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Voice - Interactive Download SKU: A0.482541 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Published by J. Randolph Hall (A0.482541). The band director of the Williamson County Community Band will start out on a warm up where he divides the band into three section to do a scale round. This involves Ascending and descending which creates an interesting harmony as well as warming of the chops. This however, is in a Pure Minor key. Imagine the scale is stretched out on a 180° where 90° is the zenith. Once a voice (Vox) has reached that zenith and descends, notice the two angles which are supplementary angles (whose sum equals 180°). The degrees listed above the notes are based on the concept found in https://www.noteflight.com/marketplace/1avadoxR8tmLGLdIp5O4rA/musical-angles The red indicates a major chord. Blue indicates minor. Magenta indicates harmony/consonance while khaki green indicates dissonance. The vertical sum of the degrees in relation to the harmony produced in each measure also has interesting results.
A&D Étude II

$3.00 2.87 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1134936 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. Juan Maria Solare #652301. Published by Juan Maria Solare (A0.1134936). Juan María Solare: Bubbles, Floating Bubbles - a polyrhythmic etude Concert etude composed in Bremen (2-3 July) and Worpswede (5 July 2010). Duration: 4:30 (if the repetition -from bar 28 to the end- is being played; if not, 3 minutes). Bublles, Floating Bubbles - by Juan María Solare Bubbles, Floating Bubbles on Youtube: Bubbles, Floating Bubbles on Spotify: This composition is a concert etude, since it can be performed at a recital (and not only used to practice). The degree of virtuosity is relatively low, but nevertheless not suitable for absolute beginners. Technically, the main characteristic of this piece is the polyrhythm 2 against 3: the melody subdivides the quarter in 2, and the accompaniment plays triplets. In this sense, an answer to Carl Czerny's polyrhythmic studie in E major. Please use abundant pedal when playing this piece. The idea is to generate a cloud of sound, not a machinal pattern. The sound character of this piece should be closer to Debussy than to Scarlatti. The initial indication scorrevole (fleeting) should orientate the character and the sound quality, the touch. Fermatas and caesuras should add time to the bar, like breathing in. In bar 8 (end) the silence is only in he left hand: the note of the right hand shouldn't be interrupted. This is actually clear if one read the rhythms carefully, but my experience tells me that it is prudent to underline this particular point. In bar 16 (and similar places), left hand: it is the central melody what should be in foreground, not the bass. Imagine that the melody is played by a cello or viola, and the bass by a double bass (or better: a bassoon). Try to achieve a different timbre and to separate therefore both layers. The title refers to this poem: Sum venti ingenium breve Flos sum, scilicet, aeris …… Sum blandum, petulans, vagum, Pulchrum, purpureum, et decens, Comptum, floridulum, et recens. Richard Crashaw -Jacobean English poet- (1613-1649), Bulla (Bubble) I am the brief nature of the wind To be sure, I am the flower of air ...... I am charming, wanton, inconstant, Beautiful, gleaming, and noble, Ornate, somewhat blooming, and fresh.
Bubbles, Floating Bubbles (piano solo)
Piano seul
Juan María Solare
$3.00 2.87 € Piano seul PDF SheetMusicPlus

Concert band - Beginning - Digital Download SKU: IZ.CBS1615 Composed by Daniel Jones. Score and Parts. 31 pages. Imagine Music - Digital #CBS1615. Published by Imagine Music - Digital (IZ.CBS1615). 9 x 12 in inches.Reflections on a German Folk Song is based on the traditional round Himmel und Erde, which directly translated meansHeaven and Earth, however the common English title is Music Alone Shall Live. While teaching music for SaydelCommunity School District in Des Moines, Iowa, I taught the round to elementary students and concluded that the folk tunewould lend itself well to young instrumentalists. Consequently, I set out to arrange the round for emerging band.After an introduction based on motives and rhythms of the round, the tune is initially played by an alto saxophone solo (oroboe). After a transition from the key of F Major to E-Flat Major, the band divides into three groups to play the three-voiceround. The entire round is repeated twice, exhibiting a lengthy crescendo and eventual diminuendo caused by the threeinstrument groupings ending their voices in the round.Having students perform a simple, yet lyrical round provides for a variety of educational opportunities. Similar to youngvocal ensembles, performing a round helps students to securely play with a group that is doing something different thanother sections of the ensemble, which ultimately assists in the transition to playing within a smaller, individual section orindependent part. Reflections on a German Folksong contains simplistic rhythms, which allows students to primarily focuson phrasing, articulation, tone quality and dynamics.
Reflections on a German Folk Song
Orchestre d'harmonie

