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Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.792201 Composed by Bach Johann Sebastian. Arranged by Sauer, Ralph. Baroque,Classical,Praise & Worship,Sacred. Score and parts. 112 pages. Gordon Cherry #4628453. Published by Gordon Cherry (A0.792201). Jesu, meine Freude was composed sometime between 1723 and 1727, most likely for the St. Thomas Church in Leipzig. It is the longest and most musically complex of Bach's six motets, originally for 5-part choir comprising eleven movements. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble of eleven movements is about 19 minutes in length. Because of its length, it is possible to divide the music into three sections and perform each section separately. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
Motet Jesu, meine Freude (Jesus, my joy) BWV 227 for 8-part Trombone Ensemble
Ensemble de Trombones

$40.00 34.12 € Ensemble de Trombones PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano

$24.95 21.28 € PDF SheetMusicPlus

Alto Voice,Piano Accompaniment,Soprano voice,Violin - Level 3 - Digital Download SKU: A0.1362370 Composed by Johann Pachelbel. Arranged by Connie Boss. Christian,Religious,Wedding. 7 pages. Connie Boss #946832. Published by Connie Boss (A0.1362370). This version of the iconic Pachelbel Canon has lyrics to sing at a wedding. It also has an optional instrument part for violin with piano accompaniment. Parts are included. I also have it without the instruments for sale on here as well. The lyrics, listed below reflect the wedding vows etc. It is a great length of only 2 minutes and has the piano parts that make it Pachelbel Canon.Questions or requests, email cdboss@cvalley.netLyrics:God bless this bride and bless this groomAs they enter in this room They now profess their special loveIn front of us and God aboveTheir vows are filled with promises Of love and faithfulness in good times bad times, sickness and healthI will love you all the days of my life I now pronounce you man and wifeWhat God has joined no man divideNow you may kiss your brideAnd start your brand new life So go forth in love and seek happiness!
Pachelbel Canon Wedding Version duet violin and piano

$5.99 5.11 € PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes

$3.99 3.4 € Orchestre à Cordes PDF SheetMusicPlus

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.923199 Composed by Denny Glasscock. Christian,Contemporary,Praise & Worship,Sacred. Octavo. 8 pages. Denny Glasscock #6054113. Published by Denny Glasscock (A0.923199). A new and different rendition of a very old and beloved christian hymn. After an instrumental introduction, based on the refrain from the original hymn by Robert Lowry (1864), the newly composed verses begin with a musical theme meant to represent flowing water in a rippling river or stream. The original lyrics are adapted for all five verses and the refrain. The first verse is followed by the refrain, adapted from the original hymn. After that the refrain follows verses 3 and 5. The song ends on the final refrain, as the tempo slows and the flowing water theme ends. The vocals start out unison, but quickly divide out to SAB parts, all in a comfortable range. The melody in the verses shifts from soprano to alto, just before it gets too low for some sopranos. However altos or baritones could probably sing the melody, as the highest notes are likely still contained within their upper range. Thus the piece could be performed as a solo for altos or baritones. Though the melody shifts, a bit, from soprano to alto, it is easily heard in continuity. Thus, intuitively, the audience, or congregation, will clearly hear the melody, and be easily able to sing along. The score provided here, contains the SAB parts and piano (with chord symbols). As you listen to the example provided, you will hear a string trio playing in the accompaniment, along with the piano. The violin, viola and violoncello adds a nice dimension to the accompaniment sound. An accompaniment track is also available under item no. S0.870603. Denny Glasscock (Lyrics and Refrain adapted from Original Hymn by Robert Lowry, 1864).
Shall We Gather at the River (SAB)
Chorale 3 parties

$1.99 1.7 € Chorale 3 parties PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1296875 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and Parts. 92 pages. Geraldine (Denny) Green at Oakmountmusic #887025. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1296875). ALL PURCHASES COME WITH SCORE AND PARTSWritten in May 2013 – Duration; approx. 10 minutesStandard of solo parts; Approx. Grade 7/8There are 4 arrangements available:No.1 – School Arrangement – 2 Solo violins, Violins 1, 2 and 3 and cellos. The cello part does divide into 2 in places throughout.No.2 – Standard Arrangement – 2 solo violins, Violins 1 and 2, violas, cellos and double bassesNo.3 – Piano reduction – for 2 solo violins and pianoNo. 4 – Arrangement for Flute, violin and piano The piece is light-hearted and tuneful and in simple ternary form. The outer sections are perky, playful and dance-like, and they frame a slow, luscious middle section where the soloists have some high harmonics.I would guess that the orchestral players would need to be at about Grade 4/5 upwards to manage this comfortably.
Concertino For Two Solo Violins and Strings (School Arrangement)
Orchestre à Cordes
Geraldine Green
$26.00 22.18 € Orchestre à Cordes PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1474978 Composed by William Alwyn. Arranged by Zellev. 20th Century,Barbershop,Broadway,Children,Comedy,Musical/Show. Score. 3 pages. Zellev Music #1052569. Published by Zellev Music (A0.1474978). Key Signature: G majorTime Signature: 3/4Tempo: Vivace, ma ritmico (vivace, considerably, 148bpm)Difficulty: IntermediateWilliam Alwyn (1905-1985) Fantasy Waltzes: No. 8 in G Major The Fantasy Waltzes is a suite of eleven piano pieces composed in London between June 1954 and April 1955 and is arguably one of Alwyn’s finest works for piano solo. Alwyn uses the basic three-four waltz rhythm with a great variety of style, and much of the music has that of a romantic approach, although here and there are nods to the composer’s earlier neo-classical style. The idea for the Fantasy Waltzes originated while Alwyn was on holiday in Norway after a visit to Grieg’s lakeside home. Although conceived as a continuous cycle, the suite does divide into two parts, Nos. 1-6 and Nos. 7-11, which encompass many moods from happy to sad, to mysterious and solemn, with the eighth waltz being one of the most attractive of the set. The Fantasy Waltzes are dedicated to the New Zealand pianist Richard Farrell, who gave the first performance of the work in a BBC broadcast on 2nd June 1957. Less than a year later, Farrell’s promising career as a concert pianist was cut tragically short after being killed in a car accident. Alwyn admired Farrell’s playing greatly and dedicated the fifth of his Twelve Preludes for piano to Farrell’s memory.
Fantasy Waltzes: No. 8
Piano seul

$4.00 3.41 € Piano seul PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre

$10.99 9.37 € Orchestre PDF SheetMusicPlus

Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.     www.jamesguthrie.com.
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano

$24.95 21.28 € PDF SheetMusicPlus






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