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Piano Solo - Level 2 - Digital Download SKU: A0.1160855 Composed by Nick Norton. Chamber,Classical,Contemporary,New Age. Score. 11 pages. Bathysphere Music #761167. Published by Bathysphere Music (A0.1160855). The four calm interludes (should that be capitalized?) are Four One, On Nothing, About Sixths, and On Sol. They are intended as simple, meditative pieces, perhaps good for student pianists to attempt.In spring of 2020, as the COVID-19 pandemic took hold, I suffered a massive manic episode followed by a debilitating depression that lasted over a year. During this time I found my relationship with music fraught—I could not compose, and could barely even listen to music for enjoyment, relaxation, or whatever other reasons people listen to music. It was terrifying, thinking my life’s work was over.The shift to being unable to compose or listen, however, was a gradual, like the shift from mania to depression. I found my listening habits following what seemed like a massive ritardando, as they moved away from the upbeat music I was used to toward more and more ambient, very slow music. Hiroshi Yoshimura’s album Music For Nine Postcards was on repeat for a long while before the total break. Its calm repetitions must have influenced what I was doing, because I sometimes found myself at the piano playing the same note or chord over and over again, just listening to the details in the resonance. Out of this came the first of these four pieces, On Nothing.Eight months later I found myself doing it again, the result of which is Four One. Another eight months went by before About Sixths, and then, as my recovery became more and more apparent, only two months passed until On Sol. I am grateful to say I am now composing every day again, though my music has, without conscious intention, taken on a far more introspective feel than ever before.I have not given the pieces numbers, because I don’t mind if they are played in a different order, alone, or—as the title suggests—as interludes between other pieces. I do like the printed order though.
Four Calm Interludes
Piano seul

$20.00 17.17 € Piano seul PDF SheetMusicPlus

Bass Guitar - Level 4 - Digital Download SKU: A0.941957 By Bbno$/Sonn. By Alex Gumuchian. Arranged by Daniel Roberts. Contemporary. Score. 4 pages. Daniel P Roberts #5899839. Published by Daniel P Roberts (A0.941957). Flex by bbno$ and featuring Sonn. Bass transcription, note for note.[Chorus]So I'm sweet like Tutti FruttiBooty gave me cooties1970 shitMight just pop a ludieFuck a sinus cold, fuck pneumoniaYour mommy's quite the bitch and she want my bonerAnd I had to phone her and her name is MonaAnd of course i got her leashed up I'm a lonerShe need the dong to live and I'm the donor[Post-Chorus]So I get a big bag and I flex (and I flex)Then I get a bad bitch, fuck an ex (fuck an ex)So I drop another track, yeah I'm next (yeah I'm next)And I did it like that, I'm the best (Skrrt Skrrt Skrrt)[Verse 1]Diamonds I talk aboutGot a little bit of plastic, I'm moving the copper nowCan you tell me why your girl has a potty mouthWhy is this something you haven't even thought aboutHeard that I'm the bestGucci on my chestSpeaking for the publicI don't got a problemSipping on some bubblyMan my life is lovelyMommy on my caseWhy she tryna rub meBooty so wide its 5 by 5Make a couple tracks 25 x 5Bandwidth it be WiFiNot Sci-fi, sorry Bill NyeDoing just fine, 500 there500 there, 500 squaredIn my bank account, I'ma tell you nowI'm doing just fine, fuck a discount
Flex
Basse electrique
Bbno$/Sonn
$4.99 4.28 € Basse electrique PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1486675 By Foo Fighters. By David Grohl. Arranged by Brian Streckfus. Contemporary,Pop,Rock. Chords/Lyrics. 2 pages. Brian Streckfus #1063740. Published by Brian Streckfus (A0.1486675). Key: B minorPages: 2The aim of this version was not historical accuracy. The aim was to create a great solo unplugged coffee-house version with no page turns, though it could still be really useful for any situation. The melody is left intact, some liberties with the harmonies were taken when there is singing. I'm very proud and happy with how it turned out, sometimes you get lucky and the sections fall perfectly into place (which is suprising since there are some odd 3 measure phrases in here). Features:1. Beginner friendly. The chords are so accurate to what the sheet music is doing, that you don't even really need to read sheet music to play this!2. Harmonies that take difficulty, style, voice leading, and melody into consideration3. Condensed lead sheet version that fits on 2 pages to avoid a page turn; yet it is packed with details and naunces.4. Beautifully engraved sections that visually make sense on the page.Tips:1. Measures 8-16 I named that chords as if both guitars were taken into consideration. I'm guilty of sometimes saying, Oh it's just a rock song with power chords, but then you look into the details, and the chords are actually quite jazzy.2. Maybe She sang needs a fermata?3. If a song is in B minor and never changes key, fret 1 will never happens! Be in position 2 for this song! That's why I didn't put fingerings in, they would have been as helpful as confusing.4. Maybe it's a given, but I recommend forcing melody notes on to the chord in one way or another. Sometimes I go on spurts of notating many complex chords to account for the melody, other times I just show one chord per measure but kind of assume that you'll make the guitar work more fancy with the melody notes. Maybe this is overthinking the arrangement, but there is great voicings I'm doing that I want to get across, but sometimes I won't do it because the score will get too busy looking. Just food for thought, depends on your agenda I suppose.
Everlong
Foo Fighters
$2.99 2.57 € PDF SheetMusicPlus

