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String Ensemble - Level 3 - Digital Download SKU: A0.826694 Composed by Franz Schubert. Arranged by Bud Caputo. Romantic Period,Standards. Score and parts. 29 pages. Bud Caputo #4838085. Published by Bud Caputo (A0.826694). The Mass in G by Franz Schubert is one of the most well-known choral works in the repertoire.  These three beautiful movements, Kyrie, Hossana, and the Agnus Dei, provide some of Schubert’s most memorable melodies. Directors with young groups who want to feature a violin soloist will find this work well within the reach of intermediate students. Yet, there are demanding concepts to be learned by all. Spiccato bowings and playing in a subdivided four will bring new information to the developing string player. The rhythmic independence required in the short fugue section will provide another challenge. A Violin 3 part is included to bolster the Viola section.  The piano part will offer the director an opportunity to add a player for this work.  It is part of the work and not the usual for rehearsal purposes only.
Themes from Schubert's Mass in G for Solo Violin, String Orchestra, and Piano

$25.00 21.17 € PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download SKU: IZ.CBW1816-S Composed by Phil Sims. Score. 13 pages. Imagine Music - Digital #CBW1816-S. Published by Imagine Music - Digital (IZ.CBW1816-S). 9 x 12 in inches.March of the Westbriars is a march for elementary large ensembles that can be performed as a band piece, string orchestra piece, or performed together. This piece was commissioned by band director, JoAnn Azzarello, string director, John Barger, Westbriar Elementary School (Mary Tam, principal, Amos SimmSmith, assistant principal), and the Westbriar Elemenetary School PTA. Westbriar Elementary is located in Vienna, Virginia.Each score also contains a rehearsal or performance piano part. This piece presents an excellent opportunity for elementary bands and string orchestras to perform side by side.The tempo should be a slightly relaxed march tempo, so as not to have the piece sound too frenetic. This piece is also designed to help young musicians learn to subdivide and perform dotted eighth note rhythms.
March of the Westbriars
Orchestre d'harmonie

$10.00 8.47 € Orchestre d'harmonie PDF SheetMusicPlus

Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà. Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà, poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)

$12.99 11 € PDF SheetMusicPlus

Voice - Interactive Download SKU: A0.482542 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Published by J. Randolph Hall (A0.482542). The band director of the Williamson County Community Band will start out on a warm up where he divides the band into three section to do a scale round. This involves Ascending and descending which creates an interesting harmony as well as warming of the chops. This however, is in a Melodic Minor key. Imagine the scale is stretched out on a 180° where 90° is the zenith. Once a voice (Vox) has reached that zenith and descends, notice the two angles which are supplementary angles (whose sum equals 180°). The degrees listed above the notes are based on the concept found in https://www.noteflight.com/marketplace/1avadoxR8tmLGLdIp5O4rA/musical-angles The red indicates a major chord. Blue indicates minor. Magenta indicates harmony/consonance while khaki green indicates dissonance. The vertical sum of the degrees in relation to the harmony produced in each measure also has interesting results.
A&D Étude III

$3.00 2.54 € PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1132711 Composed by Charles Gounod, Johann Sebastian Bach. Arranged by Joel Jacklich (A.S.C.A.P.). Baroque,Chamber,Religious,Sacred,Wedding. 9 pages. Joel Jacklich #732909. Published by Joel Jacklich (A0.1132711). Charles Gounod composed his Ave Maria adding his new vocal line over Johann Sebastian Bach's Prelude No. 1 in C Major from the Well-Tempered Clavier. This version (in G major) is for string quartet alone. A vocalist can be added, as the first violin part doubles Gounod's original vocal line. This divides Bach's original arpeggios between the viola and second violin. These two parts are modestly difficult. Fingerings have been provided for the more awkward arpeggios. Perfect for weddings, and funerals.
Ave Maria on the First Prelude of J. S. Bach (G Major)
Quatuor à cordes: 2 violons, alto, violoncelle