$40.00 38.22 € Orchestre d'harmonie PDF SheetMusicPlus

Voice - Interactive Download SKU: A0.482542 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Published by J. Randolph Hall (A0.482542). The band director of the Williamson County Community Band will start out on a warm up where he divides the band into three section to do a scale round. This involves Ascending and descending which creates an interesting harmony as well as warming of the chops. This however, is in a Melodic Minor key. Imagine the scale is stretched out on a 180° where 90° is the zenith. Once a voice (Vox) has reached that zenith and descends, notice the two angles which are supplementary angles (whose sum equals 180°). The degrees listed above the notes are based on the concept found in https://www.noteflight.com/marketplace/1avadoxR8tmLGLdIp5O4rA/musical-angles The red indicates a major chord. Blue indicates minor. Magenta indicates harmony/consonance while khaki green indicates dissonance. The vertical sum of the degrees in relation to the harmony produced in each measure also has interesting results.
A&D Étude III

$3.00 2.87 € PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download SKU: IZ.CBW1816-S Composed by Phil Sims. Score. 13 pages. Imagine Music - Digital #CBW1816-S. Published by Imagine Music - Digital (IZ.CBW1816-S). 9 x 12 in inches.March of the Westbriars is a march for elementary large ensembles that can be performed as a band piece, string orchestra piece, or performed together. This piece was commissioned by band director, JoAnn Azzarello, string director, John Barger, Westbriar Elementary School (Mary Tam, principal, Amos SimmSmith, assistant principal), and the Westbriar Elemenetary School PTA. Westbriar Elementary is located in Vienna, Virginia.Each score also contains a rehearsal or performance piano part. This piece presents an excellent opportunity for elementary bands and string orchestras to perform side by side.The tempo should be a slightly relaxed march tempo, so as not to have the piece sound too frenetic. This piece is also designed to help young musicians learn to subdivide and perform dotted eighth note rhythms.
March of the Westbriars
Orchestre d'harmonie

$10.00 9.56 € Orchestre d'harmonie PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.510278 Composed by Edvard Grieg. Arranged by Alex Phillips-Yates. 20th Century,Classical,Romantic Period,Wedding. Score and Parts. 63 pages. North Node Music #3563601. Published by North Node Music (A0.510278). Edvard Grieg's Lyric Pieces are much-loved staples of the piano repertoire. This arrangement is of four of the pieces from the Opus 65 set, composed in 1896, and includes the famous Wedding Day at Troldhaugen. The 3rd movement, the Ballad, is stunningly beautiful, and the rich texture of the divisi parts here is a real highlight.The four movements are:1. From early years (Fra Ungdomsdagene)2. Peasant's song (Bondens sang)3. Ballad (I Balladetone)4. Wedding Day at Troldhaugen (Bryllupsdag på Troldhaugen)Total duration: approx. 16-17 minutesEvery section (apart from the double bass) divides at some point, so a minimum of 9 players are required.This arrangement was first performed by the String Orchestra of the Lancaster Community Music Centre, Lancashire, UK.
Lyric Pieces Op. 65 (including Wedding Day at Troldhaugen) - String Orchestra
Orchestre à Cordes

$25.99 24.84 € Orchestre à Cordes PDF SheetMusicPlus

Violin and piano - Medium - Digital Download SKU: MQ.1.3568-E Composed by Libby Larsen. Score & instrument part. 6 pages. Galaxy Music Corporation - Digital #1.3568-E. Published by Galaxy Music Corporation - Digital (MQ.1.3568-E). Blue Piece for violin and piano is a musical poem which honors the American down-home, twelve-bar blues. Its relaxed, laid-back melodic line meanders about chord tones, dwelling on the “blue third†interval of its key areas D major and Db major. I encourage you to be “languid and humid†with the music, and to seize each opportunity to bend the pitch of each “blue third†to make the listener yearn for resolution. In this two-minute work, I re-imagined the traditional blues form (twelve bars in 4/4 meter divided into 3 phrases) as a blues in the form of twenty-one bars in 6/4 meter divided into three phrases. -Libby Larsen, 2018Includes score and part. Duration: 2:00.
Blue Piece (Downloadable)
Violon et Piano