Acoustic Guitar,Flute,Viola - Level 3 - Digital Download SKU: A0.1317395 Composed by Franz Joseph Haydn. Arranged by Nick Stokes. Chamber,Classical. 37 pages. Nick Stokes #906057. Published by Nick Stokes (A0.1317395). This arrangement is of a light 2 movement piano trio by Haydn. It goes for about 10 to 15 minutes (depending on if you do repeats). It has a number of delightful and catchy tunes and has plenty of energy in the presto movement.   It is for what I think is the best combination of instruments involving guitar in chamber music - flute , viola & guitar. the level of difficulty is probably in that order too , with the flute doing the lion’s share of the tunes, the viola doing a fair amount of double stops and some secondary tunes and the guitar not too hard but involving some grand barres and half barres and requires tuning the low string down to Eb.  This version has a many tone colours to explore and is very light in the bass which I find makes for a sparkling sound . All the players are busy and get to have solos, which is sometimes a complaint of cellists playing Haydn piano trios where the requirement at the time seemed to be to make the music work with or without the cello being there.   I hope other guitarists and amateur musicians find it fun and worthwhile putting the time in to learn and perform it. I feel the best of Haydn will never sound old and the basic structure is so solid that it has been used for centuries since he was alive and creating. Maybe this arrangement will allow a fresh listen to this particular piece.
Trio for flute, viola and classical guitar (arrangement of XV:10)

$10.00 8.59 € PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
The Betrayal
Chorale SATB

$16.95 14.55 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by Peet du Toit. Film/TV. Score and parts. 36 pages. Peet du Toit #6115473. Published by Peet du Toit (A0.802642). Silly Love Songs is a song written by Paul McCartney and Linda McCartney and performed by Wings. The song appears on the 1976 album Wings at the Speed of Sound. It was also released as a single in 1976, backed with Cook of the House. The song, written in response to John Lennon and music critics accusing McCartney of predominantly writing silly love songs and sentimental slush, also features disco overtones.The song was McCartney's 27th number one as a songwriter; the all-time record for the most number one hits achieved by a songwriter.With this song, McCartney became the first person to have a year-end No. 1 song as a member of two distinct acts. McCartney previously hit No. 1 in the year-end Billboard chart as a member of the Beatles with I Want to Hold Your Hand in 1964 and Hey Jude in 1968.Silly Love Songs has since appeared on multiple McCartney greatest hits compilations, including Wings Greatest and All the Best!. The song has also appeared on the Hits section of the compilation album Wingspan: Hits and History. Despite its popularity, McCartney has not performed the song live since the dissolution of Wings.Silly Love Songs was written as a rebuttal to music critics (as well as John Lennon) who had criticized McCartney for writing lightweight love songs. Author Tim Riley suggests that in the song, McCartney is inviting his audience to have a laugh on him, as Elvis Presley had sometimes done. But over the years people have said, Aw, he sings love songs, he writes love songs, he's so soppy at times. I thought, Well, I know what they mean, but, people have been doing love songs forever. I like 'em, other people like 'em, and there's a lot of people I love -- I'm lucky enough to have that in my life. So the idea was that you may call them silly, but what's wrong with that? The song was, in a way, to answer people who just accuse me of being soppy. The nice payoff now is that a lot of the people I meet who are at the age where they've just got a couple of kids and have grown up a bit, settling down, they'll say to me, I thought you were really soppy for years, but I get it now! I see what you were doing! - Paul McCartney, Billboard Enjoy my brassy version of Silly Love Songs
Silly Love Songs
Wings
$22.00 18.89 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.509582 Composed by Music by Richard Link Lyrics by Barry Thorson. Broadway,Musical/Show. Score. 6 pages. ArtLink Publishers #120582. Published by artLink Publishers (A0.509582). From the award winning musical The Painter's Dream, Distraction is sung by the heroine of the story, Araina. She’s trying to stay focused on the latest chore her father has sent her to do, but something bigger than herself in her is constantly looking for more. This longing for something else distracts her from what she’s supposed to be doing; or maybe what she’s supposed to be doing is distracting her from what she really wants. I’m sure we can all relate. Suitable for young woman 13 - 18. Mezzo soprano range. Top note D5.
Distraction
Piano, Voix et Guitare