$12.99 11 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856236 By Beyonce. By Anne Preven, Beyonce Knowles, Henry Krieger, and Scott Cutler. Arranged by Liz Garnett. Film/TV. Octavo. 5 pages. Liz Garnett #4966107. Published by Liz Garnett (A0.856236). This song comes from the 2006 film Dreamgirls and is one of four new songs composed for the adaptation of the 1981 Broadway musical to the screen. Sung by Beyonce, it is an impassioned bid for freedom from a controlling relationship by the character Deena Jones, and it received both Academy and Golden Globe nominations for best song.The arrangement divides the melody between all four parts to allow all four singers to participate in defining the song's persona, and retains a flavour of Beyonce's vocal embellishment as a vehicle for the song's emotion. The soloistic nature of the melismas mean this arrangement is more suitable for one-a-part ensembles than larger groups.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.The purchase price includes permission to make 4 copies.Vocal Ranges:Tenor: F4 - G flat 5Lead: B flat 3 - D5Bari: B flat 3 - D5Bass: D3 - G4www.HelpingYouHarmonise.com
Listen
Chorale SSAA
Beyonce
$12.99 11 € Chorale SSAA PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and parts. 7 pages. Pedro Nunes #150317. Published by Pedro Nunes (A0.540177). The earliest known surviving manuscript of Alessandro Marcello’s Oboe concerto in D minor exists not as a score from the composer’s own hand, but as an arrangement for solo keyboard by contemporary J.S. Bach. This arrangement, dating from 1713-1714, is part of a collection of works entitled 16 Konzerte nach verschiedenen Meistern, BWV 972–987 (16 concerts according to different masters). It is Bach’s arrangement on which this duo version for guitar is heavily based. Bach discovered this concerto and other works by Italian masters while under the employment of Duke Wilhelm Ernst in Weimar.. The musical library of the ducal court was rich with orchestral works by Vivaldi, Corelli, Torelli, Frescobaldi and of course Marcello (both Benedetto and Alessandro). Bach saw this as an opportunity to learn about the Italian style, and proceeded to arrange sixteen of these concerti for solo harpsichord. Texturally, Bach would mimic the alternating tutti and solo sections by assigning them to different manuals of the harpsichord. Twenty years later, Bach would compose his own “Italian Concerto†BWV 971, for solo keyboard, which remains as one of his most recognizable works. The Marcello concerto is in typical 3 movement form: Andante e spiccato, Adagio, and Presto. For this arrangement, single-string fingerings of melodic passages were favoured for the first movement, for the sake of articulation and uniformity of the line. Also, the melodic material is passed between both guitars to achieve a more concertante setting and to enhance passages with repeated material. The second movement maintains a soloist/accompanist setting throughout. Although it was tempting to use both guitars to fill out the harmony of the opening and closing sections, the performance proved to be more effective with one guitarist able to solely concentrate on the famous melody. The final movement, like the first, divides the melodic material between both guitars in order to give both players interesting material and to give the first guitar a bit of breathing room.
Concerto in D minor, BWV 974 (Arr. 2 Guitars)
2 Guitares (duo)

$4.19 3.55 € 2 Guitares (duo) PDF SheetMusicPlus

Female choir (SSAA) a cappella - advanced - Digital Download SKU: S9.Q46577 Composed by Pascal Martine. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3:30. Schott Music - Digital #Q46577. Published by Schott Music - Digital (S9.Q46577). Latin.Pascal Martiné is a much sought-after choral composer, both at home and abroad. The fact that the founder and director of the women's choir 'Luna' from Mainz has developed a special interest in the pure sound of a female choir, is proven by his sacred choral work Spem in alium for a cappella women's choir (SSAA) which is well worth listening to. In just 71 bars he creates an atmospherically dense musical tapestry in which the hope of divine grace is given sincere expression. This church music gem whose Latin text comes from the apocryphal Book of Judith and which is divided in two parts as responsory, is easy to study and rehearse for ambitious amateur choirs. A four- or eight-part women's choir is optional for a total of seven bars.Pascal Martiné, founder of the women's choir 'Luna' from Mainz, creates with Spem in alium an atmospherically dense musical tapestry in which the hope of divine grace is given sincere expression. This church music gem for a cappella women's choir (SSAA) whose Latin text comes from the apocryphal Book of Judith and which is divided in two parts as responsory, is easy to study and rehearse for ambitious amateur choirs. A four- or eight-part women's choir is optional for a total of seven bars.
Spem in alium
Chorale SSAA

