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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.522054 Composed by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred,Spiritual. 12 pages. Colin Kirkpatrick Publications #4614487. Published by Colin Kirkpatrick Publications (A0.522054). This is a lively arrangement based on the traditional text but with a completely new melody. The joyful main theme is in 7/8 time and divides into two plus two plus three. It might sound tricky but singers will soon get to feel the rhythm. It’s scored for SATB choir with keyboard accompaniment. It is intended for school, college or community choir in which the singers have some experience of indpendent parts. In the middle section, sopranos are divisi and there are opportunities for solos though they are optional. Audiences and singers alike are sure to enjoy this joyful music and the keyboard part is fairly straightforward. It would be a great addition to your Christmas concert or service. The vocal ranges are well within the normal range and are as follows: Soprano C4 - F5; Alto A3 - D5; Tenor: C3 - E4 and Bass: F2 - C4. If you like this choral piece, you might also be interested in the other Colin Kirkpatrick Nativity Anthems in this series (also available as SSA):    (Duration: 03.00)
I Saw Three Ships (SATB Choir and piano)
Chorale SATB

$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download SKU: IZ.CBW1816 Composed by Phil Sims. Score and Parts. 56 pages. Imagine Music - Digital #CBW1816. Published by Imagine Music - Digital (IZ.CBW1816). 9 x 12 in inches.March of the Westbriars is a march for elementary large ensembles that can be performed as a band piece, string orchestra piece, or performed together. This piece was commissioned by band director, JoAnn Azzarello, string director, John Barger, Westbriar Elementary School (Mary Tam, principal, Amos SimmSmith, assistant principal), and the Westbriar Elemenetary School PTA. Westbriar Elementary is located in Vienna, Virginia.Each score also contains a rehearsal or performance piano part. This piece presents an excellent opportunity for elementary bands and string orchestras to perform side by side.The tempo should be a slightly relaxed march tempo, so as not to have the piece sound too frenetic. This piece is also designed to help young musicians learn to subdivide and perform dotted eighth note rhythms.
March of the Westbriars
Orchestre d'harmonie

$50.00 42.65 € Orchestre d'harmonie PDF SheetMusicPlus

Level 3 - Digital Download SKU: A0.1413786 By Ramli Sarip. By Songs & Lyrics by Ramli Sarip. Arranged by Zakey Javis. Folk,Multicultural,New Age,Pop,Traditional,World. 4 pages. DARIA RESOURCES #995572. Published by DARIA RESOURCES (A0.1413786). The song Nyanyian Serambi by Ramli Sarip speaks about the struggles of a daily routine where one has to leave early morning and come back late at night or even at times until midnight, in search of livelihood to bring back for their loved ones. It is a message of perseverance and patience even amidst the hardships encountered. The first verse describes the daily routine of a person whose aim is to provide for their family as they continuously search for opportunities to make a living. The usage of the word bersabarlah at the end of the stanza translates to be patient. The second verse talks about the meaning of love portrayed through a smiling face, warm kindness and undivided attention. The lyrics describe how a pure love can blossom, bringing along with it conscious and sincere hearts.
Nyanyian Serambi - Score Only
Ramli Sarip
$23.00 19.62 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD.  A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
Dies Irae Dodecaphonic
Piano seul

$5.99 5.11 € Piano seul PDF SheetMusicPlus






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