By Rodgers & Hammerstein. Arranged by Adrian Mansukhani. Score, Set of Parts. 20 pages. Published by Oz Fiddler Music (H0.144967-198450). - Score,Set of Parts - - Oz Fiddler Music

Composed by Jennie Lou Klim. Method, Classroom. Individual Part. 48 pages. Published by Beachside Publications (S0.153063). - Individual Part - Method,Classroom - Beachside Publications

By Rodgers & Hammerstein. Arranged by Jeremy Corcoran. Score, Set of Parts. 8 pages. Published by Published by LPC Publishers (H0.220535-198450). - Score,Set of Parts - - Published by LPC Publishers

Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary. Score. 7 pages. Monica Bergo #3244377. Published by Monica Bergo (A0.976877). 2017 Holiday Contest Entry* • .¸¸. ♫ Like a flower (Faust, powders and potions) ♫ • *'¯` * .¸¸. ♫ I seek peace, I want to light…   Is one of those days that the silence takes away   that last smile and dies in throat happiness   The old desires   resurface here and there   and move the dish intact   the food don't takes me away hunger     I would to be a flower   needs has never   the sun heats   the wind then lull it   the rain mixes with my tears that goes   my steps echo in the nothing of city     and while I walked in to the melancholy   with only my sad thoughts to keep me company   with the mind's eye   I had seen him already   beautiful in appearance, but in the heart the ice he has     It 's so much waiting for you but   I have eternity   it's true ,to have you tried  and you're back here,   you good acrobat, actress without identity   it is useless to run away, it is written in the DNA.   Do not you remember? but that good days   powders and concoctions   that filled your eternal empty   watched yourself  now   always the same   love, affection   is a life that you are looking for   Surrender and you'll see ....   here with me, no one in the world,   will can hurt you or harm you will do   damnation, pure invention   and heaven will remain empty   But do not you realize? you're out of time and out of place in this society   if you disappear at this instant   of your essence, what will be left?     Do-sol   do-sol   energy becomes infinite   Re- la   Re- la   and from the heart goes to the fingers   MI- si   mi- si   search keys, caresses them   and finally there is sweetness also for me     Do-sol   do-sol   so tired of being alone   re-la   re-la   fly music and consoles   mi-si mi-si   remove  also  this love too   and as a flower   without treatment, I wither     Stay with me   I want to light   Stay with me   I look for peace   like a flower that does not give answers   here with you there is no peace   here with you without light   like a flower   without the sun I will die     Sweetes.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.

Piano Solo (4-Part) - Level 4 - Digital Download SKU: A0.516098 Composed by Santino Cara. Romantic Period. Score. 84 pages. Santino Cara #2006617. Published by Santino Cara (A0.516098). The 14 nocturnes for piano in this book, were composed in Rome-Italy, between 1983 and 2007. Are tracks taken from various works written in the last 20 years. Content CS005 No. 3 - Notturno in Re maggiore CS008 No. 2 - Nocturne in C sharp minor CS026 No. 4 - Notturno in Do maggiore CS027 No. 1 - Notturno in Sol maggiore CS027 No. 2 - Notturno in Sol maggiore CS028 No. 1 - Notturno in Mi bemolle maggiore CS028 No. 2 - Notturno in Mi bemolle maggiore CS029 - Notturno in Mi bemolle maggiore CS036 No. 1 - Notturno in Fa maggiore CS047 No. 1 - Notturno in La bemolle maggiore CS047 No. 2 - Notturno in Sol minore CS054 No. 1 - Nocturne in E minor CS054 No. 2 - Notturno in Do maggiore CS106 No. 2 - Notturno in Fa maggiore..

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1029237 Composed by Jacq Daniel Francisco. Contemporary,Instructional. Score and parts. 7 pages. Donna Francisco #4784269. Published by Donna Francisco (A0.1029237). These canons are following a certain theme: Mi, La, La, Re, Si, Do, Mi and the wait it sounds is so very great, and it follows a format like Bach's works....

Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.1203228 By Crosby Stills and Nash. By David Crosby. Arranged by Simon James. 20th Century,Contemporary,Pop,Singer/Songwriter. 14 pages. DML #801902. Published by DML (A0.1203228). Guinnevere is a song written by David Crosby in 1968. The song appears on Crosby, Stills & Nash's critically acclaimed debut album. The song is notable for its serene yet pointed melody and its unique lyrics, which compare Queen Guinevere to the object of the singer's affection, referred to as mi'lady. In a Rolling Stone interview, Crosby remarked: That is a very unusual song, it's in a very strange tuning (EBDGAD) with strange time signatures. I have arranged the song in standard tuning as re-tuning your guitar can be very time consuming. In order to do this successfully I have made some changes to the original accompaniment, nothing drastic and the feel of the guitar part is still the same. This the vocal arrangement, there is also an instrumental trio arrangement. The vocal part is tricky because of the rhythm while the accompanying guitar is challenging not only for the unusual time signatures but also a complex left hand at times requiring long stretches. The song has three verses all of which are sung slightly differently from each other therefore the vocal part has no repeats while the guitar part does. I have given the lyrics here as well as in the song as the meaning is important and not obvious at first glance.