$3.99 3.38 € Chorale SSAA PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1486801 By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 20th Century,Instructional,Jazz. Score. 7 pages. In Son Zeng #1063868. Published by In Son Zeng (A0.1486801). Introduction of Op.3 No.10-12 by In Son Zeng:Op.3 No.1-12 is composed by In Son Zeng (from Macau) to cater to a variety of musical tastes and skill levels, offering a diverse range of experiences for the player.Op. 3 No. 10 How Beautiful the CountrysideThe tenth song in Op.3 uses an old country musical style. It depicts a gently flowing river, which does not create large ripples throughout the day, yet the surroundings are so beautiful that one cannot help but be captivated! The entire piece extensively designs two voice parts at the higher range. The upper voice often features non-legato triplets, while the left-hand employs a fixed rhythm common in country music, enhancing the picturesque scenery that the music evokes.Op. 3 No. 11 Charming New OrleansThe eleventh song is composed in a New Orleans jazz style that traces back to the origin of Jazz music! Being one of the ancestors of jazz, it poetically and lyrically reflects a refined lifestyle. This music is a great companion to the beauty of nature: listening to the relaxed, old-style jazz while strolling through a New Orleans park is truly invigorating!The entire piece is written in A-flat major and is divided into two short sections, both in an AA format (where the two sections are similar but differ in chord density). When practicing, it is important to prepare for an increase in intensity and atmosphere one measure before transitioning into the second section.Op. 3 No. 12 Summer SunThe twelfth song, in terms of jazz style, is a lively Boogie Woogie piece. Playing this music conjures images of people in bikinis dancing rhythmically on the beaches of Macedonia, surrounded by enthusiastic beach-loving tourists. The bustling crowd adds vibrant color to the hot summer beach.The entire piece is written in E-flat major and is also divided into two short sections in an AA format. During practice, there is a breathe and relax moment one measure before transitioning to the second section. It is important to play with a sense of relaxation at that point, followed by an augmented chord leading into the next section.
Op.3 No.10-12 by In Son Zeng
Piano seul
In Son Zeng
$5.99 5.07 € Piano seul PDF SheetMusicPlus

String Orchestra - Digital Download SKU: A0.792927 Composed by Johann Sebastian Bach. Arranged by J. Richard Dixon. Baroque. Score and parts. 42 pages. Estes Music Publishers #3514601. Published by Estes Music Publishers (A0.792927). Originally written by JS Bach for double choir, Der Geist hilt unsrer Schwachheit aug has been edited and arranged here for string orchestra. The strings are divided into eight parts; four violin, two viola, cello and bass. This is a great work for an advanced high school orchestra, as well as college and professional orchestras. Every part is an integral part of the whole work, so each player has the opportunity play a leading role in the piece. It also allows the creativity of the director to come into play as to the positioning of the orchestra. It can be divided into two orchestras spaced apart or grouped into sections of six or seven, knowing that the upper strings greatly out number the cello and especially basses. String set sold separately.
Der Geist
Orchestre à Cordes

$42.00 35.57 € Orchestre à Cordes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1273200 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 9 pages. RayThompsonMusic #865366. Published by RayThompsonMusic (A0.1273200). Arranged standrard wind quartet: flute, oboe, clarinet and bassoonTransposed into Bb from original A to aid players.Melody given to oboe. guitar break to flute . Bassoon covers bass guitarInterest in all parts!!Great fun with mixed time sigs!! Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes.Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the songThe song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube vid is my brass quartet arrangement.
Good Morning Good Morning
Flûte, Hautbois, Clarinette, Basson
The Beatles
$17.95 15.2 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1302261 By Bob Marley. By Bob Marley. Arranged by Sean Arawjo. Ska. 18 pages. Sean Arawjo #891868. Published by Sean Arawjo (A0.1302261). Piccolo, 3 C Flutes, Alto, Bass + Opt. Contrabass Flute 1 is divided in octaves - choose one if only one player. It includes a transcription of the sax solo on the original recording but feel free to improvise if comfortable!Alto flute is divided in 3. This should ideally be done by three alto players. Bob Marley's first recorded single, originally released on Beverly's Records in 1962. Medium Jamaican SKA with swung eighths. Works well with a drum set playing a simple swing ska beat along (as on the original recording). Find more ska flute content at: www.seanarawjo.com/and https://open.spotify.com/playlist/5ntN9DRGwBq8mDP4HKCHtm?si=0b82020485b54773Arranged for Flute Frenzy, Williamsburg, VA. https://www.flutefrenzy.org/
Judge Not
Ensemble de Flûtes
Bob Marley
$13.00 11.01 € Ensemble de Flûtes PDF SheetMusicPlus






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