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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1296267 Composed by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. 12 pages. Colin Kirkpatrick Publications #886511. Published by Colin Kirkpatrick Publications (A0.1296267). This is a lively arrangement based on the traditional text but a completely new melody. It's an English Christmas carol, which dates back at least to the 17th century. The reference to three ships is thought to originate in the those that carried the purported relics of the Biblical magi to Cologne Cathedral in the 12th century.The joyful main theme is in 7/8 time and divides into 2+2+3. This is easier than it sounds because much of the piece consists of  four measures of 7/8 followed by a measure of 4/4. Singers will soon get to feel the rhythm and become familiar with this time signature. It’s scored for a fairly experienced SAA choir with keyboard accompaniment. The SAA voicing is ideal for high school or college use, where lower voices may not be available. The arrangement has really been conceived for boy-choir or girl-choir. In the reflective middle section, there are opportunities for solos, though they are optional. Audiences and singers alike are sure to enjoy this joyful music. The keyboard part is fairly straightforward though requires a competent pianist. It would be a great addition to your Christmas concert or service. (Duration: 03.00)Voice ranges are well within normal high school range: Soprano 1: C4-F5; Soprano 2: A3 - D5; Alto: G3- D5. If you like this choral piece, you might also be interested in two of the other Colin Kirkpatrick Nativity Anthems in this series: And a Star is Shining in the East and Three Kings from Eastern Lands.  Both titles are available from the same publisher.
I Saw Three Ships (SSA choir and piano)
Chorale 3 parties

$2.99 2.52 € Chorale 3 parties PDF SheetMusicPlus

Brass Quintet - Level 2 - Digital Download SKU: A0.775165 Composed by Sigmund Romberg. Arranged by Bill Wilson. Broadway,Musical/Show. 10 pages. Alexander Wilson #3578031. Published by Alexander Wilson (A0.775165). Early Broadway composer Sigmund Romberg's Home Again is a fast-paced, rollicking song. Our arrangement of this divides melodic responsibilities between first trumpet and French horn, but there's plenty of interesting material to keep the second trumpet and trombone fully engaged. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:25. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
Home Again
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$4.00 3.37 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

SATB double choir, a cappella - Digital Download SKU: OX.9780193536838 Composed by David Bednall. Sheet music. New Horizons. Octavo. 14 pages. Oxford University Press Digital #9780193536838. Published by Oxford University Press Digital (OX.9780193536838). ISBN 9780193536838.For SATB double choir unaccompanied. A setting of Shakespeare's much-loved Sonnet 18, Bednall's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various choral textures are explored, from the imitative lines of 'Sometime too hot', to the warm richness of the closing pages, where the choir divides into eight parts. This work is part of the New Horizons series and a piano reduction is included for rehearsal purposes.
Shall I compare thee to a summer's day?
Chorale SATB

$4.00 3.37 € Chorale SATB PDF SheetMusicPlus

Piano,Vocal,Voice - Digital Download SKU: A0.1007842 Composed by David Skates. Christian,Praise & Worship,Sacred. Score. 3 pages. Mere Dog Music #3685927. Published by Mere Dog Music (A0.1007842). A song about the Good News that God can bring healing and wholeness to our lives. Our job is to share that message, which is pictured in many beautiful ways in the Bible and this song is based on many of those Bible metaphors and pictures. David Skates divides his time between his music, his family and part-time work as a Music Therapist and Chaplain for hospices in Southern California. Follow David at https://twitter.com/dskates2 and on facebook at https://www.facebook.com/david.a.skates  His music is also available at CD Baby- https://store.cdbaby.com/Artist/David and on iTunes- https://itunes.apple.com/us/artist/13
It's Good News
Piano, Voix

$4.99 4.2 € Piano, Voix PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1134936 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. Juan Maria Solare #652301. Published by Juan Maria Solare (A0.1134936). Juan María Solare: Bubbles, Floating Bubbles - a polyrhythmic etude Concert etude composed in Bremen (2-3 July) and Worpswede (5 July 2010). Duration: 4:30 (if the repetition -from bar 28 to the end- is being played; if not, 3 minutes). Bublles, Floating Bubbles - by Juan María Solare Bubbles, Floating Bubbles on Youtube: Bubbles, Floating Bubbles on Spotify: This composition is a concert etude, since it can be performed at a recital (and not only used to practice). The degree of virtuosity is relatively low, but nevertheless not suitable for absolute beginners. Technically, the main characteristic of this piece is the polyrhythm 2 against 3: the melody subdivides the quarter in 2, and the accompaniment plays triplets. In this sense, an answer to Carl Czerny's polyrhythmic studie in E major. Please use abundant pedal when playing this piece. The idea is to generate a cloud of sound, not a machinal pattern. The sound character of this piece should be closer to Debussy than to Scarlatti. The initial indication scorrevole (fleeting) should orientate the character and the sound quality, the touch. Fermatas and caesuras should add time to the bar, like breathing in. In bar 8 (end) the silence is only in he left hand: the note of the right hand shouldn't be interrupted. This is actually clear if one read the rhythms carefully, but my experience tells me that it is prudent to underline this particular point. In bar 16 (and similar places), left hand: it is the central melody what should be in foreground, not the bass. Imagine that the melody is played by a cello or viola, and the bass by a double bass (or better: a bassoon). Try to achieve a different timbre and to separate therefore both layers. The title refers to this poem: Sum venti ingenium breve Flos sum, scilicet, aeris …… Sum blandum, petulans, vagum, Pulchrum, purpureum, et decens, Comptum, floridulum, et recens. Richard Crashaw -Jacobean English poet- (1613-1649), Bulla (Bubble) I am the brief nature of the wind To be sure, I am the flower of air ...... I am charming, wanton, inconstant, Beautiful, gleaming, and noble, Ornate, somewhat blooming, and fresh.
Bubbles, Floating Bubbles (piano solo)
Piano seul
Juan María Solare
$3.00 2.52 € Piano seul PDF SheetMusicPlus






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