$8.00 7.64 € Violon et Piano PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1033516 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publications #638816. Published by Lynne Coc Publications (A0.1033516). Green, in Lynne Cox's new series, Box of Paints, is a secondary color that results from mixing the two primary colors, yellow and blue. Green symbolizes nature, the environment, harmony, and tranquility, as well as growth and renewal-as in the green growth of spring. It is considered restful-many doctors' and dentists' offices are painted this color to calm the patient! For these reasons, the tempo/mood indication is 'tranquilly'. Lyrics depict restful, tranquil scenes of nature and the flow of the music laid back. Rather a softly performed piece with nothing louder than mp. A sections utilize hands in middle C position with RH mindful of the F#. Divided melody here between hands. B section also displays divided melody but with an entirely different melody. Because of the 8va the piece covers 2 octaves. In m. 10 (likewise in m. 34) The right hand is set up for a 5-finger D position since melody reaches up to A easily by arranging a fingering change. Form: intro A B A coda Key of G major Time signature Intro begins with dotted-half notes alternating between hands on Gs covering 4 octaves, damper pedal held over all 4 measures here. Students asked if the Gs were because it is the first letter of green! Coda same as intro except for a ritardando at end. Touches: entire piece very legato requiring the fingers to produce this in A sections, not relying on damper pedal as the intro and coda do. As in all of solos in this series, Box of Paints, the piece is designed to be open-ended encouraging and inspiring the student to think of things they like in this color and compose their own lyrics, even composing their own music about their favorite color. Great recital and/or contest and/or festival lists. Lynne performs the vocals and piano on the following you tube link. Lynne also arranged this piece as an instrumental only with many additions such as instrumental voicing and different instruments entitled 'Green Instrumental', also on you tube. Link-- https://youtu.be/F1pnlo8y__A.
Green
Piano Facile

$3.40 3.25 € Piano Facile PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1486801 By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 20th Century,Instructional,Jazz. Score. 7 pages. In Son Zeng #1063868. Published by In Son Zeng (A0.1486801). Introduction of Op.3 No.10-12 by In Son Zeng:Op.3 No.1-12 is composed by In Son Zeng (from Macau) to cater to a variety of musical tastes and skill levels, offering a diverse range of experiences for the player.Op. 3 No. 10 How Beautiful the CountrysideThe tenth song in Op.3 uses an old country musical style. It depicts a gently flowing river, which does not create large ripples throughout the day, yet the surroundings are so beautiful that one cannot help but be captivated! The entire piece extensively designs two voice parts at the higher range. The upper voice often features non-legato triplets, while the left-hand employs a fixed rhythm common in country music, enhancing the picturesque scenery that the music evokes.Op. 3 No. 11 Charming New OrleansThe eleventh song is composed in a New Orleans jazz style that traces back to the origin of Jazz music! Being one of the ancestors of jazz, it poetically and lyrically reflects a refined lifestyle. This music is a great companion to the beauty of nature: listening to the relaxed, old-style jazz while strolling through a New Orleans park is truly invigorating!The entire piece is written in A-flat major and is divided into two short sections, both in an AA format (where the two sections are similar but differ in chord density). When practicing, it is important to prepare for an increase in intensity and atmosphere one measure before transitioning into the second section.Op. 3 No. 12 Summer SunThe twelfth song, in terms of jazz style, is a lively Boogie Woogie piece. Playing this music conjures images of people in bikinis dancing rhythmically on the beaches of Macedonia, surrounded by enthusiastic beach-loving tourists. The bustling crowd adds vibrant color to the hot summer beach.The entire piece is written in E-flat major and is also divided into two short sections in an AA format. During practice, there is a breathe and relax moment one measure before transitioning to the second section. It is important to play with a sense of relaxation at that point, followed by an augmented chord leading into the next section.
Op.3 No.10-12 by In Son Zeng
Piano seul
In Son Zeng
$5.99 5.72 € Piano seul PDF SheetMusicPlus

Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.807933 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #414967. Published by RayThompsonMusic (A0.807933). Arranged standrard brass quartet: 2 tpts, tbn, tuba. Alt. horn in F for trombone. Transposed into Bb from original A to aid brass players.Melody and guitar break given to 1st trumpet. Trombone and 2nd take middle section. Tuba covers bass guitarGreat fun with mixed time sigs!! Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes.Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the songThe song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.
Good Morning Good Morning
Quatuor de Cuivres
The Beatles
$17.95 17.15 € Quatuor de Cuivres PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.867641 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 8 pages. RayThompsonMusic #474085. Published by RayThompsonMusic (A0.867641). Arranged standrard sax quartet: SATB Transposed into Bb from original A to aid players. Melody and guitar break given to sop tenor and alto take middle section. Bari covers bass guitar.Great fun with mixed time sigs!!Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes. Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the song The song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube Link https://youtu.be/xTpiETCrAqw is my brass quartet version.
Good Morning Good Morning
Quatuor de Saxophones: 4 saxophones
The Beatles
$14.95 14.29 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus






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