Easy Piano - Level 1 - Digital Download SKU: A0.1254238 Composed by Bryan Kujawa. Arranged by Bryan Kujawa. Instructional. Score. 12 pages. Bryan Kujawa #847820. Published by Bryan Kujawa (A0.1254238). This is a new 2023 product for beginning piano players. Each of the 12 pages contains 7 songs using only the first 3 notes of the key/scale. 5 of the songs are original melodies, the last two are Mary Had a Little Lamb and Hot Cross Buns. The only type of rhythm used is a quarter note or quarter rests (some half rests at the end of a measure). This product gives the beginning pianist plenty of practice with the first 3 notes. It also helps them understand the relationship between keys while simultaneous giving them ear training of Do-Mi-Re.The following keys are included: A, Ab, B, Bb, C, D, Db, E, Eb, F, G, Gb (I realize these are not in chromatic order).

Level 2 - Digital Download SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler and Tracey Mathias. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 94 pages. DaCapo Primary Music #904114. Published by DaCapo Primary Music (A0.1315388). This Book Contains 68 songs for the instrumentalist.This new edition of the DaCapo Complete Instrumentalist contains the same material as when first published in 2000, with one big change - many of the songs have been re-worded by our writer in residence, Tracey Mathias, to make them more engaging for very young children.Singing is the foundation of all musical skills.The book concentrates on the building of musicianship, is not clef specific and is therefore suitable for ANY instrument. It has been written on a reduced stave of 1, 2 or 3 lines in order to develop the skill of hearing the music from the page. The songs are classified by their note range, using solfa symbols and handsigns to identify relative pitches.The collection starts with the  so  mi  interval and moves progressively to cover the complete major pentatonic scale. These intervals are easier to pitch accurately and you have the added advantage of working in canon. You may find another section more appropriate for the early stages of your instrument. A violinist or cellist may find the  so  do  section better as a starting point for example, whilst  la  so  might be more comfortable on a fife or recorder.Each section starts with a list of ideas for very simple activities used to teach a song and establish it in the pupil's mind. There follows a variety of more complex and creative ideas which will enhance their musicianship. The activities are at three levels and we suggest that first you learn lots of the songs and then return to them later, tackling some of the more challenging suggestions.Whilst every attempt has been made to research the source material, if you think we have not credited an original song please let us know.We hope that you enjoy becoming a Complete Instrumentalist. Jane CutlerYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop

Flute,Guitar - Level 4 - Digital Download SKU: A0.1173666 By Crosby Stills and Nash. By David Crosby. Arranged by Simon James. 20th Century,Chamber,Classical,Contemporary,Folk. 16 pages. DML #773814. Published by DML (A0.1173666). Guinnevere is a song written by David Crosby in 1968. The song is notable for its serene yet pointed melody and its unique lyrics, which compare Queen Guinevere to the object of the singer's affection, referred to as mi'lady. In a Rolling Stone interview, Crosby remarked: That is a very unusual song, it's in a very strange tuning (EBDGAD) with strange time signatures. I have arranged the song in standard tuning as re-tuning your guitar can be very time consuming. In order to do this successfully I have made some changes to the original accompaniment, nothing drastic and the feel of the guitar part is still the same. The version for trio (guitar and two flutes) is taken from the various live performances and has an extended structure compared to the original song. The harmony has a deliberate mediaeval feel to it in keeping with the atmosphere of the song. You could use any two instruments for this, on the recording I made of this arrangement  for the album The Great Music Of Crosby Stills Nash And Young (2021) I used guitars for everything.

Violin and orchestra - difficult - Digital Download SKU: S9.Q25029 Violin Concerto No. 2. Composed by Peter Eotvos. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 24 minutes. Schott Music - Digital #Q25029. Published by Schott Music - Digital (S9.Q25029). Die Struktur musikalischer Hierarchien in drei Sätzen: „Do für die westliche, „Mi für die östliche, pentatonische Musikkultur, „Re im Wechsel. Eötvös baut in seinem zweiten Violinkonzert komplexe Weltbilder; gewidmet ist das Werk der Geigerin Midori.3 (2. auch Picc., 3. auch Altfl.) · 2 (2. auch Engl. Hr.) · 3 (2. auch Es-Klar., 3. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 1 · 0 - S. (I [links]: Glsp. · Trgl. [t.] · Bong. (sehr h.) · 2 Röhren (Metall) · Sizzle-Beck. · Marac. · 3 Woodbl. · Chin. Dom-Beck. [t.] - II [Mitte]: Crot. · Xyl. · Trgl. [m.] · Röhrengl. · 2 Gongs · Caxixi · Guiro [m./h.] · Chin. Dom-Beck. [m.] - III [rechts]: Cowbells · 2 Beck. [t./m.] · Trgl. [h.] · Bong. [h.]· Sizzle-Beck. · Marac. · Tamb. · Chin. Dom-Beck. [h.] · Tamt. [t.]) (3 Spieler) - Hfe. · Cel. - Str. (8 · 6 · 6 · 6 · 4 [3./4. 5-Saiter]).