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Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
Evacuating London
Ensemble de cuivres

$13.00 11.12 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
Lucy Meets Mr. Tumnus
Ensemble de cuivres

$13.00 11.12 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
To Aslan's Camp
Ensemble de cuivres

$13.00 11.12 € Ensemble de cuivres PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.969147 Composed by Martha Hill Duncan. Contemporary,World. Octavo. 15 pages. Martha Hill Duncan #5981813. Published by Martha Hill Duncan (A0.969147). Waltz for a Friday EveningFriday evening it's still in the airThere's a soft white moonGlowing through the trees.At the end of the footpathI still carry throughMy thoughts quietly thought through the day...@ 2016 Janet Windeler RyanOriginally written for Open Voices Community Choir with accordionist Jan Le Clair, premiered on December 10, 2016 in Kingston, ON. Also available for SSA and tenor solo. Optional accordion part available upon request from marthahillduncan.com.
Waltz for a Friday Evening for SATB and piano by Martha Hill Duncan, Poetry: Janet Windeler Ryan
Chorale SATB

$2.25 1.92 € Chorale SATB PDF SheetMusicPlus

Accordion,Bass Voice,Drum Set,Electric Guitar - Level 2 - Digital Download SKU: A0.1101360 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,World. 13 pages. Zoran Radanovic #704756. Published by Zoran Radanovic (A0.1101360). This arrangement is for band (2 accordions, bass guitar, el. guitar, drumset). Kreće se laÄ‘a francuska (Serbian Cyrillic: Креће Ñе лађа француÑка; lit. 'The French Boat is Sailing') is a Serbian war song from the First World War, first sung in a Salonika harbor, where the Serbian army was recuperating after a long and painful withdrawal through the Albanian mountains. The author of the original text of the poem is Serbian officer colonel Branislav Milosavljević.[1] The song was frequently performed in both France and Serbia after the war and is commonly used as a symbol of Serbian and French friendship.
Kreće se lađa francuska

$5.99 5.12 € PDF SheetMusicPlus

Small Ensemble Cello,Handbell,Multi-Percussion,Organ - Level 2 - Digital Download SKU: A0.835770 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3075773. Published by Paul Burnell (A0.835770). Processional piece for ensemble with handbellsDuration 7:30 approximately Instrumentation: - small drum - 2 cellos - handbells (chromatic set of 13, c-c) 11 players - one doubling accordion (or similar instrument), others doubling handheld percussion, timpani- group of wind/brass players, voices (no set instrumentation) at least 3 performers, bass drum - Optional: bottles, other accordions, melodicas, organ etc. ‘Aim Straight for Starlight’ is a processional piece that symbolises the movement of life from Earth  into the wider Universe. The piece is 'modular' in the sense that different elements may be omitted. It could be performed by handbells only, or without the band. The handbells music is available as a piano part - the pianist could perform at the same time as the handbells. If the performers do not include voices, then some attempt should be made to present the text of the band ‘melody’: either in the concert programme, or as a spoken introduction. 
Aim Straight for Starlight

$1.99 1.7 € PDF SheetMusicPlus






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