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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    Register for free lifetime revisions and updates at www.jamesguthrie.com
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano

$24.95 21.13 € Clarinette Basse, Piano PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.3015 Composed by Henry Russell. Children playing, Ponies, Dogs, Pets, Forests, Nostalgia. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3015). The Old Farm Gate. A Ballad. Poetry by Eliza Cook. The Music Composed by Henry Russell. Published 1840 by Wm. H. Oakes, 13 Tremont Row in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Children playing, Ponies, Dogs, Pets, Forests, Nostalgia. First line reads Where, where is the gate that once used to divide the old shaded lane.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Old Farm Gate. A Ballad
Piano, Voix

$5.99 5.07 € Piano, Voix PDF SheetMusicPlus

Unison/Two-part chorus - Digital Download SKU: C7.CGA743 Composed by Jonathan E Crutchfield. General. Sacred Anthem. Octavo. 4 pages. Chorister's Guild - Digital #CGA743. Published by Chorister's Guild - Digital (C7.CGA743). UPC: 749193004074.An inspiring anthem which combines an original melody together with the familiar hymntune, SCHONSTER HERR JESU. (In some hymnals, this tune is known as CRUSADERS' HYMN and ST. ELIZABETH.) The first stanza is sung to the new melody. Stanza two is sung to the familiar hymntune, and stanza three combines the two tunes together. The entire anthem may be sung unison, with a C instrument playing the second part on stanza three. The voices may divide and sign the two parts as well. Composer: Silesian folk tune Arranger: Jonathan Crutchfield Text Author: Gesangbuch Munster (1677).
Fairest Lord Jesus
Chorale Unison

$1.85 1.57 € Chorale Unison PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.795241 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Rock. 9 pages. RayThompsonMusic #400705. Published by RayThompsonMusic (A0.795241). Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, it spent 27 weeks at number one on the Record Retailer chart in the United Kingdom and 15 weeks at number one on the Billboard Top LPs chart in the United States. It was lauded by critics for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture. Its release was a defining moment in 1960s pop culture, heralding the Summer of Love, while the album's reception achieved full cultural legitimisation for pop music and recognition for the medium as a genuine art form. This is my arrangement of the opening number.for standard sax quartet: SATB I have transposed from the original key of G to F to aid the saxplayers.. I have created a new ending for those sax quartets who wish to play the piece on it's own, but also included the oruginal fade away ending which seques into the next track...with a little help.YouTube Vid is my brass quartet arrangement.
Sgt. Pepper's Lonely Hearts Club Band
Quatuor de Saxophones: 4 saxophones
The Beatles
$14.95 12.66 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835800 By Ed Sheeran. By Ed Sheeran, Foy Vance, and Johnny McDaid. Arranged by Paul Burnell. Contemporary. Score and parts. 33 pages. Paul Burnell #3494245. Published by Paul Burnell (A0.835800). What Do I Know?, words and Music by Ed Sheeran, Foy Vance and Johnny McDaid, arranged by Paul Burnell for instruments in four parts.Duration 3:55The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with layout appropriate for string quartet this does not indicate a preferred instrumentation.Examples of the 'clicks/taps etc.' indicated by the X noteheads at the beginning of the piece in Part 2, and subsequently in the other parts, include:Woodwind - instrument key clicks or slaps,Brass - tapping the instrument bell with fingernail, 'popping' the mouthpiece,Strings - tapping the body of the instrument with fingers.In this arrangement the song has been transposed from the original key of E major to C major.Programme note:'What Do I Know?' is a song by the English singer-songwriter Ed Sheeran. It was included on his third studio album '÷' (pronounced 'divide'). After the album's release in 2017 the song was released as a single and charted at number 9 on the UK Singles Chart.
What Do I Know?
Ed Sheeran
$12.99 11 € PDF SheetMusicPlus

Level 1 - Digital Download SKU: A0.1502493 Composed by Teresa O'Connell. Instructional,Rock. Accompaniment. Duration 124. Teresa O'Connell (BMI) #1078275. Published by Teresa O'Connell (BMI) (A0.1502493). This is the backing track for Are You Ready? by Teresa O'Connell (BMI), available on sheetmusicplus.com (item #A0.956037).Are You Ready? is a great way to warm up your singers and get class off to a great start.  Written in two parts, you have several options how to use Are You Ready? As a call-and-response piece, the teacher can call and the students answer vocally.  Or, divide your class into two parts and proceed like a normal two-Part arrangement.  Try student leaders as callers and the class as responders.  Positive lyrics, an exciting beat, and simple rhythms will provide instant success for your kids.  Are You Ready? is easy to learn and fun to perform.
Are You Ready Backing Track mp3

$15.00 12.7 € PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes

$3.99 3.38 € Orchestre à Cordes PDF SheetMusicPlus

Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - Digital Download SKU: MQ.56-0022-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 44 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0022-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0022-E). Latin. Luke 10:33; Isaiah 66:13.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSA voices, cello, organ, and synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This is piece is a Latin setting of Luke 10:33 (“A certain Samaritan being on his journey came near himâ€) and Isaiah 66:13 (“As one whom the mother caresses, I will comfort youâ€). Quick, florid, and leaping passages begin in the solo voice as the chorus comments and then repeats those passages. After that the piece is basically a duet structure with only two measures where the sopranos divide. Duration 4:44Instrumentalists play from the choral score.
Beati II: Pro alios curantibus (For those that care for others) (Downloadable)

$3.15 2.67 € PDF SheetMusicPlus






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