading figures in the Norwegian Romantic movement. His music was also highly regarded by his contemporaries, including Johannes Brahms and Claude Debussy.Edvard Grieg died on September 4, 1907, in Bergen, Norway, at the age of 64. His contributions to classical music were significant and he left a lasting legacy on Norwegian and European music.

Small Ensemble Drum Set,Euphonium,Hand Percussion,Horn,Trumpet,Tuba - Digital Download SKU: A0.802704 Composed by Franz Lehar. Arranged by Denis Wright & Peet du Toit. Contemporary. Score and parts. 15 pages. Peet du Toit #6864583. Published by Peet du Toit (A0.802704). Franz Lehár (30 April 1870 – 24 October 1948) was an Austro-Hungarian composer. He is mainly known for his operettas, of which the most successful and best known is The Merry Widow (Die lustige Witwe). Lehár was also associated with the operatic tenor Richard Tauber, who sang in many of his operettas, beginning with a revival of his 1910 operetta Zigeunerliebe in 1920 and then Frasquita [de] in 1922, in which Lehár once again found a suitable post-war style.   He died aged 78 in 1948 in Bad Ischl, near Salzburg, and was buried there. His younger brother Anton became the administrator of his estate, promoting the popularity of Franz Lehár's music.This very pleasant brass band arrangement by Denis Wright was adapted for a brass quintet and percussion to be enjoyed.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.