$3.99 3.43 € Piano, Voix et Guitare PDF SheetMusicPlus

String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1371318 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Joe Buzzelli. Film/TV,Pop,Rock,Traditional,Wedding. 33 pages. Joe Buzzelli #949831. Published by Joe Buzzelli (A0.1371318). The last version of Can’t Help Falling in Love your string ensembles will ever need.As a working freelance violinist, I understand the difficulty that comes with assembling a book of quality arrangements for your string ensembles. Whether it’s due to performer’s availability or a client’s budget, that difficulty is only magnified by adapting arrangements for one instrumentation to another. All too often a string trio will be given music for a quartet and the performers are left trying to read multiple parts and pick the most import notes from each on the fly while the audience is left listening to an arrangement that will always feel as though it’s missing something — because it is.I seek to solve this problem by taking the same core arrangement and adapting it to nearly any combination of string instruments you could need while preserving the style and character across versions. In doing so, I have also aimed to keep each version as similar to the others as possible to ensure that once you have learned one version, you will have no trouble at all jumping in to any of the other instrumentations.This series of arrangements also strives to be as easy on the performers as possible. Each version is in string friendly keys and ranges (either G or D depending on the range constraints of the instrumentation), contains minimal page turns, and has a clearly notated repeat structure that allows for continuous looping as needed.Whether you are a teacher looking for music for your ever changing classroom or a professional looking for a chart that you can be sure will be read correctly the first time, this arrangement of Can’t Help Falling in Love with You is the end of your search.Purchase contains:Quartet - Parts & ScoreTrio - Violin/Viola/Cello - Parts & ScoreTrio - Violin/Violin/Cello - Parts & ScoreDuo - Violin/Cello - Parts & ScoreDuo - Violin/Violin - Parts & ScoreDuo - Violin/Viola - Parts & ScoreDuo - Viola/Cello - Parts & Score.
Can't Help Falling In Love
Trio à Cordes: violon, alto, violoncelle
Elvis Presley
$19.99 17.16 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1135456 Composed by Carl Czerny. Arranged by KlavarScore. 19th Century,Instructional,Romantic Period. Score. 25 pages. KlavarScore #735494. Published by KlavarScore (A0.1135456). Book 5, containing the exercises 89-110 from Carl Czerny's 110 Easy and Progressive Exercices as an addition to the free Klavarscore Beyer Piano Course (See www.klavarscore.org). This book in Half-Letter/A5 format can be sight-read from a tablet or e-book reader. It is also possible to print two pages on one Letter/A4 sheet in landscape orientation. In this book you will find links for free download of the audio files and KlavarScore Scrolling files, so you can play these pieces (with an appropriate app) from your cellphone, tablet or desktop PC. Perhaps not only for exercising, but also because it is such nice music to play and hear..... Books 1-4, also containing 22 exercises each are also available. By practicing the exercises found in this and the remaining 4 books of this series, the student will quickly discover how Czerny must have intended these to be much more than simple exercises. As exercises, Czerny would of course want them to be meticulously practiced, revisited and improved upon, but in doing so, students will find them to be very pleasurable pieces of music to play, even for the enjoyment of an audience. These books contain instructions in Czerny's own words. Translations of Czerny's words are included in the Prefaces or in some cases as footnotes after the exercises, regarding choosing a proper tempo, the proper playing of ornaments, etc., mostly taken from Czerny's Piano School, Opus 500. In this way, Czerny himself becomes the teacher to students in need of one. Carl Czerny (1791-1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works. His books of studies for the piano are still widely used in piano teaching. He was one of Beethoven's numerous pupils, Franz Liszt was his most famous pupil. Source: Wikipedia.
Czerny's 110 Easy and Progressive Exercises Opus 453 Exercise 89-110 transcribed to KlavarScore (A5)
Piano seul
practicing the exercises found in this and the remaining 4 books of this series, the student will quickly discover how Czerny must have intended these to be much more than simple exercises As exercises, Czerny would of course want them to be meticulously practiced, revisited and improved upon, but in doing so, students will find them to be very pleasurable pieces of music to play, even for the enjoyment of an audience
$2.49 2.14 € Piano seul PDF SheetMusicPlus






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